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Kodak Ektachrome returning
Jan 05 17 12:48 pm Link Jerry Nemeth wrote: Great news! I so loved using Ektachrome, almost as much as Fujichrome Provia 100. Jan 05 17 01:00 pm Link For the hipsters i suppose. I never liked that film...except for cross processing Jan 05 17 01:11 pm Link I am glad I still have my slide projector......hahaaaa. Jan 05 17 01:21 pm Link Connor Photography wrote: I still have my slide projector, spare bulbs, hundreds of slides and film cameras. Jan 05 17 03:25 pm Link Yosh Studio wrote: Agreed. I suspect that about half of their target audience would buy it only because they didn't know the difference between Kodachrome and Kodak Ektachrome. Jan 05 17 05:09 pm Link Zack Zoll wrote: Truth! As long as there was Kodachrome in the bag the back up rolls of Ektachrome never saw the light of day. It was so damn blue in the shadows and ruddy skin tones. So forget about shooting in open shade. Jan 05 17 05:21 pm Link Yosh Studio wrote: There is an old Ektachrome image in my portfolio. It has had many views. Jan 05 17 06:16 pm Link EPP was my film of choice most of my commercial life. I liked the film much better than Kodachrome. It just was more reliable for me. I just hated having to color test every batch. Ahh the 80's are back. Jan 05 17 07:33 pm Link Yeah, at 33 I think I'm too young to appreciate slide film for what it ACTUALLY was. I shot plenty, because I'm an experimenter by nature ... but colour reversal films were good for almost as long as I can remember, and b the time I knew enough to be really critical, any minute differences didn't matter, since by then I was mostly doing bw personal work anyway, and client work was all digital. There is something absolutely magical about a LF slide on a light table ... But printed? Nope. Not since Portrait and 400H came out and they canned Cibachrome. Most of this retro revolution lacks context. Records aren't better just because you have an $89 turntable. Depeche Mode was awesome because of what came before. And slide film was awesome because colour negs sucked. Jan 05 17 09:52 pm Link Zack Zoll wrote: My turntable cost a couple grand, so, you know, my Miles Davis records sound amazing!!! Jan 06 17 08:06 am Link I shot Kodachrome for publication for many years in NYC, Ektachrome was not a contender for quality prepress color, and the incomparable Cibachrome print portfolio kept me employed in the most competitive photography market in the World. Digital has eliminated the finest materials ever produced, is that progress? Jan 06 17 09:06 am Link Jerry Nemeth wrote: Yeah but how many likes does it have? Jan 06 17 10:54 am Link Yosh Studio wrote: Mine is an original Ektachrome that I scanned. Jan 06 17 11:28 am Link It's an awful chrome film. Once i discovered Velvia, never look back. Jan 06 17 12:12 pm Link Jerry Nemeth wrote: The original Ektachrome emulsion or Plus EPP, which wasnt so bad? Jan 06 17 01:54 pm Link Great news! I hope that 4x5 or 8x10 will be in it in the future as well....one can only hope :-) Jan 06 17 02:04 pm Link Yosh Studio wrote: The original Ektachrome slide. Jan 06 17 02:16 pm Link My avatar was shot on Ektachrome. About 26 nice comments and about 9 lists or so. She, Gina, is also the mother of actress Alexa Vega. But when she was just a teenager herself. Good lord, where does the time go? Jan 06 17 02:32 pm Link Peter de Groot wrote: You can glue them together with Scott tape to any size you want. Just don't put finger prints on the emulsion side. LOL Jan 06 17 03:55 pm Link I knew there was a reason I kept my film cameras, now if I can only convince them to make it for the 120 format. Jan 08 17 07:08 am Link I picked up an almost new D5 for about $200 back when everyone was dumping them. Could be a good excuse to use it. Jan 08 17 11:34 am Link In my opinion they are re-releasing the wrong emulsion in the wrong size. (it's my understanding that they are going with the basic E100 emulsion) EPP 100 or E100SW in 120 or 4x5 would be more useful to photographers. (but I guess if this is the emulsion that cinematographers want it's kind of a gimme to also release it in 35mm) and it is nice to see a Kodak option in transparency film again. Jan 09 17 07:32 pm Link There is also rumour that Kodachrome may also make a comeback. Like I said a rumour! Jan 09 17 08:21 pm Link Andy Durazo wrote: A rumour that started four years ago. Jan 09 17 08:47 pm Link Zack Zoll wrote: Actually the rumour I heard is from a distributor so I take it with a bit more credibility than the old ones. Yes K-14 is a dirty process but who knows. Like I said a rumour. Jan 09 17 09:29 pm Link Fotopia wrote: The evolution of photography since it started focused no professionals has been always about convenience first and quality afterwards. Jan 10 17 01:42 am Link Jerry Nemeth wrote: Pre 1989 Ektachrome was awful stuff, very yellow and just hideous! The new Ektachrome HC was a vast improvement, and all subsequent Ektachromes were a step up too, especially E100G, VS etc. I shot on Kodak film stock pretty much from 1982 to around 1992 when I switched to Fujichrome permanently! The big yellow was given a huge kick in the ass after Velvia and Provia 100F (best slide film ever) took hold and sadly never really recovered. Jan 10 17 02:26 am Link Andy Durazo wrote: You mean Cibachrome? That was as bad as K-14! Jan 10 17 08:46 am Link I see that the Kodak CEO publicly confirmed this week that they're "actively" trying to figure out whether they can also resurrect Kodachrome as well. He made it clear that it was much more difficult to do, so we'll have to see. Jan 10 17 06:54 pm Link Zack Zoll wrote: Jan 11 17 02:14 pm Link I read that too. I stand by my prediction. Jan 11 17 03:52 pm Link ektachome is made with dye couplers in the emulsion, the stability was less than the kodachrome process where the dye process occurred during processing. all films change over time after manufacture. "professional" color film was supposed to be used almost immediately. consumer film was not as critical and the longer shelf life and color changes were known. the professional film was supposed to be handled differently by dealers. the manufacturing allowances were stricter and the color was kept to a tighter tolerance. there were huge differences between the kodak lab results and private lab results. kodak slides had better dmax and color consistency. color shifts, poor contrast were normal for most private labs that didn't mix chemicals carefully, replenish poorly or refilled their line before exhaustion. also, the kodak labs mix their chemistry a little differently than their instructions in the e-6 kits and kept very good quality control. Jan 11 17 04:11 pm Link |