Jojo West
Posts: 929
Washington, District of Columbia, US
I did a TFP shoot back in November. The photographer promised I would get a link to proofs no more than a week later and after I picked my favorites, he would edit those. Well it's January and I still haven't even seen the proofs. I'm losing my patience.
I know everyone says well it was TFP, and just wait. I see it as something stealing from me. TFP is a trade. I trade my time for his images. If he got my time and I didn't get my images, then I got jipped, and I don't like being taken for a ride. He won't even reply to my messages to at least say piss off. It's rude and inconsiderate.
Before I get the "burned bridges" thing...honestly at this point, I wouldn't work with him again, he's unreliable so I don't mind burning the bridge, I just want what I'm entitled to.
So my question is...how much longer do I wait before I show up at his studio and sit there until I get my images (which I will do)?
Jojo West wrote: I did a TFP shoot back in November. The photographer promised I would get a link to proofs no more than a week later and after I picked my favorites, he would edit those. Well it's January and I still haven't even seen the proofs. I'm losing my patience.
I know everyone says well it was TFP, and just wait. I see it as something stealing from me. TFP is a trade. I trade my time for his images. If he got my time and I didn't get my images, then I got jipped, and I don't like being taken for a ride. He won't even reply to my messages to at least say piss off. It's rude and inconsiderate.
Before I get the "burned bridges" thing...honestly at this point, I wouldn't work with him again, he's unreliable so I don't mind burning the bridge, I just want what I'm entitled to.
So my question is...how much longer do I wait before I show up at his studio and sit there until I get my images (which I will do)?
JoJo
This is OUTRAGEOUS!
Don't wait a second longer. Go to his studio now and begin your non-violent protest until you get those TF pics.
Oh and take photos and post them here or it never happened.
Brianne Leary
Posts: 172
OTTSVILLE, Pennsylvania, US
I'm somewhat in the same boat, I did a shoot almost a month ago, and I've politely asked the photographer twice now when I would be able to get the CD of images, always saying that she would do it "this week" and such, but it's yet to happen.
The reason I'm not so irritated about it though is because I did get most of the pictures already, a pretty generous amount for a trade shoot, I just don't have the rest of them. Considering it was the holiday season I didn't expect the pictures back right away, but it's almost the middle of January now, so I'm a little antsy about it. I don't think I'm gonna say anything again until February now. I hate being pushy or annoying though I do know where you're coming from.
It's the first time I've dealt with it though. Maybe you could ask to see if one picture at least has been done? I don't know how busy your photographer is and maybe he/she had a lot of paid work that took priority (I assume that's what happened with my situation, another reason why I'm not really all that mad), especially with the holiday seasons just ending not that long ago.
Azimuth Arts
Posts: 1,133
Toronto, Ontario, Canada
JessieLeigh wrote:
Do you REALLY think you will get photos worth using if that's what you have to do to get them?
Sometimes photographers are dicks and they do not do what they promised. Sometimes, it's better to just move on to a new shoot...
+1
It happens. Have you tried contacting him to see where the proofs are? Have you called him, sent an email or message here on MM? If so, what was his answer? None at all or that he was delayed.
Don't plan a sit in until you have reasonably exhausted regular means of contact.
There is no excuse for the photographer not responding to your email/calls to explain he has been delayed for whatever reason, or that he won't be providing images for whatever reason (dog ate his memory card, he hates them all).
But really, the best thing is to send another message, ask for them nicely and if nothing happens move on to the next shoot.
Remember that you might not just be burning the one bridge but many others if you become hostile or appear to be a diva. Photographers talk to each other about models and you could end up losing other shoots with responsible photographers if you come of wrong to this guy. Note: I am not saying you would be a diva by asking for photos, but the photographer may well think so.
Jojo West wrote: I know everyone says well it was TFP, and just wait.
No, I don't think anyone should think that. But I see it all the time too. I absolutely hate this notion that just because it's a TF* shoot that there is some lowered expectation and that the rules change. Don't lower your expectations just because it was payment in images and not cash.
TF* is a form of compensation. No different than being paid cash and the expectations should be just a high on both sides of the camera as if the photographer or model was getting cash.
My biggest issue isn't the time...though I think it's personally excessive, it's the broken promise. You were promised proofs in 1 week so even 2 weeks would be a failure to deliver. But 2 months is completely unacceptable.
Handle this as if you were a business owner and a customer was 2 months overdue on a payment. What would you do in that case?
