My work explores the relationship between gender politics and emotional memories.
With influences as diverse as Nietzsche and John Lennon, new combinations are created from both explicit and implicit textures.
Ever since I was a teenager I have been fascinated by the theoretical limits of the mind. What starts out as vision soon becomes debased into a cacophony of greed, leaving only a sense of what could have been and the chance of a new reality.
As temporal forms become frozen through diligent and critical practice, the viewer is left with an insight into the inaccuracies of our era.