Forums > Photography Talk > Focusing problems with prime lenses

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

I normally use zoom lenses but I recently got the Sigma 50mm 1.4 art lens and while I really like it overall, the focusing is very inconsistent especially when shooting wide open. The only other prime lens I've used is the Canon 50mm 1.8 and I had the same problem with that. Is there anything I can do to improve focusing apart from using a tripod?

Oct 31 15 01:36 pm Link

Photographer

LeonardG Photography

Posts: 405

San Francisco, California, US

lots of solutions are mentioned here:
https://www.modelmayhem.com/forums/post/951742

suspect the you may have the same problem(s).

inaccurate focus use
poor hand holding technique
not dealing with & understanding narrow dof
understanding minimum shutter speed limitations

Oct 31 15 01:39 pm Link

Photographer

Zack Zoll

Posts: 6895

Glens Falls, New York, US

Another possibility: camera variation.

Every camera and lens has some acceptable variation in where the sensor, lens mount, rear element, etc. sits. It's very small, but there is one. Say for sake of argument that a sensor can be misaligned by up to 5 microns/nanometers/whatever they use to measure it, and the same for lenses. If the sensor was 4 microns off in one direction, and the lens was 4 off in the other direction, now you're off by 8 microns, which puts that camera/lens combination out of spec.

I don't see this a lot, but a few years ago I used to see it all the time from literally every camera company and AF lens maker. It used to be accepted among pros that when buying new, you should try a few copies of the same lens if possible. These days, it seems like those tolerances have gotten tighter, but it still happens once in a while. The use of on-sensor AF detection helps too, since that effectively removes camera variation from the equation when using it.

It was ALWAYS a bigger issue with pro lenses than kit lenses. For one, newbies aren't generally as critical. But beyond that, wide aperture lenses(like primes) have a narrower DOF, which means that alignment is much more important. When you zoom out to the long end on an 18-55 you're at f/5.6, which gives you a lot more leeway.

You see this in other industries too. It's a lot easier to keep an AK-47 or a Toyota Corolla in spec than a target rifle or a track car.

Oct 31 15 03:52 pm Link

Photographer

tcphoto

Posts: 1030

Nashville, Tennessee, US

AF systems are geared toward shooting at F8. You are a fool if you think that your camera will focus accurately at F1.4 no matter the focal length.

Oct 31 15 04:42 pm Link

Photographer

JAE

Posts: 2207

West Chester, Pennsylvania, US

I used zooms for a long time then bought my first Sigma prime last year. I had a lot of the same focusing problems at first.  It took some patience and practice, but my photos are a lot better now.  It really just came down to the things mentioned in this post:

LeonardG Photography wrote:
lots of solutions are mentioned here:
https://www.modelmayhem.com/forums/post/951742

suspect the you may have the same problem(s).

inaccurate focus use
poor hand holding technique
not dealing with & understanding narrow dof
understanding minimum shutter speed limitations

Oct 31 15 05:43 pm Link

Photographer

portraiturebyBrent

Posts: 387

Round Rock, Texas, US

Dave McDermott wrote:
...the focusing is very inconsistent especially when shooting wide open. Is there anything I can do to improve focusing apart from using a tripod?

"During autofocus, the camera automatically opens the lens to its widest aperture, only closing it down to the aperture you’ve chosen just before the shutter curtain opens".

Quoted from an article on LensRentals.com: https://www.lensrentals.com/blog/2010/0 … ften-works

As mentioned by others, proper technique will help with your shooting wide open. The aperture setting is irrelevant during focus.

Oct 31 15 07:01 pm Link

Clothing Designer

GRMACK

Posts: 5436

Bakersfield, California, US

Even if you use some 800mm prime lens you can get badly focused shots.  Ask any birder who shoots with one.  Watch them fire off a barrage of a dozen shots and one will always be sharper than the rest of the series even if they focus-locked onto the bird's eye.  Pot luck really.

The LensRentals guy equates AF to shooting with shotgun at times:  Some hit.  Some miss.  It's just not that accurate as we'd like it to be.  I can set mine up on a tripod and punch the shutter button and watch the lens spin off a bit each time due to hysteresis - although nothing has changed in distances.  Sure, you can tune and fiddle to get it close, but 100% accuracy is unachievable, imho.  Maybe in another 20 years...

Oct 31 15 08:07 pm Link

Photographer

Photomezzo

Posts: 288

Venice, California, US

tcphoto wrote:
AF systems are geared toward shooting at F8. You are a fool if you think that your camera will focus accurately at F1.4 no matter the focal length.

