Update, November 27, 2009: Very selectively accepting TF* shoots at this time, with the emphasis on environmental portraits and nudes.
Simplicity is the new rebellion
Background: I started as a photojournalist, first for the mainstream press and later for one of the early punk 'zines. Although I no longer shoot professionally, that early experience continues to influence my work. I prefer to develop concepts, and then follow my intuition and shoot in a spontaneous, documentary manner.
Intent: At present my work is primarily intended for gallery exhibit, with more than 30 shows since 1999; having owned galleries in California and in Chicago, I have a fairly good understanding of the business of showing photography. I do publish in print media from time to time, but this tends to be on topics not involving models. I am also a writer, and sometimes use images to illustrate my published words.
Concepts: I typically am working on two or three concepts at once, and these tend to evolve and change over time. Much of my recent work is related to the role of humanity within the natural and unnatural landscape, particularly as an exploration of the ephemeral nature of modern materialism. My work is influenced by existential philosophy, the interplay of perception and reality, classic asian art and thought, and by the alternating darkness and light of mood and mystery.
What do I look for in a model? There is no one preferred physical type. I'm interested in the less tangible things: Attitude, charisma, creativity, intellect, open-mindedness. I often work with alternative models, and recently I've begun to seek out fashion models once again. I prefer to avoid "glamour" types, I have no interest in pandering to the lowest common denominator tastes of lowbrow adolescent males.
TFP/CD
Most of my work is done on a trade basis; I prefer my photography to be about the creative process, not about money. If you think you're an exception, be ready to tell me why.
General info
Experience is an advantage, although I still accept an occasional newbie when the look and the attitude seem right.
Clear, concise communication makes me happy, and is encouraged. Indecisiveness makes me unhappy; once the shoot is scheduled, we can discuss concepts for as long as you'd like, but I tend to lose interest if a model seems unable or unwilling to commit. I have a low tolerance for unreliability, and am proud of the fact that I've had very few no-shows over the years.
I'm currently shooting both digital and film. Delivery time on images will vary depending which is emphasized. Basically, digital will be faster; images from film will take longer because of the need to scan individually. I'll try to provide a time estimate at each shoot.
Location: I'm located on the rugged northern California coast, about four hours drive from San Francisco.
Travel:
San Francisco: Generally about once a month, next dates uncertain at the moment
Chicago: Maybe in mid December?
General: I have too many frequent flier miles. If you're near an airport served by United Airlines, feel free to attempt to convince me to come to you.
Photoblog: http://sublimefire.blogspot.com/ If you'd like to read about my shoots, and see more images, take a look.
Friend requests: Quality matters more than quantity. If I accept, it means that you've caught my attention somehow; quality work, a strong presence, creativity, a well-written profile, or maybe we've already worked together or otherwise met. The chances are better if you message first and tell me why you're interested.
"The realization that life is absurd cannot be an end, but only a beginning." -- A. Camus, 1938
