Forums > Photography Talk > Tear Sheets..

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Any good books or online tutorials on building one for a client and the best type of shots to go into one..?

Jan 23 06 09:05 am Link

Model

DawnElizabeth

Posts: 3907

Madison, Mississippi, US

Real tearsheets are always good.

I mean, don't fake them. If you shot for a publication, then use it. DOn't build one in illustrator to show a client, even if it looks good, because it might look pretentious.

Jan 23 06 09:12 am Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Crap, here I go mixing my terms up again..  (My memory is dyslexic.)

Meant Comp Cards.. 

Are comp cards even something a model would want one photographer to make, or do they make it on their own using a mix of work from different photographers?

And back to the original question.. Any books/tutorials that show what goes into making a good one.?

Jan 23 06 12:09 pm Link

Model

DawnElizabeth

Posts: 3907

Madison, Mississippi, US

WG Rowland wrote:
Crap, here I go mixing my terms up again..  (My memory is dyslexic.)

Meant Comp Cards.. 

Are comp cards even something a model would want one photographer to make, or do they make it on their own using a mix of work from different photographers?

And back to the original question.. Any books/tutorials that show what goes into making a good one.?

If you go to Elite or Ford, they usually have compcards available for view for each model. You can google compcard layout and see what's accepted.

Generally, you just want to supply the images and let the model go get them printed from a company that specializes in printing compcards and laying them out. But I have worked with photographers who did not let me take my photos to anyone but them to print, and it was expensive, especially after shelling out the cash for the shoot.

And also, they will use a photos from different photographers if they have them, unless you are the only one they have shot with.

Jan 23 06 12:19 pm Link

Model

gsvb

Posts: 190

New York, New York, US

A professional compcard always has the same layout, for guys or girls.
Front = headshot.
Back = normally four shots , but can be as little as 1..
normally depending on how well known you are within the industry..
the reason for this, to show a models range...

It has nothing to do with the photographer or the company you worked for if you decide to use an image on a compcard..BUT it is normally the rule that you credit the photographer..
also on the card should be your measurements, eye colour and agency, etc..

Jan 23 06 12:30 pm Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Thanks Dawn & GSV..  I'll be off to look at comp cards to see what kind of shots seem to work for professional models.  I'm not trying to get into fashion photography, but I figure in these early stages, while I'm trying to build some working relationships with models I'd like to do projects with in the future the least I can do is make sure I'm proficient in the types of shots they need in their own work. 

I kind of figured comp cards were something that models did on their own, but considering what a PITA it can be getting good quality printing done, I wasn't sure how that worked..

Jan 23 06 12:58 pm Link

Model

gsvb

Posts: 190

New York, New York, US

the model DOESNT do it..
You give your pics to a specialised company who do it and they also have the regular templates set up, and the Logos of the top agents already on the drive

http://www.google.com/search?hl=en&q=original+card+comp

Jan 23 06 01:13 pm Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

I get that GSV.. Sorry.. All I meant is that it's not the photographer's responsibility to produce the cards.. Just the shots that go into them..

Jan 23 06 01:15 pm Link