There is no Canon DSLR autofocus system that focuses at f/8. All these systems focus using the widest aperture of the lens. If you ultimately make the photo at f/8 it only serves to partially mask focusing errors, it doesn't enhance focusing accuracy.

Nov 01 15 12:19 am Link

Photographer

DOUGLASFOTOS

Posts: 10604

Los Angeles, California, US

JAE wrote:
I used zooms for a long time then bought my first Sigma prime last year. I had a lot of the same focusing problems at first.  It took some patience and practice, but my photos are a lot better now.  It really just came down to the things mentioned in this post:


Remember Kids. Canon and Nikon does not have to give out their AF Systems to 3rd Party Lens Makers..ie Sigma. And when firmware is updated to Nikon and Canons...they sneak that in, so your Sigma's and Tamron's do not focus quite right. I have the Sigma 50mm Art, I use Nikon..and no problems. But I have heard in the past that Sigma has issues with Canon Cameras, from time to time. But there is a very simplistic solution. Manual.

Nov 01 15 12:27 am Link

Photographer

Yingwah Productions

Posts: 1557

New York, New York, US

DOUGLASFOTOS wrote:

Remember Kids. Canon and Nikon does not have to give out their AF Systems to 3rd Party Lens Makers..ie Sigma. And when firmware is updated to Nikon and Canons...they sneak that in, so your Sigma's and Tamron's do not focus quite right. I have the Sigma 50mm Art, I use Nikon..and no problems. But I have heard in the past that Sigma has issues with Canon Cameras, from time to time. But there is a very simplistic solution. Manual.

Most modern focus rings don't have fine enough adjustment for manual focus because it slows down the speed of AF action. Even with focusing screen you won't get super sharp focus at 100% view like you can using AF. The only real solution is wasting time by going into live view  to zoom in and focus that way.

Nov 01 15 01:54 am Link

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

Some interesting points. The new shake reduction tool in photoshop has been very useful and has helped salvage some photos that were otherwise unusable. If I'm using flash I can turn the power all the way down so I can get a shallow DOF. The photos are tack sharp when I do this. It's only when working with natural light that it becomes a bit hit and miss but I've noticed its not as bad at smaller apertures. It's only when I go wider than F4 that I start to get problems.

Nov 01 15 01:37 am Link

Photographer

portraiturebyBrent

Posts: 387

Round Rock, Texas, US

Yingwah Productions wrote:
Most modern focus rings don't have fine enough adjustment for manual focus because it slows down the speed of AF action. Even with focusing screen you won't get super sharp focus at 100% view like you can using AF. The only real solution is wasting time by going into live view  to zoom in and focus that way.

So true. Even using a purpose-built, manual focus lens on a DSLR can be difficult due to the lack of a good focus screen. Under these circumstances, I cheat.

Doing focus testing with Nikon's 50mm f/1.2 on my main body, I know by watching the focus indicators in the viewfinder, that if I focus where the right arrow is lit, then back it off just to where the focus indicator dot lights, this is good focus. If the left arrow is lit and change focus to where the dot is lit, the focus will still be slightly off. There's enough play, so to speak, when the focus dot is lit, that you can still be out of focus (quite noticeable at f/1.2) . Since you can't fine-tune the focus on a non-cpu lens, this is as close to auto as I know how to achieve. Your mileage may vary.

Dave McDermott wrote:
If I'm using flash I can turn the power all the way down so I can get a shallow DOF. The photos are tack sharp when I do this. It's only when working with natural light that it becomes a bit hit and miss but I've noticed its not as bad at smaller apertures. It's only when I go wider than F4 that I start to get problems.

Flash duration is very fast, and the shutter speed is mostly irrelevant. Based on your observation of flash vs. natural light, I think the issue you're having is related to camera movement as opposed to focus.

Think of it this way... your focus system doesn't give a rat's-ass you're about to fire a flash or use natural light. It's job is to focus. If your shots are tack sharp when using flash, your focus system is good. Of course, this is assuming you have the same amount of light available when focusing when using flash vs natural light.

Nov 01 15 01:44 am Link

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

Yeah I think it is just down to movement. Obviously the flash freezes everything so its not an issue then. I was just a bit disappointed when I did my first shoot with it using only natural light only to find that a lot of the photos were out of focus.

