Forums > Photography Talk > Mimicing Sunlight

Photographer

Somebody Girl Photo

Posts: 11

Chicago, Illinois, US

I am curious as to how other shooters try to mimic the sun when using strobes.

Sep 27 07 01:26 pm Link

Photographer

robert christopher

Posts: 2706

Snohomish, Washington, US

nic color effect pro sunlight filter

Sep 27 07 02:32 pm Link

Photographer

TDL

Posts: 579

Toronto, Ontario, Canada

gels, maybe gold umbrella's and reflectors?

Sep 27 07 02:42 pm Link

Photographer

Pelle Piano

Posts: 2312

Stockholm, Stockholm, Sweden

Straight flash. No modifiers. Maybe a gel for evening light.

Sep 27 07 02:55 pm Link

Photographer

R Michael Walker

Posts: 11987

Costa Mesa, California, US

I just color balance the strobe to be a bit warmer..unless I want the cool effect. I also like to overpower the sun for a cool dark background. In the first example I use diffusers, in the latter I don't. Also may switch from strobe to a reflector. Silver for the latter effect and gold for the former.

Sep 27 07 02:59 pm Link

Photographer

BlindMike

Posts: 9594

San Francisco, California, US

To mimic it, you need to understand it. Spend some time watching how sunlight looks, changes, and behaves. It's a lot easier once you have a good base to draw from.

Sep 27 07 03:01 pm Link

Photographer

Jeffrey Engel

Posts: 22327

Waltham, Massachusetts, US

Play around with your camera and flash.

Set your camera to Tungsten or a cool temperature.

Add an orange or warm gel filter.

It can help create the "golden hours" effect of sunsets. Here's one I did:

https://www.engelfoto.com/events-editorial/images/11.jpg

Sep 27 07 03:02 pm Link

Photographer

Jeffrey Engel

Posts: 22327

Waltham, Massachusetts, US

sorry, i meant add the orange or warm gel filter to the FLASH, not lens.

Sep 27 07 03:03 pm Link

Makeup Artist

G_Makeup

Posts: 243

New York, New York, US

http://www.plasticmagonline.com/misc/mva_beach1

that was all faked, the sun was behind them most of the day, Stephen was doing it for a video on lighting outdoors.

It was a ringflash on a few, a beautydish on a few and a large octabank on a few as a main

Photographer  Stephen Eastwood  at www.stepheneastwood.com



G

Sep 27 07 03:12 pm Link

Photographer

ward

Posts: 6142

Toronto, Ontario, Canada

pellepiano wrote:
Straight flash. No modifiers. Maybe a gel for evening light.

Precisely. Standard reflector head aimed directly at the model. It creates a very hard shadow when shot against a white wall or seamless, much like the new black and white Calvin Klein ads featuring actor, Djimon Hansou.

Sep 27 07 03:14 pm Link

Photographer

GDS Photos

Posts: 3399

London, England, United Kingdom

I sometimes shoot a flash head into the gold zebra california Sunbounce reflector.

Sep 27 07 03:14 pm Link

Photographer

Somebody Girl Photo

Posts: 11

Chicago, Illinois, US

Thanks so much for sharing! I really appreciate the info.

Sep 28 07 12:59 am Link

Photographer

Jason McKendricks

Posts: 6024

Chico, California, US

Tony Di Lorenzo wrote:
gels, maybe gold umbrella's and reflectors?

If one is going to use a reflector, don't bounce the light from a high vantage point. Keep it low like the angle of sunrise or sunset.

Sep 28 07 01:01 am Link

Photographer

alexwh

Posts: 3104

Vancouver, British Columbia, Canada

I take a different approach to mimicking sunlight. Since sunlight is usually too contrasty for my taste I like to light my subjects with a softbox in such a way that you are not really aware that it was used. Those that don't know simply see it as soft sunlight!
Alexwh

https://ompi.onemodelplace.com/_image_content.cfm?Image_ID=3840329&=true&key=5CF2CD9F-01B9-4012-A874-33E916FB0BC9

Sep 28 07 01:57 am Link

Photographer

RichK

Posts: 522

Saint Cloud, Minnesota, US

A gold octagon or soft box is a good way ,but another way is to shoot raw and bump up your white balance to 5500 or 6000 when your on your computer
Rich

Sep 28 07 01:58 am Link

Photographer

c d embrey

Posts: 193

Huntington Beach, California, US

There is only one way that I've seen to simulate sunlight, and that is a Profoto Hardbox.

https://img.photobucket.com/albums/v509/cdembrey/IMG_6315-6x9-logo.jpg

Look at the HARD shadow on the wall ... see the shadow of the split in her skirt on her right. There is no other way to do AFIK. There is no fill on this shot. Made indoors.

https://img.photobucket.com/albums/v509/cdembrey/IMG_7096-6x9-logo.jpg

Hardbox with bounce fill. Made at 8:00pm outdoors. Once again notice hard shadow.

If you like it redder than I do, just gel light to taste.

Sep 28 07 01:53 pm Link

Photographer

40 WEST STUDIOS

Posts: 223

Pontiac, Illinois, US

shoot it in raw and warm it up.

Sep 28 07 02:09 pm Link