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Photographer
jai paegle photography
Posts: 22
Wollongong, New South Wales, Australia


Jan 02 13 11:38 pm  Link  Quote 
Photographer
Ali Choudhry Photo
Posts: 108
Brisbane, Queensland, Australia


The selective coloring is really distracting and doesn't serve a point. I would have kept it all b/w.

With such a close-up head shot, you also want to make sure that the eyes are in 100% focus// they seem slightly blurry here.
Jan 02 13 11:42 pm  Link  Quote 
Photographer
Neil Snape
Posts: 9,224
Toronto, Ontario, Canada


The good: I like the background bokeh.

Medium: The girl is approachable, sweet.

Bad: selective colour? Why that is the amateurish giveaway that screams GWC without any appreciation for portraiture. Study Avedon, aim for simplicity.
The overall tones are flat, there is no life from the technique that will save this.
Jan 02 13 11:50 pm  Link  Quote 
Photographer
Select Models
Posts: 32,688
Upland, California, US


The models smile looks painfully forced and extremely un-natural.  Regardless of whatever else is going on in that image... it's just something ridiculous that I couldn't get past... wink
Jan 03 13 12:09 am  Link  Quote 
Photographer
Drew Smith Photography
Posts: 3,141
Nottingham, England, United Kingdom


It's something of a cheesy grin from the model.

But what strikes me the most is that the blacks are black and the whites are... white. There's very little in between.

This means there is little depth to the image, no contrast, making the picture very flat with nothing to hold the eye or draw it further in.
Jan 03 13 12:11 am  Link  Quote 
Photographer
Fist Full of Ish
Posts: 1,823
Oak Ridge, Tennessee, US


Neil Snape wrote:
The good: I like the background bokeh.

Medium: The girl is approachable, sweet.

Bad: selective colour? Why that is the amateurish giveaway that screams GWC without any appreciation for portraiture. Study Avedon, aim for simplicity.
The overall tones are flat, there is no life from the technique that will save this.

Yeah, but if this response is too high-level for you, from a duffer's point of view:
The selective saturation idea will get you nowhere.
Even I can tell the pic is flat.  Work on lighting first.  Just say no to the selective saturation tricks.

Jan 03 13 12:13 am  Link  Quote 
Photographer
LA StarShooter
Posts: 1,036
Beverly Hills, California, US


I can't be kind on this photo. It looks the product of an acid trip gone wrong.
Jan 03 13 12:15 am  Link  Quote 
Photographer
jai paegle photography
Posts: 22
Wollongong, New South Wales, Australia


Thanks every one going to re add it b&w.

Re add http://www.modelmayhem.com/portfolio/pic/31158571
Jan 03 13 12:28 am  Link  Quote 
Photographer
Drew Smith Photography
Posts: 3,141
Nottingham, England, United Kingdom


jai paegle photography  wrote:
Thanks every one going to re add it b&w.

Re add http://www.modelmayhem.com/portfolio/pic/31158571

Okay - but the selective colour wasn't the only/real problem.

You need to move your model or the light source or both to create a more 3 dimensional image.

Then you need to work with your model to create more appealing/professional facial expressions and poses.

Jan 03 13 12:50 am  Link  Quote 
Photographer
DavidCoward Photography
Posts: 618
Sandy Springs, Georgia, US


I didn't see the original photo. The new one would be okay, but I'm really distracted by the poor focus on her face.
Jan 03 13 01:09 am  Link  Quote 
Model
Sandra Vixen
Posts: 463
Los Angeles, California, US


I would probably just keep it as a face shot, it would look fine.

It's not great but not bad either, it's just okay.

My complaint would be that it's rather contrasty, however the lighting was kind of head on instead of from an angle so it doesn't create depth or gradients. Yet it's not an "in your face" head on kind of pose either, so I think the lighting is the problem.

And it should just be a head shot, crop out the chest, but that's my opinion.
Jan 03 13 01:47 am  Link  Quote 
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