Nov 01 15 02:27 am Link

Photographer

portraiturebyBrent

Posts: 387

Round Rock, Texas, US

Don't give up on it. I have Nikon's 50mm f/1.4G and 50mm f/1.2, but still want to add the Sigma 50mm f/1.4 Art. It's a thing of beauty when it all comes together.

Nov 01 15 02:48 am Link

Photographer

Kent Art Photography

Posts: 3588

Ashford, England, United Kingdom

Some examples of the problem would be nice....

Nov 01 15 02:55 am Link

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

portraiturebyBrent wrote:
Don't give up on it. I have Nikon's 50mm f/1.4G and 50mm f/1.2, but still want to add the Sigma 50mm f/1.4 Art. It's a thing of beauty when it all comes together.

Ohh absolutely, I got some great shots with it too. I'll certainly keep using it for a while anyway.

Nov 01 15 06:10 am Link

Photographer

DMI

Posts: 28

Westland, Michigan, US

Most primes are not the sharpest when wide open (check out some samples at Vimeo). Better to shoot in good light and close the lens down.

Nov 01 15 06:24 am Link

Photographer

Zack Zoll

Posts: 6895

Glens Falls, New York, US

Dave McDermott wrote:
Yeah I think it is just down to movement. Obviously the flash freezes everything so its not an issue then. I was just a bit disappointed when I did my first shoot with it using only natural light only to find that a lot of the photos were out of focus.

Keep in mind that even though the LENS is at 1.2 when focusing, the AF sensors may not actually be able to use that much light. It's common for them to only accept the 2.8-5.6 range; anything brighter than that is 2.8, and anything darker than that is 'off.'

Depending on the focusing point you used, and whether or not the on-chip AF detection was on, you may have had the DOF of a 1.2 lens, but all the focusing accuracy of a 2.8 lens.

And for a backlit subject, the contrast detection may not have helped even if it was on.

Nov 01 15 08:11 am Link

Photographer

Eye of the World

Posts: 1396

Corvallis, Oregon, US

Dave McDermott wrote:
Yeah I think it is just down to movement. Obviously the flash freezes everything so its not an issue then. I was just a bit disappointed when I did my first shoot with it using only natural light only to find that a lot of the photos were out of focus.

Except based on the other comments they were NOT out of focus. You need to be able to differentiate between the softness caused by movement  and that from being out of focus. If it is a focus problem there will generally still be something in the image that is sharp. For example, if you are trying to  focus on the eye but it is actually the tip of the nose that is in focus then the focus was not accurate (or you focused and recomposed). If everything in the image is soft then it is generally movement.

It was mentioned that camera/lens combinations can have a back or front focus error due to the slight variations in tolerances. Some cameras have a micro-focus adjustment so you can calibrate the particular combination to compensate.

Depending on the camera/lens combination, when shooting wide open you may only have a few millimeters depth of field, leaving most of the image out of focus. You might find this site helpful http://www.dofmaster.com/dofjs.html

Nov 01 15 10:51 am Link

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

Has anybody tried the Sigma USB dock? My camera doesn't seem to have the micro-focus adjustment so I can't tweak it that way.

Dec 14 15 11:12 am Link

Photographer

JadedWriter

Posts: 183

New York, New York, US

I have the same problem myself occasionally. I use a 1.8 Nikon 50mm a lot...a lot a lot and I'm learning how to stop the lens down more. Pretty much I try to be in the F2-F2.8 range if it's possible. I only go to 1.8 if the lighting gets really atrocious and if I have to use a lot of iso go get a manageable shutter speed. I've gotten used to more iso, but I still don't like cranking it up too high. I know that's a full frame lens and if it's on a full frame body it shouldn't be too highly effected by iso noise.

Dec 14 15 07:03 pm Link

Clothing Designer

GRMACK

Posts: 5436

Bakersfield, California, US

Dave McDermott wrote:
Has anybody tried the Sigma USB dock? My camera doesn't seem to have the micro-focus adjustment so I can't tweak it that way.

I've have it and use it.

I believe the use for what you want, i.e. camera bodies that have no menu for adjusting and tuning the AF, is what it works best for.  If you have a body with the AF tuning in it, using the body's and the dock gets a bit confusing.

Just be careful of the four ranges you set it up for.  The three close ones aren't bad, but the infinity (4th) can fool you as to where you need to calibrate it for.  Infinity might be best calibrated in the the 4th zone in the Sigma software at 6-9 feet or maybe out to 90 feet.

