Forums > Digital Art and Retouching > Dodge and Burn brush settings

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

I use dodge and burn  for retouching. so what is the best way to control ur brush settings. and i am using a pen tablet.

some ppl put 100 opacity and 5% flow
and some Opacity 5% and flow 100%

so what is the best for skin work when u use two curves dodge and burn.

Jul 28 12 11:49 am Link

Retoucher

CLICK retouch

Posts: 235

Denver, Colorado, US

There is no rule, I use 3-7% opacity, 5% flow. It also depends on the density of the brush, I use 25 percent on default softest brush. No pen sensitivity on, no airbrush.

Jul 28 12 11:52 am Link

Photographer

Julian Marsalis

Posts: 1191

Austin, Texas, US

http://nataliataffarel.tumblr.com/post/4551849530/dnb

When Dodging and Burning one should always keep a few things in mind: 

• Brush settings are a personal choice. I a use soft brush most of the time, with opacity set to 3/10% and Flow set to 100%. Size of the brush, off course depends of the area that I’m working on /brushing.

• You can use mouse for all this, but I would highly recommend a graphic tablet, like Wacom.

It's a personal choice for me 100% opacity 1-5% flow is nice the biggest difference I see is lifting the pen vs constant pressure to increase the effect while using a tablet or heaven forbid a mouse.

Jul 28 12 12:12 pm Link

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

Julian Marsalis wrote:
http://nataliataffarel.tumblr.com/post/4551849530/dnb


It's a personal choice for me 100% opacity 1-5% flow is nice the biggest difference I see is lifting the pen vs constant pressure to increase the effect while using a tablet or heaven forbid a mouse.

Even i use 100% opacity and 1-5% flow most of the time.

Jul 28 12 12:20 pm Link

Digital Artist

Koray

Posts: 6720

Ankara, Ankara, Turkey

I use a bit higher opacity or flow but keep the pressure sensitivity on. I really hate no pressure sensitivity settings cause they remind me the mouse big_smile

Jul 28 12 12:58 pm Link

Photographer

Ruben Vasquez

Posts: 3117

Las Vegas, Nevada, US

I'll almost always use a soft brush. I don't really care to pick my pen up all the time so I have the flow set to 50% or lower. My opacity will range any where from 1% up to 15%. For me, the biggest thing that determines what my brush settings are is how fast I want to apply the affect. If I want to build up the affect fairly quickly, then I'll have a higher opacity. If I'm trying to be more careful, then a lower opacity setting works better as I can slowly build up the effect right to where I want it.

Jul 28 12 01:21 pm Link

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

Ruben Vasquez wrote:
I'll almost always use a soft brush. I don't really care to pick my pen up all the time so I have the flow set to 50% or lower. My opacity will range any where from 1% up to 15%. For me, the biggest thing that determines what my brush settings are is how fast I want to apply the affect. If I want to build up the affect fairly quickly, then I'll have a higher opacity. If I'm trying to be more careful, then a lower opacity setting works better as I can slowly build up the effect right to where I want it.

thank u for the info and i love ur work always

Jul 28 12 01:41 pm Link

Retoucher

Krunoslav Stifter

Posts: 3884

Santa Cruz, California, US

Julian Marsalis wrote:
It's a personal choice for me 100% opacity 1-5% flow is nice the biggest difference I see is lifting the pen vs constant pressure to increase the effect while using a tablet or heaven forbid a mouse.

I'm at that range as well. But everyone is a bit different. I would suggest you focus on the results while working with whatever you are comfortable with. Sometimes you will have to experiment a little to find your preferred settings.

When doing D&B I personally tend to use 100% opacity and 3-5% flow with soft brush and typically "transfer options" in the brush panel set to pen pressure. So I can actually take advantage of the pressure sensitivity of my Wacom. Sometimes I also use the "Shape Dynamics" set to pen pressure as well, but only when I need to fade the brush strokes at the edges. Otherwise I leave it off. Mostly used for drawing not so much D&B. Or maybe when doing something more global where I need more "organic" feel to the brush strokes.

