the second dear to me as it shows Paris circa 1900's in color. What is wild is that the city is still very recognizable 100 years later. The scans are not great but the shots are interesting especially if you have been there.
Looking at the first set, I was struck by how few of them are still alive. I grew up watching them in movies and on stage. I've met some of them, and having turned 60 just a couple of days ago, it makes me realize how long I have been around.
The pictures bring back memories of my younger days. They are incredible snippets of American life.
LA StarShooter
Posts: 1,126
Beverly Hills, California, US
Thanks for linking to those two sites. I particularly enjoyed looking at the Parisian photos at the glimpse of Paris in colour over a century ago and also the people. It's interesting to compare them with photos done just a few years later in Russia, using, I think, the same or similar process. Most people look better fed and subject to less hardship than what you see in some of the Russian photos.
In the Paris set the military parades and commemorations were very interesting to me and the shot of the soldier with the one good leg and a wooden stump on one was moving.
One thing that struck me about the Paris set was the composition in most of the photos. You'd expect there'd be a tendency to rely on the novelty of color photos that had never been seen before and not pay so much attention to making "good" photographs, but most of those are more carefully composed and thought out than a lot of the travel photography that gets published today.
BTHPhoto wrote: One thing that struck me about the Paris set was the composition in most of the photos. You'd expect there'd be a tendency to rely on the novelty of color photos that had never been seen before and not pay so much attention to making "good" photographs, but most of those are more carefully composed and thought out than a lot of the travel photography that gets published today.
Yes, in fact a lot of the early photographers seem very influenced by painters. Many of the rules we accept as ways of composing etc come from painting.