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Beauty Dish vs. Softbox
Hey Everyone, Does anyone out there have experience working with a beauty dish with a honeycomb grid? Currently, I'm working with one medium size octagonal softbox but the quality of light leaves me a little disappointed at times. I'm looking for something else that produces a soft beautiful even light for portraits and figure photography. I looking at getting this beauty dish: http://www.adorama.com/HLRBD.html?searc … item_no=10 How does this thing attach to a flash head? If you have examples of your beauty dish photos please show them! Thanks! H. Apr 20 06 09:27 pm Link I've used a beauty dish before and I'm not blown away by it. The light is a little less soft than what you get with a softbox and it throws a much sharper "edge" on your background. You can get cool results if you use a beauty pan as a main light and softboxes for low-powered fill. As far as mounting them - that depends on your light and how it's intended to accept reflectors and whatnot. mjr. Apr 20 06 09:36 pm Link I just bought a Hensel system from B & H and also that beauty dish. It has a speed ring and clips onto the hensel integra just like the softbox does. It came with a grid and also a flat, white solid metal piece that goes where the grid can clip. I have only used it once so far, experimenting with settings so I can't give you a detailed explanation. One of the guys on Glamour1 says he uses his beauty dish, a larger Mola dish, almost always instead of a softbox. Apr 20 06 09:36 pm Link Yes it attaches directly to the head. I use one both on my Hensel and when I rent Profotos (and other systems) with and without a grid. With a grid is slightly more specular, with a slight hotspot in the center (not much) and it gets rid of the donut-hole catchlight. Other than that, what you're talking about is an umbrella-type source vs a softbox-type source, and all that implies. A beauty dish is basically an umbrella with a softbox-like softness in the quality of light. What it DOES with the light though is basically umbrella. It's a curved source so it tends to fill in its own drop shadows to a degree and spills all over the place. Much less directional than a softbox. I use a number of different tools, but beauty dishes are one of my mainstays for the key. The quality looks a bit like soft, hazy sunshine. Apr 20 06 09:37 pm Link Marcus J. Ranum wrote: Thanks Marcus! Apr 20 06 09:49 pm Link Red Sky Photography wrote: Thanks! Apr 20 06 09:51 pm Link Marko Cecic-Karuzic wrote: Thank you very much Marko! I'm sold, I have to get one. Apr 20 06 09:57 pm Link Hassan Patterson wrote: The prevailing wisdom with softboxes appears to be "bigger is better" and I went down that path for a while (to the point where I made a 20'x20' scrim and just made one side of my studio into a "light wall") but I did a bunch of testing and decided that I like the effect of more small boxes rather than a single big one. Mostly because you can independently angle the small boxes for cool effects OR you can just line them up and get the effect of a large light-bar or a huge softbox. Apr 20 06 10:03 pm Link A beauty dish especially when use with a grid, directs the light more on the subject, where a soft box spread the light out a bit too much. Beauty Dishes are great for portraits and beauty shot. very, very nice light. this was done with a beauty dish along with a few other of my images https://www.modelmayhem.com/pic.php?pic … 1a413482d3 Apr 20 06 10:08 pm Link Marcus J. Ranum wrote: Excellent advice! Thanks! Apr 20 06 10:10 pm Link I love, love, love beauty dishes. I think one of the problems people have with them is that they don't position them close enough to their subjects - a beauty dish is at its best when within a couple feet of whoever you're shooting. When you've got it right on top of someone's face you'll end up with gorgeous, creamy, liquid light that still has a terrific falloff into rich shadow. All of these were keyed with a dish: https://www.modelmayhem.com/pic.php?pic … 470a61eac0 https://www.modelmayhem.com/pic.php?pic … fff1eb9488 https://www.modelmayhem.com/pic.php?pic … fb30035a1d Apr 20 06 11:47 pm Link Simon A Gerzina wrote: Wow, those are fine! Apr 21 06 07:11 pm Link I use a 22" speedotron beauty dish. I don't like to use the dish without the grid (which covers the entire 22" dish, not just the center diffuser spot). I like to kill off a lot of spill, but umbrellas do have their uses too. I have 3-4 softboxes, but hardly use them at all, except for product shooting. https://www.modelmayhem.com/pic.php?pic … 6daf0b98a2 https://www.modelmayhem.com/pic.php?pic … 6a3de354df https://www.modelmayhem.com/pic.php?pic … 843a123259 Apr 21 06 07:25 pm Link I prefer the look of the beauty dish. For a while I used nothing but the beauty dish and got nothing but outstanding images from it. The only problem I have is I use the 22inch one and the light fall off is so fast and harsh it makes it difficult doing anything other then head and 3/4 shots. But I'll still take one over any kind of box out there. David hickey's indoor shoots are all with an AB1600 and beauty dish http://member.onemodelplace.com/member.cfm?P_ID=37713 Apr 22 06 12:17 pm Link Simon A Gerzina wrote: Exactly - with a dish, you gotta be close - Apr 22 06 01:07 pm Link I use a 22" Norman beauty dish both with and without grid on a boom stand... its the most versatile light i have.. great for fill for rockin headshots as it is super directional with falloff and on a boom angle and height can be dialed in perectly good for a main light especially butterfly/overhead... also with grid and boom can be placed high and behind model for hairheadshoulders rim light without splashback into cam main with grid https://www.modelmayhem.com/pic.php?pic … 3ce436fb3d main without grid https://www.modelmayhem.com/pic.php?pic … ae0f2bf885 finesse fill https://www.modelmayhem.com/pic.php?pic … 89616e666d hair/separation https://www.modelmayhem.com/pic.php?pic … d5db1a7cdf Have Fun ! Apr 22 06 01:30 pm Link Hi All.. I have a 19" beauty dish from White Lightning and I'm not sure what you mean by "grid" wish a beauty dish. I know of grid spots that you can put in a parabolic or an egg crate grid attachment over a soft box.. but a grid with a beauty dish? is that brand specific? Also, I agree that the dish is a harder light than a soft box. I'll definitely have to try moving it in to soften it up. Trying to remember the closer the light, the softer the shadows is the trick. BTW, some great photos being shown as examples here! really nice work everyone! thanks,Patrick :-) Apr 22 06 01:56 pm Link Patrick Shipstad wrote: As far as I know it is brand specific. They don't have them for white lightning though. Profoto also makes such a grid. It covers the entire dish. Apr 22 06 02:54 pm Link Nello Ryan wrote: Actually, Apr 22 06 03:21 pm Link Hey, I didn't say they were 19 inch. That was Patrick... Apr 22 06 03:36 pm Link Hassan Patterson wrote: Try an old bedsheet, it makes great light, big and soft:) Apr 22 06 03:39 pm Link I prefer beauty dish with an extra filter to cover it Apr 22 06 03:58 pm Link Patrick Shipstad wrote: Patrick, Apr 22 06 04:18 pm Link Nello Ryan wrote: I know you didn't, but you said there isn't a grid that will fit the WL/AB pan reflector and I wanted to point out that there is one and I wanted to address the incorrect size thing as well. No harm, no foul. Apr 23 06 01:45 am Link Regarding Grids in a Beauty Dish - there's 2 kinds: 1. The Hensel has a grid just in front of the flash tube. This concentrates some of the light into a hotspot in the center of the field of light. The rest spreads out in the reflector to give a nice even illumination. 2. The WhiteLightning and Profoto dishes have a metal plate directly in front of the flash tube. The makes the light bounce off this plate back into the reflector - spreading the light out in the dish fo that beauty dish look. (The Profoto dish has an option to replace the metal plate with Opal Glass, so you can get a similar effect as the Hensel, but with not as much of a hotspot.) I the case of the Profoto dish, there is a 22 in grid that goes on the front of the reflector. This is used to narrow the spread of light from the dish. With the white Profoto reflector, the beam spread changes from 65 degrees to 25 degrees using the grid. (this is the same as using 7 inch grids in small reflectors) The idea behind this grid is allowing you to precisely control where the light is going. Profoto also has a silver beauty dish that has a 25 degree spread which goes to 10 degrees with the Grid. FYI - the White Lightning/AlienBees Beauty dish has a spread of about 120 degrees and has no option for a grid attachment. FWIW - I just bought the profoto white beauty dish for my Acute2 kit to replace my WhiteLightning beauty dish - I'm getting the grid this week. I felt like the light from the WL dish was just going everywhere and I could not get the kind of control I really wanted. -steve http://www.stevennoreyko.com/ Apr 23 06 02:18 am Link Patrick Shipstad wrote: Have you seen the little 7" or 9" grid sets that people will mount right to a light's standard reflectors? They come in degree-ratings from 10 up to as high as 40 in standard sets, look like round metal honeycomb discs that just manage a light's directionality. Well, the ones for beauty dishes are often just really big versions of them. Apr 23 06 10:19 am Link StevenNoreyko wrote: Are you sure that's true? Apr 23 06 11:38 am Link The Hensel dish comes with both a grid and a solid plate for the center, so you have a choice as to which you want to use. I haven't seen a grid that fits over the whole Hensel dish. Apr 23 06 12:11 pm Link mag-jr wrote: LOL damn... I have had that dish for a couple of years and this whole time I thought it was 20 inches.. LOL LOL damn! Apr 23 06 12:24 pm Link They are all light modifiers with different spreads and luminosity... I use Elinchrom. For the most part, this and others like it control the light center and fall off edging. Apr 23 06 12:33 pm Link Okay, I'm a mondo dork. My apologies everyone for the confussion..the White Lightning dish IS 22" not 19" like I previously said. Thanks for the great info on the Norman grids fitting the WL dish. I hope there's another spread degree other than 15% though. Damn those things are expensive.. waaaaaaa :-( Apr 23 06 12:41 pm Link Dax wrote: Sorry I ranted Apr 23 06 12:57 pm Link Patrick Shipstad wrote: No worries, Apr 23 06 01:00 pm Link mag-jr wrote: Molas are even trickier than plain beauty dishes, as their 'sweet spot' is pretty specific. When they're dead-on, the light is really great; when they're a little too close or too far, they're merely good. Apr 23 06 05:06 pm Link Second photo is gorgeous! Mola has larger dishes which is my number one concern. As far as the specular highlights, use a condom/strobo sock over it and it'll cut that down, in theory that is. I hate the way my images look when I don't use the diffiusion filter over it. Apr 23 06 06:14 pm Link mag-jr wrote: Sorry MagJr. I must have missed your post regarding the Norman grid (I skimmed over some of the posts). Apr 23 06 10:20 pm Link StevenNoreyko wrote: No worries. Apr 23 06 10:28 pm Link mag-jr wrote: Nah. I want that specularity--if I didn't, I'd use a softbox. For models with great skin, and great makeup, that sparkle is what makes a beauty dish worth using. Apr 24 06 03:11 am Link mag-jr wrote: Semantics Rant: Apr 24 06 08:42 am Link I am definately a fan of the beauty dish. This shot https://www.modelmayhem.com/pic.php?pic … 3ba9f95b24 and all the "Mia" shots in my port were taken with a beauty dish and directional use of softboxes. Apr 24 06 08:46 am Link |