Jojo West
Posts: 929
Washington, District of Columbia, US
Don't get me wrong. I'm a non-confrontational person. I'm not a diva, I'm actually a little too nice, to the "pushover" extent. Which is why this bothers me so much. In all honesty, if the pictures were utter shite, I wouldn't care. It's a matter of principle for me. I did my part, and now he has to do his.
I've emailed, MM messaged, texted. My last message was to the point but you could tell my patience is slowly fading. The part that bugs me is that people say just move on, but that's the reason why some photographers do this. Models just moved on and let them think it was ok.
My last message, not my nicest but considering the shoot was before Thanksgiving...I can be upset:
"I'm starting to think I'm never going to get the images from our shoot. If they were shite, I understand but I'd still like to see them. I'd appreciate it if I could at least get a response from you."
Jojo West
Posts: 929
Washington, District of Columbia, US
Michael Pandolfo wrote:
No, I don't think anyone should think that. But I see it all the time too. I absolutely hate this notion that just because it's a TF* shoot that there is some lowered expectation and that the rules change. Don't lower your expectations just because it was payment in images and not cash.
TF* is a form of compensation. No different than being paid cash and the expectations should be just a high on both sides of the camera as if the photographer or model was getting cash.
My biggest issue isn't the time...though I think it's personally excessive, it's the broken promise. You were promised proofs in 1 week so even 2 weeks would be a failure to deliver. But 2 months is completely unacceptable.
Handle this as if you were a business owner and a customer was 2 months overdue on a payment. What would you do in that case?
It's great to hear this from a photographer. That's how I feel. It just irks me, because I don't appreciate being taken advantage of. Nor should any other model allow that to happen.
Azimuth Arts wrote: But really, the best thing is to send another message, ask for them nicely and if nothing happens move on to the next shoot.
Remember that you might not just be burning the one bridge but many others if you become hostile or appear to be a diva. Photographers talk to each other about models and you could end up losing other shoots with responsible photographers if you come of wrong to this guy. Note: I am not saying you would be a diva by asking for photos, but the photographer may well think so.
No offense to you, but that mentality is total crap. Burning bridges, photographers talk..oooo. So someone should keep quiet and move on because of this almighty power a photographer has to ruin a career? Utter nonsense.
First of all, there might be a handful of photographers in the entire industry with the power to ruin a career and maybe 1-2 of them are on MM. Should the OP really worry that some hobbyist is badmouthing her over some nachos and a Bud Lite at a local Meet & Greet?
Let's turn the tables. You are hired by Apple for a project. They fail to pay you. Are you going to lay down and say, "Oh gee, I better move on because they could ruin me." Or are you going to go through the same collection process you would as if it were Mrs. Babcock at the local hair salon?
This perception that photographers can ruin careers is just absurd.
Jojo West wrote: I did a TFP shoot back in November. The photographer promised I would get a link to proofs no more than a week later and after I picked my favorites, he would edit those. Well it's January and I still haven't even seen the proofs. I'm losing my patience.
I know everyone says well it was TFP, and just wait. I see it as something stealing from me. TFP is a trade. I trade my time for his images. If he got my time and I didn't get my images, then I got jipped, and I don't like being taken for a ride. He won't even reply to my messages to at least say piss off. It's rude and inconsiderate.
Before I get the "burned bridges" thing...honestly at this point, I wouldn't work with him again, he's unreliable so I don't mind burning the bridge, I just want what I'm entitled to.
So my question is...how much longer do I wait before I show up at his studio and sit there until I get my images (which I will do)?
Don't wait any longer, in fact take it one step further than just going there and sitting.
Get 10-20 friends, have signs printed "JoJo wants her photos" and have you and your 20 friends picket in front of his place until you get what was agreed upon from the photographer.
I just hate reading all these these threads, where the models are always waiting too long to get their photos. Photographers should do better to make TFP great for both parties!
Jojo West wrote: "I'm starting to think I'm never going to get the images from our shoot. If they were shite, I understand but I'd still like to see them. I'd appreciate it if I could at least get a response from you."
Take a look at this site (or any similar site) and notice the tone of the letters between the 30, 60 and 90 day (final) notice.
I look at this no different than if a client failed to pay me monetary compensation. And you're right, move on, is horrible advice in my opinion because it only enables the person even more. If there is no fear of repercussion...
I find the failure to respond with any explanation what makes this most troubling.
I have a similar problem!! I was going to start a thread but didn't want to complain... But now I guess I'm ok with that. Hah. Anyway. This photographer and I shot together on December 2nd. He gave me a cd of proofs and told me to pick 6 to email him for retouching. So I picked my 6 and emailed them to him.
