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How long is too long to wait for images?
Don't you mean "Why agree to do a TF with a photographer who told you up front it would take 180 days to get your pictures and then complain about it later because you didn't read the contract? ? Amelia Talon wrote: Dec 15 12 02:18 am Link DraganSutic wrote: Except he didn't, she read it in the contract after the event. Since she already gave her time it then came down to either forced to wait the 180 days or no pics at all. Dec 15 12 02:43 am Link Always read the fine print. Dec 15 12 02:52 am Link So considering how great this photographer is and how much it sounded like you wanted to do a shoot with him. If you had read the contract before shooting and knew about the 180 day wait to receive your photos. Would you have still done the shoot or not? Dec 15 12 02:53 am Link I agree 6 months is insane. The rare instances I do trade, I expect images back within 2 weeks. That being said, it really won't do much good to pester about getting them sooner Dec 15 12 07:59 pm Link DraganSutic wrote: Because I did in fact inquire about the release before we shot, which also happened to be a VERY short notice shoot (I mean he called and I was there in 4 hours). He didn't have a copy. It was emailed to me a few days after the shoot. Hindsight: Obviously sign before any shots are taken. In this instance, however I was there, he was there, his workshop team was there, so we went ahead. If the contract were there, I would have read and questioned the 180 days. But it wasn't so I didn't. He didn't bring the contract, NOR bring up the fact that it would take 180 days. I did inquire about the timeframe, and he pretty much laughed. It would have been NICE and professional if at THAT point he was upfront with me. So yes, bad on both our parts. Dec 16 12 05:07 am Link ammodphoto wrote: Actually, I would have! It was fun and his work is amazing! According to another model who TF'ed his workshop, her images were nothing like his paid work.He didn't watermark it, either. So not only do I get to wait till May, but I have little reassurance that he'll put any time into editing my images, or that he really cared about how they were coming out during his workshop in the first place. Dec 16 12 05:14 am Link I as a photographer don't understand photographers who take too long to delivery images. Seriously, I shoot with film negatives and I never take more than 5 days to delivery the results. Very often I delivery it on the next day or on the day after. And often, if I shoot in the morning and have the afternoon free, I will delivery the images on the same day at night. And I take much more time than digital photographers to see the results, because I have develop the negatives, dry it, scan or traditionally print it, while digital photographers just have to plug a cable from the camera into a computer and work on it. I can't start any other thing before fully finish a photo projects. Because if I leave it for later I become frustrated and I don't feel the same enthusiasm to work on old stuff. I just don't understand why some photographers take months. It seems they care more about playing with their cameras than about the result. To me, if it is not about the final result I feel I am waisting my time. Dec 16 12 05:22 am Link As a photojournalist, if I took 180 days to submit photos, I wouldn't sell very many of them. lol. Granted, news photos don't get edited because the buyers tend to disapprove of that but my workflow to post those is measured in hours, not days. At least some basically edited proofs should be able to be shown within a day or two to give some feedback. Then the model (and yourself) can post and brag about it on Facebook for all her friends to see. And then the real retouching can be done after that on a reasonable time schedule. If you're too busy to do that, you're shooting too much. Dec 16 12 08:55 am Link Good lesson in upfront communications. He may have his reasons for 180 days, especially for TF/workshop images. He may have a full load of paying clients that he addresses first, and backlogs the TF shots for slow periods in the six months. I do think 180 days is too long, but that was your agreement. Read before signing. Learn to ask questions, and write down key points or changes on the release with both adding initials. But before you complain, remember you agreed to it. He might surprise you, or he may need a reminder on Day 181. One surprise might be lots more of edits than you expected. Try and rush him, and you might get a couple of images poorly edited. Dec 16 12 12:57 pm Link Rachel Elizabeth B wrote: That sounds like poop, I would never work with someone like that. Dec 16 12 08:14 pm Link Rachel Elizabeth B wrote: It should be painful. 