Jul 28 12 06:28 pm Link

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

Krunoslav-Stifter wrote:

I'm at that range as well. But everyone is a bit different. I would suggest you focus on the results while working with whatever you are comfortable with. Sometimes you will have to experiment a little to find your preferred settings.

When doing D&B I personally tend to use 100% opacity and 3-5% flow with soft brush and typically "transfer options" in the brush panel set to pen pressure. So I can actually take advantage of the pressure sensitivity of my Wacom. Sometimes I also use the "Shape Dynamics" set to pen pressure as well, but only when I need to fade the brush strokes at the edges. Otherwise I leave it off. Mostly used for drawing not so much D&B. Or maybe when doing something more global where I need more "organic" feel to the brush strokes.

Krunoslav-Stifter you always give amazing information. When i use 100% opacity and 1-5% flow  my brush edgers are not Sharpe its like a noise it paints.

so that  the reason i start using the other way around.

Jul 28 12 09:58 pm Link

Retoucher

Krunoslav Stifter

Posts: 3884

Santa Cruz, California, US

Krunoslav-Stifter you always give amazing information. When i use 100% opacity and 1-5% flow  my brush edgers are not Sharpe its like a noise it paints.

so that  the reason i start using the other way around.

What do you mean by not sharp and by being like noise? Sounds a bit strange to me.

Jul 28 12 10:14 pm Link

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

Krunoslav-Stifter wrote:

What do you mean by not sharp and by being like noise? Sounds a bit strange to me.

can i send u a image

Jul 28 12 10:45 pm Link

Retoucher

Krunoslav Stifter

Posts: 3884

Santa Cruz, California, US

SHADOWILLUSIONIST wrote:

can i send u a image

Can you upload the screenshot here?

Jul 28 12 10:47 pm Link

Retoucher

SHADOWILLUSIONIST

Posts: 54

Battaramulla, Colombo, Sri Lanka

Krunoslav-Stifter wrote:

Can you upload the screenshot here?

I have emailed you

Jul 28 12 10:52 pm Link

Retoucher

23rdmarch Retouch

Posts: 58

London, England, United Kingdom

Most time I think I'm using 100% opacity and 2-5% flow. I'm always using pen pressure in shape dynamics and also sometimes in transfer options.

Sometimes I also lower opacity. For me there's actually no rule, I just do what I feel will look best and will make my work easier.

Jul 29 12 12:55 am Link

Retoucher

ThreeVisual Retouch

Posts: 83

New York, New York, US

I paint on a grey overlay layer WITH the actual dodge and burn tool at 6% "exposure".

Jul 29 12 06:09 am Link

Photographer

walterfantauzzi

Posts: 210

Rome, Lazio, Italy

MMmm I use 3% Opacity and 100% Flow

Aug 08 14 06:52 am Link

Photographer

Laura Elizabeth Photo

Posts: 2253

Rochester, New York, US

100% opacity and 1-5% flow but really I'll go higher if it's working with what needs to be done.  I'm also pretty sure I always have my brush at the max softness.  I don't use pen pressure while D&Bing most times though, I save that for hair.

Aug 08 14 07:12 am Link

Photographer

J O H N A L L A N

Posts: 12221

Los Angeles, California, US

I do the two-curves technique with 100% opacity and typically 3% flow.

Aug 08 14 06:51 pm Link

Retoucher

Daniel Meadows

Posts: 794

Manchester, England, United Kingdom

It's all personal taste really but I use flow so I don't need to lift the pen. Around 1-5%

Aug 10 14 06:44 am Link

Retoucher

201retarded

Posts: 74

Hoboken, New Jersey, US

I use the d&b tool right on a jumped layer and sometimes a  soft light if I want to change the light some.

Aug 23 14 05:03 am Link

Retoucher

Mariangela Garofalo

Posts: 47

Bologna, Emilia-Romagna, Italy

I use the curves method and a soft brush with 2-6% opacity and 100% flow, shape dynamics and pressure sensitivity off.

I like flow but when I dodge and burn I want more control on building up so I prefer to lift the pen everytime I need it and avoid to accidentally overdo it with flow

Aug 23 14 08:36 am Link