First attempt: "I can't download the files you attached for some reason." Ok. They were jpegs, but I figured I'd resave them and try again.
Second attempt: "Still can't get them, sorry." Alright fine. Let me compress them into a zip file and try that way. Anyone can open a zip file.
Third attempt: "Nope, not working." Alright, maybe I tried sending too many files at once. I'll just pick my 4 favorites instead of 6.
Fourth attempt: "Yeah they won't download, you're out of luck..." Frustration!! So finally I decided to just tell him the image numbers of the 4 shots I wanted. Then he could find them on his own computer, right? Think again.
Fifth and final attempt: "Those image numbers don't match the ones I have." Now I'm ready to call BS. The images came out of YOUR camera and off YOUR computer! Why would they be anything different on the cd you made me?!?!
I have now asked him if he'd mind my sending the 4 images in question to a professional retoucher for editing. No response so far... Le sigh.
Thoughts?
Side note - I hope this isn't seen as a threadjack attempt! I just thought we had similar issues and could commiserate... haha. And also that advice for one of us might apply to both
I'm guessing the photographer is embarrassed about his/her inability to take good images. My photography is (honestly) done primarily to boost my ego by having someone else say, "These are so great!!!" So not sharing the images defeats the whole purpose. Although it usually takes me a long time to go through al the photos of a shoot (it's something I do in my spare time), I try to send the images one at a time as I finish the edits so that every few days the model is getting something rather than waiting for the whole thing to finish.
I'd change tack and see if you can give the photographer some kind out. For example:
"Hey, sorry to be a pest, but I just love to see the shots of myself. Is the issue that they turned out terrible? Do you think it would be better to re-do the shoot?"
You might never get prints, but you might at least find out why you're not getting prints. You could also reach out to other MM models in his port and say, "Hey, I recently shot with X and haven't got my photos. I just wanted to check in with someone else who worked with the photog and see if it took a long time for them to get their shots too?"
Jojo,
I am waiting on two sessions from photographers I collaborated with back in Spring of 2012.
-one I paid for a session and have yet to see the images, of which were 'lost' on their 'broken laptop' (which suddenly was still useful for Facebook, Twitter and Instagram
-the other paid me, so I'm not so worried
So, I feel ya girl! Wither TF, Paid for, or Paid to....it's always disappointing.
Jojo West
Posts: 929
Washington, District of Columbia, US
sammyspade wrote: I'm guessing the photographer is embarrassed about his/her inability to take good images.
See the thing is he does take nice pictures. I've been looking at his port and he's added some new stuff, so he's obviously still working. Like I said in the message I sent him...if they sucked, just tell me, but I still want to see them.
Jojo West wrote: Before I get the "burned bridges" thing...honestly at this point, I wouldn't work with him again, he's unreliable so I don't mind burning the bridge, I just want what I'm entitled to.
If you've gotten to the point of not caring about "burning your bridges", do you really care about getting the pictures & if so, would you actually use them?
This is one reason I hardly shoot TF's anymore. I've had too many photographers either A) Not give me any photos or B) give me unedited photos and never edited so I can't even use them. After a couple of months of bugging, I just stop and move on. Obviously the pictures didn't come out great or he isn't worth the time of using the images and advertising his photography business if he can't be a professional about it.
This is also another reason I started to learn how to edit myself.
And another note, most of my images has been from paid gigs and these photographers have given me more images than someone who has shot me for free. That is another reason I limit my TF jobs to certain photographers.
Jojo West
Posts: 929
Washington, District of Columbia, US
Jeneva Jones wrote: This is one reason I hardly shoot TF's anymore. I've had too many photographers either A) Not give me any photos or B) give me unedited photos and never edited so I can't even use them. After a couple of months of bugging, I just stop and move on. Obviously the pictures didn't come out great or he isn't worth the time of using the images and advertising his photography business if he can't be a professional about it.
This is also another reason I started to learn how to edit myself.
I edit my own images as well, it's so much easier, plus you can take your time with it and the only person you're delaying is yourself.
Jojo West
Posts: 929
Washington, District of Columbia, US
Farenell Photography wrote:
If you've gotten to the point of not caring about "burning your bridges", do you really care about getting the pictures & if so, would you actually use them?
There's a couple of pictures I know I'll want because the outfit was adorable, lol. I actually care about getting the pictures. I invested a lot of time and effort into that shoot. It was over 3 hrs long, cold, my last shoot of the day, I was in extreme pain (back issues) but I did my part, didn't get home until midnight.