31 is a little late in life to learn the lesson of reading something before you sign it. Dec 17 12 03:01 am Link Rachel Elizabeth B wrote: There is no definitive answer, other than the time frame that was agreed upon. Dec 17 12 03:07 am Link Sand Angel Photography wrote: Exactly. And what ever has "too much" is not good. Dec 17 12 03:28 am Link ...throw some money his way and he may indeed re-prioritize your work for early completion Dec 17 12 03:39 am Link Glenn Hall - Fine Art wrote: Maybe he should pay a interest rate because he used the model's time and work and he is only paying it back after 180 days. Dec 17 12 03:55 am Link I think 180 days is completely reasonable for TF images. Just wait it out.. TF always gets put on the back burner. It was clear in his contract. Hes Not a hobby shooter. Period. Dec 17 12 08:21 pm Link Rachel Elizabeth B wrote: an agency will require to see some results within a few days. if one is freelancing and isn't getting the same then the motive is wrong...or you're just playing let's take pictures and the results are pretty much meaningless other than posting new pictures for ego whenever they may arrive. Dec 17 12 08:36 pm Link KA Style wrote: if i was a model and a photographer said that to me i'd say fuck you. whole portfolios are fully updated in that time frame. in that span whatever was delivered will be out of date. Dec 17 12 08:40 pm Link The lesson is to read the release BEFORE the shoot, sign following the shoot, if possible. Many photographers will want the release signed before the shoot begins. Your choice to sign or walk. I do not pay until the release is signed, and on TF shoot, of course, no images without a signed release, too. If the photographer claims to not have a release ready before the shoot, red flags should go up, especially if shooting at his studio. You do hold some power in your hands by not signing a release with a 180 day clause. He and the workshop attendees are stuck with images they cannot use. Remember he called you. Just refuse to sign unless the 180 day is trimmed to something you can tolerate. I do suspect that workshop images are not his high priority. I can imagine he is not looking for images for his portfolio that will duplicate the images produced by the attendees. You might be happier and get images more quickly by contacting the attendees to the workshop. Dec 19 12 07:37 am Link Can't blame a guy for probably putting paid gigs over TF can you? I mean a photographer's gotta make a living, right? You might be surprised to know how many photographers get TF's "bumped" (at the last minute) because a paid shoot came up for the model, and that's just the "way it is"...because a "model's gotta make a living". You negotiated that agreement and signed the papers. I don't think you have room to complain. Maybe if you ask him nicely. At least he told you up front. All that being said...6 months is pretty extreme! Usually about 48hrs or less for me. Dec 19 12 07:59 am Link Rachel Elizabeth B wrote: I thought it a bit odd the first time you said it after you forgot to bring the model release he provided because you were in such a rush. Dec 19 12 08:21 am Link photo212grapher wrote: Maybe I'm wrong but I got the impression this photographer provided the model with the release in advance of the shoot. But in her rush to leave work, and pack up her closet to get to the shoot, forgot the release. Dec 19 12 08:24 am Link True story: I waited for images 6+ months once, but when it came through it was great and got published in print in a good magazine a few months later. Yes, I was mad as fuck - but basically nothing you can do about it. It's true that good communication, before and after the shoot, can solve a lot, but the ultimate power is still with the person who has and owns the images. (Yup, that's not us.) Dec 19 12 08:25 am Link You agreed to it and you always have a choice... Dec 19 12 08:30 am Link Image K wrote: This. Dec 19 12 09:31 am Link Marcio Faustino Santos wrote: While some of what you say can be seen as true, there is a whole other side to digital. None of pictures are just plonked out the camera and I have a digital camera. Dec 19 12 05:34 pm Link Rachel Elizabeth B wrote: Got to admit that's a bit sneaky on his part if he didn't let you see a release beforehand. Fingers crossed the pics turn up retouched. Dec 19 12 05:40 pm Link 37 seconds. anything after that you might as well forget about them Dec 19 12 05:43 pm Link |