As far as the location shots. It looks like most of them were shot with a wide angle lens with a soft box or umbrella lighting the subject. The lighting effect is geared towards exposing for the subject and not the background, which is why the location is darker.
Robin Cordiner
Posts: 39
Belfast, Northern Ireland, United Kingdom
In Manual mode Set your shutter to it's max sync speed (prob 1/250th) as a short cut use your live view when closing your aperture down until you see that all the ambient light is under exposed. Then set your flash to manual using wireless off camera and dial up or down it's power output until you get the exposure you want on your subject.
Robin Cordiner wrote: In Manual mode Set your shutter to it's max sync speed (prob 1/250th) as a short cut use your live view when closing your aperture down until you see that all the ambient light is under exposed. Then set your flash to manual using wireless off camera and dial up or down it's power output until you get the exposure you want on your subject.
Robin Cordiner wrote: In Manual mode Set your shutter to it's max sync speed (prob 1/250th) as a short cut use your live view when closing your aperture down until you see that all the ambient light is under exposed. Then set your flash to manual using wireless off camera and dial up or down it's power output until you get the exposure you want on your subject.
Robin Cordiner wrote: In Manual mode Set your shutter to it's max sync speed (prob 1/250th) as a short cut use your live view when closing your aperture down until you see that all the ambient light is under exposed. Then set your flash to manual using wireless off camera and dial up or down it's power output until you get the exposure you want on your subject.
CLM Retouch wrote: As far as the location shots. It looks like most of them were shot with a wide angle lens with a soft box or umbrella lighting the subject. The lighting effect is geared towards exposing for the subject and not the background, which is why the location is darker.