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Color Palette
Hi guys, what do you think about this color palette? https://dl.dropboxusercontent.com/u/180 … .50.08.png Do you think that I have complied with the color palette? Jul 05 14 03:13 pm Link Yellow doesn't go with green. It's a killer of your eyes. And your forgetting that RGB color wheel not real color wheel. RGB complimentary colors cancel each other only in RGB world. In real life colors are different. If you have triad, you should remove other colors, which you didn't. Green, red and blue would be your palette. PS. Overlay you put on model face, you didn't mask it completely. Jul 05 14 04:37 pm Link umm, i have a less technical comment. Since it has a dreamy feel maybe lighten the body a bit too and remove some magenta (just try that one first and try to match the face to the body) on the body a couple of points to match the face perhaps. I like the work you kept the shape and didn't over retouch, nice job. Jul 05 14 07:21 pm Link Since you're lacking anything cyan, it looks more like you came up with an analogous color scheme rather than the triad color scheme you customized in the kuler pallet. The image's color scheme looks pretty fitting considering the content of the image. Jul 06 14 02:45 am Link Tulack wrote: mmmmmm thanks, I did not know these things Jul 06 14 02:54 am Link Retouch07 wrote: Well for the skin I've use the gradient map with the 2 brown color in the pics (Kuler palette) Jul 06 14 02:55 am Link Ruben Vasquez wrote: thanks Jul 06 14 02:55 am Link my initial image is totally different. I wanted to keep the color of the lips. On the basis of this color I found the triad. https://dl.dropboxusercontent.com/u/180 … SC6826.jpg Jul 06 14 03:24 am Link Tulack wrote: This is total nonsense. Jul 06 14 04:39 am Link walterfantauzzi wrote: Wow, there is some artistic approach. It is your call, but I am not a fan of bringing something that wasn't there. It's time consuming. Jul 06 14 01:44 pm Link AKMac wrote: Agreed. Tulack wrote: I find that bit of advice to be incredibly odd. Tulack wrote: It is actually a real color wheel and it's the color model used by nearly every screen manufactured in the last several decades, is the model used in bayer color-filter array capturing devices and most importantly, it's the model used by Photoshop to generate its colors. The reason for this is because it is based off of emitted light rather than the color wheel used by traditional painters which is based of off reflected light; two fundamentally different properties and characteristics. The paints and pigments of the RYB color model have additional requirements that go beyond simple color requirements such as: absorption and adhesion requirements, drying times, fade resistance, and so on. This puts additional chemical impurities in the inks, dyes, and pigments which makes the color response totally different when mixing two or more colors together. So this model wouldn't work for digital artists using Photoshop since the behaviors of the two models are so different. Jul 06 14 03:21 pm Link Blank Jul 06 14 03:54 pm Link Tulack wrote: It's helpful to quote someone directly so people know specifically who my comments are directed to. Jul 06 14 04:07 pm Link blank Jul 06 14 04:22 pm Link Tulack wrote: No actually you claimed RGB is not a real color wheel: Tulack wrote: Remember? Tulack wrote: Do you know the rules of speech? Jul 06 14 04:35 pm Link Ruben Vasquez wrote: It's not. It's digital for RGB color space. No way in real life you can mix blue and yellow paint and get mid gray. RGB color space exist only in digital world. Only machines understand it. Problem is: we mixing colors for human brain not for machines. Jul 06 14 05:25 pm Link Tulack wrote: It is real as it's based on light (which coincidentally, is a real thing), and how people perceive that light (another real thing). This was discovered by shining multiple colored lights onto one another and has been studied in depth since at least 1931. It's most common applications are computer screens and capture devices as these are devices that emit light or capture light. Simply because you can't squish and squeeze light between your finger tips doesn't negate the fact that light and the color model that's based off of it are real things. Tulack wrote: You're right. You'd get green. So what? Different applications require different color models. Tulack wrote: Actually it also exists for lighting purposes which can be used for photography, videography (whether digital or analog), public shows such as concerts, scientific studies, and so on. Pretty much anything that involves light, it's a perfectly valid model. Tulack wrote: It's not a problem for people that understand color theory. And if you understand one model, it's not hard to understand the other... Jul 06 14 06:37 pm Link blank Jul 06 14 07:11 pm Link Tulack wrote: This is a visual medium we're working with; not sound. Tulack wrote: Most every new concept is difficult to understand at first but time and practice garners understanding. The books I linked him to both cover the RGB color space quite well and are some of the most directly applicable books because they directly pertain to color manipulation in Photoshop. The links you provided are good for color schemes and general artistic principles which are every bit as applicable in one model as it is in the other. But trying to mix colors in Photoshop with the RYB color model in mind wont give you the results you're looking for as that's the wrong application. Jul 06 14 07:46 pm Link blank Jul 06 14 07:59 pm Link Tulack wrote: Visual - of or relating to the sense of sight. Tulack wrote: That's nice. Jul 06 14 08:17 pm Link blank Jul 06 14 08:59 pm Link Tulack wrote: Are you on drugs? Jul 06 14 09:07 pm Link blank Jul 06 14 09:11 pm Link Tulack wrote: Half actually. Jul 06 14 09:13 pm Link blank Jul 06 14 09:15 pm Link Tulack wrote: That's pretty impressive actually. Sadly, I only speak English. Regardless, I think we've derailed this thread long enough. Any more and I suspect a moderator will lock this thread. Jul 06 14 09:22 pm Link Moderator Warning!
Ruben Vasquez wrote: Stop. Jul 06 14 11:26 pm Link Tulack wrote: You recommended James Gurney's book the other day. Have you read what he says on this topic? Jul 08 14 10:41 am Link Tulack wrote: Hue and luminosity are orthogonal. Jul 08 14 10:44 am Link And "primary" red pigment can be made by mixing magenta and yellow. http://www.johnmuirlaws.com/art-and-dra … lor-theory Same with "primary" blue, which is a mixture of cyan and magenta. Just like in your color printer. Jul 08 14 10:54 am Link Tulack wrote: mmmm I've understand Jul 10 14 02:55 am Link Ruben Vasquez wrote: Tulack wrote: Visual - of or relating to the sense of sight. Thanks Ruben, I'm photographer not retoucher. Bur I love the retouch too and I wish learn more Jul 10 14 02:56 am Link 3068875 wrote: (Y) Jul 10 14 02:57 am Link walterfantauzzi wrote: Don't because that's wrong. Jul 10 14 06:01 am Link Natalia_Taffarel wrote: OK BOSS ahhahahaha I know that yellow and green go together...Color Theory docet Jul 18 14 11:19 am Link Tulack wrote: What the fuck is this nonsense? Jul 18 14 07:35 pm Link I think I understand where it comes from. at least, I do know that some people are chromophobes, with a MORBID aversion to some color combinations... it's not necessarily a bad thing. look at this guy, for example, with his "Clavier à lumières". some colors not only look DEADLY for some, but even could be PHYSICALLY painful, and, to fight the phobia, they hide behind some "theories". don't judge. not all points of spectrum are created equal, that's why some (invisible) range of rays can even destroy our planet it's beyound photoshop, of course, otherwise this piece of software could easily become the weapon of mass destruction... and don't worry, I don't even know what I'm talking about. Jul 22 14 10:26 pm Link Ruben Vasquez wrote: AKMac wrote: Agreed. Tulack wrote: I find that bit of advice to be incredibly odd. Well.... Actually Jul 23 14 06:48 am Link Natalia_Taffarel wrote: I'm not sure about this. Jul 23 14 09:59 am Link |