Would I use them? Well if they were good...yes, probably just on my website.
Jojo West wrote: Don't get me wrong. I'm a non-confrontational person. I'm not a diva, I'm actually a little too nice, to the "pushover" extent. Which is why this bothers me so much. In all honesty, if the pictures were utter shite, I wouldn't care. It's a matter of principle for me. I did my part, and now he has to do his.
This is what frustrates me a little here in the forums. A person, whether they're the photographer or model, can do everything right & sh** just may still not pan out.
Take a look at it from the photographer's perspective. Its a Catch-22. If they own up to it, they risk looking like a dumbass & being bitched out in public & a person to be avoided. If they don't own up to it, they look like an asshole for not delivering the pictures & risk being bitched out in public & a person to be avoided.
As a primarily location photographer, I've had bad weather crimping on things (one time we had a summer storm make 1p look like 7p...or even cold messing up the juice of ALL my batteries...wind going crazy...to name just a few). Sometimes the rapport just isn't there where one person's deep body of work, didn't make for the best working relationship. I've had personality conflicts. Or the high hopes we mutually had for each others work couldn't hope to meet the high expectations. I've had my computer crash at a VERY inopportune time & forced to either borrow or use a public computer or do it all on someone's smart phone.
But you CANNOT say you got nothing out of the shoot. You gained a learning experience. Its up to you as to what it is you take from that experience that's the great unanswered question.
Jojo West
Posts: 929
Washington, District of Columbia, US
Farenell Photography wrote: But you CANNOT say you got nothing out of the shoot. You gained a learning experience. Its up to you as to what it is you take from that experience that's the great unanswered question.
I get your point but it wasn't a TFE (trade for experience) shoot. It was TFP. Yes I gained experience from it, but that wasn't the only reason I invested my time and money into that shoot. A lot of times models invest their own money; gas, shoes, clothes, hair, nails, make-up. Life happens, things go wrong, but when they do, you tell those people you have a responsibility to.
If the shots were horrible, his computer imploded, his life flipped upside down, I can understand...IF he is courteous enough to tell me. I should not have to chase someone like a bill collector.
Farenell Photography wrote: But you CANNOT say you got nothing out of the shoot. You gained a learning experience. Its up to you as to what it is you take from that experience that's the great unanswered question.
I'm sure she also got to see some pretty sites on the drive and confirmed that her headlights were working properly on the drive back from the studio at midnight.
Come on now. A learning experience? I'm all for finding a silver lining but I'm curious what someone learns from this and how much value that holds?
I don't think the OP would have agreed to the arrangement if the compensation was "a lesson in conflict resolution."
La Lana wrote: You can ask but there really is nothing you can do....
Best advice is be selective about who you do TF work with, and let it go. Focus your energy on something else more useful.
Let me ask you this. If you purchased something on Overstock.com, paid for it, and the item was never delivered as promised would you have the same "oh well, nothing you can do...be more selective about your chosen retailers..." advice?
Or is the "Oh well. Move on" philosophy because it was "only" a TF* shoot and involved a few photos and nothing of any real value?
Michael Pandolfo wrote: A learning experience? I'm all for finding a silver lining but I'm curious what someone learns from this and how much value that holds?
For starter's "value" is completely relative. I may "value" getting paid w/ a nice bottle of Merlot or a bottle of Jack but you may not necessarily share that value.
What can a person learned from a "failed" shoot. How about:
1. What makeup works & what may not.
2. What outfit ensembles work & what didn't.
3. They got practice posing in a (so to speak) live-fire environment which is VERY different than doing it in front of the mirror.
4. The model could have hit on a shoot idea that's worth expanding.
5. The model could have discovered a location going to the shoot itself.
6. Perhaps the value of getting a good nights sleep.
7. Perhaps the route they took to the studio/location wasn't the most efficient
& that's just for starters.
Yeah, doing something you set out to do & not having it pan out really does suck. But how person responds & learn those "failures" is just as valuable as those "successes". This isn't limited to the model/photography realm but holds true about life in general.
unfortunately there are guys who just like hanging out with a pretty girl and can't be bothered to do the difficult back-end work of getting the images together. or maybe they just didn't get anything they care to share with the world. but in my opinion those guys should be paying for the model's time. you're supposed to pay in either images or money. unless it's just a mutual "let's hang out and play photographer/model" type of thing.
check references (assuming models will answer) on your trade shoots to make sure the photographer is capable of delivering images. or start sending them your rates.
there are no guarantees on TF shoots, no one who will step in and help arbitrate a dispute. but i've even seen models complain about shoots where they paid the photographer. you take your chances with internet modeling.
