As a classically trained figure sculptor having access to dedicated figure models is vital to my creative process. While I was living in Florence, Italy I had easy access to models, unfortunately I find it much more difficult to find them in California, especially nude models. I hope Model Mayhem will make it easier for me to find local figure models.

Brandon Roy Bio
Brandon Roy started his career in sculpture at the age of 18 when he became an apprentice at a fine art bronze foundry. After two years at the foundry Brandon decided to pursue a classical education in sculpture and moved to Florence, Italy where he remained for three years while attending the prestigious Florence Academy of Art. Upon receiving his diploma from the academy, Brandon returned to the US where he completed a five year apprenticeship under the sculptor Chris Pardell. While working for Pardell Design Brandon consulted on numerous public art projects, and oversaw the production of sculpture from design to on-site installation. Currently Brandon is serving as the Director of the California Sculpture Academy. Access to the Academies on site foundry has allowed him to greatly expand his knowledge of classical bronze casting techniques.

Brandon Roy Artist Statement
In order to create a masterpiece it is necessary for a sculptor to have in depth knowledge of their subject matter and a hands on approach to all aspects of their sculptures creation.
It is my belief that the passion put into an original clay sculpture can only be transferred into the bronze through the sculptors continual involvement throughout the entire casting process. Today the process of creating bronze artwork has been separated from the sculptor. Wax working, casting, welding, chasing and patination are all done by different people at the foundry. However there are too many areas where the sculpture can be improved upon or inversely neglected during its creation to leave to happenstance.
My sculptures are created in clay and cast in bronze with my expertise and skilled hand guiding every step. A return to the time when artist and craftsman are one is the core of how I believe sculpture should be made.

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