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Experience: Experienced
Compensation: Depends on Assignment
Genres: Art

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Last activity: Jul 12, 2014
Joined: Feb 03, 2008


Gary Kilgore

Male
San Antonio, Texas, US
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Mayhem #637532
Artist/Painter


MM URL: http://www.modelmayhem.com/GaryKilgore

About me
Objective:

     My primary objective as a sculptor, is simply to convey a sense of the beauty of a woman's body.
     My model is my collaborator. Together we look for a pose that emphasizes the beauty of her physical features. I work best with women who have a genuine love of art and life. If you have a pose that is particularly compelling, please, let's discuss it!

Relevant Biography:

     I apprenticed to Belgian portrait sculptress, Jeanne Gevaert (in Atlanta), after school during my junior and senior years of high school (1970-1972). The summer of 1972 as high school wrapped up, I began an apprenticeship to goldsmith/avant garde artist, Peggy Ackerly (in Atlanta)(Peggy was a protege of Sam Kramer, Greenwich Village, NY, NY, who she worked under from 1943 - 1964, until his death). I apprenticed to Peggy for a year, and opened a studio in an old duplex she bought on 9th Street (in Atlanta). I moved to Coconut Grove in August of 1973, and enrolled in the school of architecture at the University of Miami. At the University of Miami I studied architecture under Andres Duany, who is the father of the New Urbanism Movement in architecture, and Philadelphia architect, Philip Steel. In Coconut Grove, and later back in Atlanta, I continued to make jewelry throughout my college years. The financial crisis in the 1970's crushed my family, so I did not complete my studies in architecture, but returned to Atlanta and earned an BBA at Georgia State University. After college, I entered the construction business, and began designing and building homes in 1980. You can view the work of Jeanne Gevaert, Peggy Ackerly, Sam Kramer, Andres Duany, and Philip Steel by googling them. In 2012, I wrote an article/obituary for Peggy Ackerly, who passed in 2011 at the age of 90. You can read it by googling her. (Footnote: I want to write an article/obituary for Jeanne Gevaert as well, but I am too fuzzy on the details of her life and she didn't have any children for me to turn to. So, if you arrived on this page by googling Jeanne, and knew her, please contact me.) I've designed homes, jewelry, hand tools, machines, a vehicle, written a number of tool patents, and miscellaneous other projects. If you are curious about my patents, google my full name: Gary Hartman Kilgore. Keep in mind that most of my patents are in the name of the tool company I established, Motor Bay Company. I returned to figurative sculpture a few years ago after sculpting 6 trees in concrete as posts for my front porch (photos in my portfolio). By the end of that project I realized that I really missed sculpting people. I started a series of minature nudes, and now that I'm comfortable that I've attained a suitable level, I'm casting them in bronze. My primary interest in Model Mayhem, not surprisingly, is to network with serious, experienced models. I am amazed at how many talented models and artists are on this site. What I have learned about art and life from the women I have met on this site has had a profound impact on my life and work. It is so fantastic to be able to interact with so many serious models and artists. If you want to collaborate with me, or just shoot the bull, please don't hesitate to contact me. Best of luck and success in your projects!

THE MODELING ARTIST:

     For the benefit of aspiring models, I'm including the following observations. Regardless of who you work with, you need to understand thoroughly that:
     Good figurative art is the result of a collaboration between two artists: a model; and a person interpreting the statement she is projecting with her body.
     A good model is a performance artist, who seriously studies, and develops a mastery of expression through anatomical orientation. A great model brings compelling expression to art, if she is magnificent, her message radiates. She isn't simply the focal point of an artists eye, she is a creator, instigator, collaborator.
     If you don't have viable theories about what works, you aren't modeling, you are "taking pictures". The museums of our world house the thousands of years of work of our models and artists.  When you observe a photograph, sculpture, or painting do you see a picture, cold block of stone, musty canvas, or do you see the model, the person? You must be able to empathize with her, to step into her place.
     I need to end these comments with an admonition. Every seasoned model has a horror story from her first year of modeling. Speak to experienced models, learn to spot the red flags, and learn to avoid being manipulated. You may seek immortality for your work or through your progeny, but your body is not immortal. As a renowned Parisian photographer puts it, "It's like crossing the road, you only have to do it wrong once."
     
COLLABORATING:

     Sculpture is a classical art form, and the one form in which depiction of anatomically complete nude humans is totally accepted by all but the most repressed and irrationally inhibited members of society. Consequently, while most of my models have posed nude for photographers, their work with me is the only nude work that most their mothers are aware of. I think that's kinda cool, and speaks for itself. Footnote: Do not jump to the conclusion that a model has or will pose nude on the basis that she has worked with me. For that matter, do not assume that a model has even worked with me on the basis that her profile is on my "Friends" list.
     Most of my models are: professional models; photographers; artists; musicians, an acrobat (worked for SeaWorld at the time, then went on to Cirque du Soleil, now movie stunt woman); a TV hostess (LA); or performers in one genera or another. Women who have a sincere love and commitment to art, understand the process of creating art and are uninhibited. That's important, sculpture is a time intensive art form, I put in north of 100 hours on a piece over the course of a year. I need for a model to commit sufficient time to complete our work, or allow me to photograph her holding the pose, so I have something to work from. I've got to have one or the other, or I can't finish the sculpture.
     If you visit my studio, you will see shelves filled with unfinished work, work that is incomplete because a model: got a new jealous boyfriend; married someone who convinced her to quit modeling; or moved far away. That's life, and I certainly want my models to marry, have children, and prosper, but I also need to finish my work. So, please do not offer to work with me if you can't commit the time necessary for finishing our work.
 
MODEL COMPENSATION:

     Compensation is dependent on two criteria: experience; and commitment. I pay an hourly rate commensurate with experience. However, for instance, if you don't have much experience and are interested in developing your skills and portfolio, we can do a variation of TFP, Trade For Art, in which case compensation could be a copy of the bronze sculpture when we complete our work.

Lists
Avant garde   33 pics
Classic Compositions   381 pics
Do List   11 pics
Fun Images, may require attitude adjustment   34 pics
Hot! Viewing may require cold shower   27 pics
Jenn ideas   5 pics
Jessi June ideas   29 pics
Liz Ashley   4 pics
Mary_ela   14 pics
Melissa   30 pics
Melodie ideas   37 pics
Myra_   1 pics
Polished   3 pics
Sculptures   10 pics
Unique Images   191 pics


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Jessi June

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Melodie

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Amber Michelle

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Liz Ashley

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SabrinaDeAngelis

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Elizabeth Gandy

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