Also, the transition between the 3rd and 4th (Infinity) zone can be abrupt so watch out!  It's fooled the Reikan FoCal AF testing software as well and they have some range ideas for where infinity best turns out to be for various lenses on their site.  I set mine (Infinity) for where I think I'll use it most at, maybe 25 feet with the 35mm ART with a subject.  I don't normally shoot actual infinity horizon landscape stuff so I prefer it to error closer.

Good luck!

Dec 14 15 07:32 pm Link

Photographer

Michael Bots

Posts: 8020

Kingston, Ontario, Canada

Dave McDermott wrote:
Some interesting points. The new shake reduction tool in photoshop has been very useful and has helped salvage some photos that were otherwise unusable. If I'm using flash I can turn the power all the way down so I can get a shallow DOF. The photos are tack sharp when I do this. It's only when working with natural light that it becomes a bit hit and miss but I've noticed its not as bad at smaller apertures. It's only when I go wider than F4 that I start to get problems.

As the Photoshop shake reduction tools help the issue might simply be movement / vibration of the camera.
A stabilization rig would help isolate this. These can be as simple as a 1kg  weight bolted to a grip (even made with scrap parts from that back corner) to wearable spring balanced affairs.

You can test by holding a tripod, weighted with water bottles and held together with gaffer's tape.

see
https://www.youtube.com/watch?v=-H-6sFhPKvs
https://www.youtube.com/watch?v=ETdmB1G3VOI
https://www.youtube.com/watch?v=EdOnj91pLaA
https://www.youtube.com/watch?v=yDi1o8GUAss


http://www.ebay.com/itm/1-7-5kg-Steadic … 1121223962
http://www.ebay.com/itm/Handheld-Video- … 0976649964
http://www.ebay.com/itm/HOT-Glove-Arm-B … 2156417947
http://www.ebay.com/itm/1-7-5kg-WIELDY- … 1099691131

Dec 16 15 09:23 am Link

Photographer

Dave McDermott

Posts: 720

Coill Dubh, Kildare, Ireland

Michael Bots wrote:

As the Photoshop shake reduction tools help the issue might simply be movement / vibration of the camera.
A stabilization rig would help isolate this. These can be as simple as a 1kg  weight bolted to a grip (even made with scrap parts from that back corner) to wearable spring balanced affairs.

You can test by holding a tripod, weighted with water bottles and held together with gaffer's tape.

see
https://www.youtube.com/watch?v=-H-6sFhPKvs
https://www.youtube.com/watch?v=ETdmB1G3VOI
https://www.youtube.com/watch?v=EdOnj91pLaA
https://www.youtube.com/watch?v=yDi1o8GUAss


http://www.ebay.com/itm/1-7-5kg-Steadic … 1121223962
http://www.ebay.com/itm/Handheld-Video- … 0976649964
http://www.ebay.com/itm/HOT-Glove-Arm-B … 2156417947
http://www.ebay.com/itm/1-7-5kg-WIELDY- … 1099691131

Yep I think that's all it is considering the focusing is spot on when using flash. I might try using a tripod for my next shoot and see how it goes. That would give me a better idea.

Dec 16 15 10:21 am Link

Photographer

mophotoart

Posts: 2118

Wichita, Kansas, US

not every camera and lens will get along out of the box....that is why you need to set your camera to your lens....you will be able to set the back or forward focus to match them up....some people send their equipment in to have them set right...you can do it your self with aftermarket products to set focus, do your own tests, and remember, some cameras do great auto focus in daylight but just do not get it in flash and indoor light...tripods need to be solid...shutter shake can be an issue...enjoy the journey and have fun.....Mo

Dec 19 15 08:15 pm Link

Clothing Designer

GRMACK

Posts: 5436

Bakersfield, California, US

mophotoart wrote:
... some cameras do great auto focus in daylight but just do not get it in flash and indoor light......Mo

How true!

My Nikon will miss focus with a Nikon SB flash on it indoors.  The red focus assist beam from the flash head confuses the AF array and it misses.  Depending on how bad the CA is in the lens too, it will shift the AF point.  Alternative is to turn off the red AF assist on the flash and hope the ambient is good enough, or use a external flashlight or something for a focus lock.

Nikon uses a "white" LED on the body as a focus assist in dim light, but it is covered by a large diameter lens and its hood so the flash comes into play with its red light.  Bad idea.

Dec 20 15 05:56 am Link

Photographer

Thomas Van Dyke

Posts: 3232

Washington, District of Columbia, US

GRMACK wrote:
...My Nikon will miss focus with a Nikon SB flash on it indoors...

