-At the moment I do photography or film for specific projects and collaborations.  I don't operate as a studio or photography service.  I'm currently interested in creating surreal or creative image or video sets.-

-Most of my collaboration work with with artists and models is done in public areas or outdoors because I do not run a commercial studio anymore.  I'm always on the lookout for creative spots to shoot.  I also always invite the people I work with to bring any company they wish to have along.-

A little more about me:
I have had some formal training in photography and I used to do contract work for clients.  I also have experience with cinematography, having operated rigs for local film producers and directors.

I have been out of the game for a while now, having focused on a non-photography oriented career.  I am wading back into the world of photography and cinematography as an artist or visionary.  I am no longer bound by contractual or commercial goals so I am free to explore and return to personal artistic interests I have had since an early age. 

My current artistic goals involve altering the human form using simple post-photo special effects techniques.  I've been fascinated for a long time now with early modern fantasy genres, stage magic illusion, and human-cybernetic physical transformations and I would like to create content with these themes with new unconstrained freedom.  I'm interested to start a public stream or blog for the purpose of increasing public awareness of my fascination with these areas.

For the moment I am operating on a non-commercial budget so the most important compensation I can offer to people I work with will be enrichment of their own portfolios with unique imagery and content we have created working together.  However I will draw from my personal budget to fund people I work with if we wish to expand our project in scope (for example, return shoots or extended time working together or travel).

Thanks for actually reading this far down my bio section.  If you've gotten to this point, here's joke for you: Why couldn't the skeleton cross the road?  It had no guts.

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