Karlieh G wrote: I also did a TF shoot in November and am waiting for my CD as well...... D:
absolutely no excuse, IMO. is this guy a real (earns a living from) photographer, or a hobbyist? did he spray and pray, or carefully compose each shot?
if he's a hobbyist, then he needs to get his shit together and give you your fucking pictures. if he's a pro, then he needs to farm this out and get you your fucking pictures.
it's a sad state of affairs that there are very few people here (in the hobbyist realm on both the photographer and model side) who take commitments to one another seriously enough to at least be somewhat professional. i imagine that they are world-class fuck ups in other facets of their life as well.
Jojo West
Posts: 929
Washington, District of Columbia, US
Farenell Photography wrote: Yeah, doing something you set out to do & not having it pan out really does suck. But how person responds & learn those "failures" is just as valuable as those "successes". This isn't limited to the model/photography realm but holds true about life in general.
What can a person learned from a "failed" shoot. How about:
1. What makeup works & what may not: **wouldn't know, haven't seen the proofs
2. What outfit ensembles work & what didn't: **wouldn't know haven't seen the proofs
3. They got practice posing in a (so to speak) live-fire environment which is VERY different than doing it in front of the mirror: **I can do that at home
4. The model could have hit on a shoot idea that's worth expanding: **It wasn't an "omg I've never seen that before theme."
5. The model could have discovered a location going to the shoot itself: **Studio shoot.
6. Perhaps the value of getting a good nights sleep: **a model should already know that
7. Perhaps the route they took to the studio/location wasn't the most efficient: **It's DC, we take the subway and if not there is not better route, it all sucks.
**I'm not trying to be argumentative, just showing you how the silver lining thing doesn't really work. **
Jojo West wrote: I get your point but it wasn't a TFE (trade for experience) shoot. It was TFP. Yes I gained experience from it, but that wasn't the only reason I invested my time and money into that shoot.
Part of the TF* shoot experience is knowing sometimes those experiences aren't remotely what you expected. Unless you're expecting to take the photographer to small claims (which costs money to file) & then sue for damages (last time I checked 100% of $0 = $0)...this is why people routinely say to just move on. Just because you got stiffed out of your pictures doesn't mean the next model will. Same w/ just because your previous photographer stiffed you, doesn't remotely mean the next person will.
Besides if you've networked right, the "word of mouth" is a ridiculously power thing.
Jojo West wrote: A lot of times models invest their own money; gas, shoes, clothes, hair, nails, make-up. Life happens, things go wrong, but when they do, you tell those people you have a responsibility to.
Again, I sympathize that you have expenses but how am I or any other person supposed to care. I have studio rent & have to pay for my lenses & cameras & the time spent when someone no-shows. The makeup artist has to pay for their brushes & makeup & gas. We ALL have expenses we incur.
You want a lesson. Cool! Never spend more on a project/trip/whatever that you cannot afford to lose should things go south.
Jojo West
Posts: 929
Washington, District of Columbia, US
Farenell Photography wrote: Again, I sympathize that you have expenses but how am I or any other person supposed to care. I have studio rent & have to pay for my lenses & cameras & the time spent when someone no-shows. The makeup artist has to pay for their brushes & makeup & gas. We ALL have expenses we incur.
You want a lesson. Cool! Never spend more on a project/trip/whatever that you cannot afford to lose should things go south.
That's exactly the kind of mentality that should be shunned. So because you have to spend time and money in the studio for someone that's a no-show, another model has to deal with that apathetic attitude? Sorry but that mentality is just as inconsiderate as not giving someone what they were promised.
I personally take those things into consideration, because I want others to do the same. Not only in modeling but other aspects of life, treat others as you wish to be treated.
I work full time, and I can afford to invest in my trade, but does that mean that I should accept someone else not being responsible and professional?
Don't get me wrong, I too have been in your shoes, wondering how much longer I was going to have to wait. And in the end, I either:
1. Never got the images even though I made phonecalls, sent emails, sent messages on MM and even went to the photographers place of business
OR
2. Received a disc of poorly edited images, NONE of which were worthwhile for my port.
Never, EVER, have I had to struggle to get the photographer to hold up their end of the bargain and ended up with a product I could actually use.