This has been a well documented issue for quite some time now...

GRMACK wrote:
...turn off the red AF assist on the flash...

Yep, this works extremely well... problem solved...

GRMACK wrote:
Nikon uses a "white" LED on the body as a focus assist in dim light

This has been one of Nikon's strong points...  had a second shooter using a flagship Canon which wouldn't lock for her using our studio's modeling lights... had to increase studio ambient so she could continue on the session....

I'm surprised that no wedding shooters have addressed the OP's issue... Shooting wedding events is akin to combat photography... totally unpredictable and little margin for error... From the strength of the OP's comments I suspect (as others have mentioned) it is NOT a focus issue but rather camera shake or possibly subject motion... The fact that the OP's zoom optics don't have an issue is likely a result of their image stabilization (which is highly effective at masking camera shake, but not subject motion). Nearly all wedding shooters I know use auto ISO religiously...  I certainly do, and it's has yielded stellar results...

If you go this route be certain you experiment to determine your ACTUAL hand holding abilities... then dial in a shutter speed to not fall below...  only then will your hit rate become exceptionable... At least this has been my experience... Want an example? I shoot my 180mm f/2.8D ED Nikkor a lot now and need at least 500 of a second to remove camera shake from the table... I also need to stop down to f/4.0 to realize the amazing sharpness that this feather light gem yields...   

btw, I'm as guilty as the rest on wanting to blame poor results on equipment... Experience being a brutal teach I've discover in the lion's share of cases it's pilot error... We all are likely in denial when things go south... Obviously seeking to blame everything but the real causative agent...

Hope this helps...

Dec 20 15 06:57 am Link

Photographer

Frozen Instant Imagery

Posts: 4152

Melbourne, Victoria, Australia

tcphoto wrote:
AF systems are geared toward shooting at F8. You are a fool if you think that your camera will focus accurately at F1.4 no matter the focal length.

Interesting claim. Where did you get this idea? Put another way, can you provide a reference?

I think you'll find that it's not true, though. I can, and do, get accurate focus at f/1.4 (yes, using a Sigma 50mm Art).

Dec 21 15 12:34 pm Link

Photographer

J O H N A L L A N

Posts: 12221

Los Angeles, California, US

Frozen Instant Imagery wrote:
Interesting claim. Where did you get this idea? Put another way, can you provide a reference?

I think you'll find that it's not true, though. I can, and do, get accurate focus at f/1.4 (yes, using a Sigma 50mm Art).

One has to put in a little more work/attention when focusing at wide apertures, including understanding and using the right camera focusing modes (or maybe better stated - not using the wrong ones) - but if you're using better lenses there's no reason to have the false expectation that one can't focus accurately at large apertures.

Dec 21 15 01:39 pm Link

Photographer

Frozen Instant Imagery

Posts: 4152

Melbourne, Victoria, Australia

J O H N  A L L A N wrote:

One has to put in a little more work/attention when focusing at wide apertures, including understanding and using the right camera focusing modes (or maybe better stated - not using the wrong ones) - but if you're using better lenses there's no reason to have the false expectation that one can't focus accurately at large apertures.

Oh, absolutely. I can and do nail focus on a single eye using the 85mm f/1.2 wide open, and that's even shallower depth of field than 50mm f/1.4. I admit I don't always get it, considering that the depth of field can be 6mm, but it's far from impossible.

Definitely wouldn't try to do focus and recompose, though smile

Dec 23 15 08:05 am Link

Photographer

photoimager

Posts: 5164

Stoke-on-Trent, England, United Kingdom

It is a Sigma lens. It used to be that was sufficient explanation. I'd vowed to never get another Sigma lens some years ago and have sold on any that I had and still functioned.

Earlier s year I succumbed to the 35mm Art lens. First one would consistently focus in front of the subject and was too great for in-camera adjustments to enable it to focus accurately at any distance. Remember, in-camera adjustments only work optimally at one focus distance, it is a short-term solution.

This was sent back. The 'replacement', from Sigma, looked as though someone had sneeze on the front element and both front and rear were very smeared. I found later some documentation that acknowledged it was a used lens, immediate financial loss. Focus accuracy is better but still needs some care, three shots better than one. The USB hub adjustments for this lens are for 3 close distances and then infinity. Not ideal when your main use is likely to see a distance that is beyond the third by a metre.

I need to renew my vow.

Dec 23 15 11:45 pm Link