Carlo D'Firenze, aka, WildmanChuck.
Carlotta Champagne
After four decades as a photographer, about four years ago, I decided to begin concentrating on what I really wanted to shoot--beautiful women. Subsequently, some of the most gorgeous women in the world have appeared before my camera. As a photographer, on a scale of 1 to 10, I'm trying to at least be a 7. But I defy anyone to find any models here who aren't at least a 10.
Carlotta Champagne and Danielle Trixie
Let's face it, photographers, especially those of us who photograph beautiful women, are all voyeurs. That makes possible a wonderful symbiotic relationship with models, the best of whom are exhibitionists.
Danielle Trixie
Because I no longer need to build my own portfolio, I now pay modeling fees only to models whose style I know and trust. I do shoot model portfolios on a paid basis. If you like my style and think you may be interested in this service, you may learn more by going to IShootGlamour.com. I am also willing to shoot some select models on a TFCD basis. It never hurts to inquire.
Chainsaw Chelsea
There are other things in the world worth photographing besides beautiful women, of course, and in recognition of that fact, I have included a few vintage images. But the emphasis here is upon the beauty of the models whom I've had the good fortune to admire with my camera.
Danielle Trixie
The ultimate recommendation for a photographer is when a model uses his images on her own port. But, along the way, some models have been kind enough to also say nice things about me on their ports. Here are a couple of my favorites.
"Wonderful and genuine human being, I wish he was my neighbor."--Carlotta, Playboy model, MM #3155
"Chuck was very easy going, respectful, down to earth, great sense of humor, and has a great eye! He has to be one of the sweetest/kindest I've worked with! I'm glad I had the pleasure of working with him. I totally recommend him and look forward to working with him again in the future." -- Renee, MM #10
Sarah Ellis
Although I have nothing against Photoshop as a tool, and some of the best artists I know make beautiful use of it, as an old film photographer who has converted reluctantly to digital, I try to use editing tools sparingly, and in such a way that the beauty of the subject is always more important than my craftsmanship.
Brittony