I get it, you put time and energy into the shoot. You want something in return. Are you really willing to put MORE time and energy into it though? Time and energy that could be put into finding the next photographer that is willing to shoot TF with you AND provide what was promised?
Some people have stated you should treat this like a business would... Have you ever heard of a business that agreed to settle out of court on a claim, because the time and legal costs to fight the claim would have been greater? This is similar...
With everything, there comes a time when you decide if the effort is worth the reward.
Jojo West wrote: I did a TFP shoot back in November. The photographer promised I would get a link to proofs no more than a week later and after I picked my favorites, he would edit those. Well it's January and I still haven't even seen the proofs. I'm losing my patience.
I know everyone says well it was TFP, and just wait. I see it as something stealing from me. TFP is a trade. I trade my time for his images. If he got my time and I didn't get my images, then I got jipped, and I don't like being taken for a ride. He won't even reply to my messages to at least say piss off. It's rude and inconsiderate.
Before I get the "burned bridges" thing...honestly at this point, I wouldn't work with him again, he's unreliable so I don't mind burning the bridge, I just want what I'm entitled to.
So my question is...how much longer do I wait before I show up at his studio and sit there until I get my images (which I will do)?
Not responding is the problem. You might drop by his studio to ask.
He may be behind due to lots of paid shoots. He may have had an illness. Just like models, photographers have grandmothers that die, too. Not excuses, but reasons that he might have for the delay. Then there's the possibility he looked at the images and was not happy with his work in any of them.
Stopping by his studio, you can ask to see the proofs. Maybe pick out a couple for him to edit. Or schedule a reshoot if the first ones had problems. Realize stopping by unannounced may interrupt another shoot. If so, ask when you can return. Just do not take the "I'll get back with you" as an answer. Get a date and time.
No need to get upset. Work with him until you determine he has no intent on providing his end of the agreement. If he won't deliver, just cross him off your list.
Jojo West wrote: What can a person learned from a "failed" shoot. How about:
1. What makeup works & what may not: **wouldn't know, haven't seen the proofs
2. What outfit ensembles work & what didn't: **wouldn't know haven't seen the proofs
3. They got practice posing in a (so to speak) live-fire environment which is VERY different than doing it in front of the mirror: **I can do that at home
4. The model could have hit on a shoot idea that's worth expanding: **It wasn't an "omg I've never seen that before theme."
5. The model could have discovered a location going to the shoot itself: **Studio shoot.
6. Perhaps the value of getting a good nights sleep: **a model should already know that
7. Perhaps the route they took to the studio/location wasn't the most efficient: **It's DC, we take the subway and if not there is not better route, it all sucks.
**I'm not trying to be argumentative, just showing you how the silver lining thing doesn't really work. **
1. You've never looked at yourself while in the mirror?
2. See response #1
3. Pretty hard to take direction when you're by yourself.
4. You've never had a random idea pop in your head & then convinced the photographer in question to simply run w/ it? If you haven't, I kinda feel sorry for you. A good 15% content I shoot arise that way.
5. All the more reason to keep your eyes open ON THE WAY while you're on route.
6. You'd be VERY surprised.
7. Nice try but I used to shoot frequently in DC (had friends who lived there before they migrated). Again, you'd be surprised the places you can shoot if you keep your eyes open & are just a schmidge bit adventurous.
Jojo West
Posts: 929
Washington, District of Columbia, US
JessieLeigh wrote: With everything, there comes a time when you decide if the effort is worth the reward.
Oh I agree. I'm not sitting around not doing anything else because I'm waiting for his shots. To be honest it's become more of a principle issue at this point. And it takes me a minute or two to send an email every couple of days. I figure eventually, he'll want me to leave him alone and just give me what I'm asking for.
The idealist in me is just bothered by the fact that people don't follow through with things anymore. It makes me wonder, at which point did it become ok to be unprofessional and unreliable in business settings.
Jojo West
Posts: 929
Washington, District of Columbia, US
Farenell Photography wrote:
It's a moot point. Just not realistic.
Side note: mirrors are not a reliable source. What a person sees in a mirror is affected by many things, but primarily perception. Make up in a mirror doesn't look the same as it does on film. In order to know whether make-up worked, I'd have to see how it looked on film, not in a mirror.
:-)
JessieLeigh wrote: By the way... how did this shoot come to be? Did he contact you or did you contact him? Were references checked?
A failed photoshoot can also teach you better methods for planning a shoot.
After commenting on each other's portfolios we began discussing a TFP shoot and set it up.