Forums > Photography Talk > Lighting Setup Tutorials: basic to advanced

Photographer

Legacys 7

Posts: 33899

San Francisco, California, US

Hump and bump. Do the humpty hump.

Mar 15 07 01:55 pm Link

Photographer

Legacys 7

Posts: 33899

San Francisco, California, US

Digital Underground.

Mar 15 07 01:56 pm Link

Photographer

Donald Byrd

Posts: 163

Freeport, Florida, US

Mar 15 07 02:14 pm Link

Photographer

Jason Haven

Posts: 38381

Washington, District of Columbia, US

This really should be stickied.

Mar 18 07 10:50 am Link

Photographer

bgcfoto

Posts: 5446

Charlotte, North Carolina, US

LightLab Studios wrote:
One more before bed... again courtesy of Richard Warren Fashion Workshop.

Equipment and Materials:
- white seamless
- four white umbrellas
- two acute 1200R packs
- two large 6'x6' scrim jims w/white panels
- nikon d2x w/50mm f1.4
- 1/125, f4.5, ISO 100

Ratios:
- light is bounced 3x: off umbrella, off background, off scrim jim to model
- triple bounce gives extremely even, diffuse light for exceptional skin tones; highlights wrap from back to front; catch light from scrim jim in eyes is subtle and fills iris
- lights were at full power
- approx. 5 stop difference b/w background and model

Post-Production:
- minimal work on skin, contrast, and color

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_9007.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_9141.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/setup2.gif

https://img4.modelmayhem.com/061004/20/45245a3df04ba.jpg

Man look at that space, I hate you.........well not really. Ok I guess I do but in a good way.  BTw, that shot, im really diggin it.

Mar 18 07 10:56 am Link

Photographer

saaka

Posts: 19

Whistler, British Columbia, Canada

Brandon Ching wrote:
OK OK... from a shoot the other night.
https://www.brandonching.com/gallery/albums/kayko_01-11-07/IMG_7115_landscape.jpg

love the lighting - any chance on an original?

Mar 18 07 11:58 am Link

Photographer

LightLab Studios

Posts: 755

Seattle, Washington, US

slow death in progress....

please revive. thanks!

Mar 27 07 02:06 pm Link

Photographer

Leonard Thompson

Posts: 136

Los Angeles, California, US

Most useful post ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Mar 29 07 01:00 am Link

Photographer

Brandon Ching

Posts: 2028

Brooklyn, New York, US

saaka wrote:
love the lighting - any chance on an original?

From one of the before/after threads....

Studio shot > retouch > background > composite

https://www.brandonching.com/beforeafter/kayko6.jpg

Mar 29 07 01:38 am Link

Photographer

TimeShift Studios

Posts: 252

Fort Lauderdale, Florida, US

Bumpity Bump

Apr 04 07 05:03 pm Link

Photographer

Kristine Kreations

Posts: 1629

Davis, California, US

We can't let this thread die off yet!

Apr 05 07 12:25 am Link

Photographer

pearly

Posts: 34

London, England, United Kingdom

fantastic thread, I've learnt so much, please keep them coming
here's my avatar setup... 

https://widget.slide.com/rdr/1/1/3/W/10000000a1727d9/1/15/JhF3AslD6D-yPAas8PS5HutdpObahvic.jpg

https://img7.modelmayhem.com/070407/15/4617f43869712.jpg

Apr 09 07 10:02 am Link

Photographer

GDS Photos

Posts: 3399

London, England, United Kingdom

Great thread

Apr 13 07 05:35 am Link

Photographer

TimeShift Studios

Posts: 252

Fort Lauderdale, Florida, US

Keep this thread ALIVE!!!!

Apr 20 07 12:11 am Link

Photographer

Tom Huynh Loft Studio

Posts: 901

Sacramento, California, US

https://img7.modelmayhem.com/070420/17/46292ee6d25c3.jpg

One big softbox on a boom placed directly above the models with angle about 45 degrees.

Apr 21 07 11:06 pm Link

Photographer

EyeCanShoot

Posts: 1198

Orlando, Florida, US

Well I am now going to have to say (ARG!) LOL - and thank you, as I will now be stuck on this topic trying to saturate my brain with all of the knowledge!

Great topic, and good to see some terms in which I can understand (photos of the setups!) heh...

Thanks for the topic and for all of the photographers willing to share this setups with all of us, including the (ignorant) such as my self!

If any one is in Orlando and wouldn't mind someone as an onlooker I would love that... Can't wait to see what is to come!

Damon

Apr 21 07 11:32 pm Link

Photographer

Admiral Frog

Posts: 29088

Roswell, Georgia, US

this needs a bump

May 03 07 10:56 am Link

Photographer

TimeShift Studios

Posts: 252

Fort Lauderdale, Florida, US

Bump

May 06 07 07:54 pm Link

Photographer

TimothyH

Posts: 1618

Madison, Wisconsin, US

Good God... I'm not worthy. I'm going to go cry for a while now.

May 06 07 08:28 pm Link

Photographer

Bananaboat

Posts: 675

LightLab Studios wrote:
One more before bed... again courtesy of Richard Warren Fashion Workshop.

Equipment and Materials:
- white seamless
- four white umbrellas
- two acute 1200R packs
- two large 6'x6' scrim jims w/white panels
- nikon d2x w/50mm f1.4
- 1/125, f4.5, ISO 100

Ratios:
- light is bounced 3x: off umbrella, off background, off scrim jim to model
- triple bounce gives extremely even, diffuse light for exceptional skin tones; highlights wrap from back to front; catch light from scrim jim in eyes is subtle and fills iris
- lights were at full power
- approx. 5 stop difference b/w background and model

Post-Production:
- minimal work on skin, contrast, and color

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_9007.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_9141.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/setup2.gif

https://img4.modelmayhem.com/061004/20/45245a3df04ba.jpg

all that is totally unnesessary to get that shot... well thought out, but could be done more simple with the same results...

May 06 07 08:36 pm Link

Photographer

TimothyH

Posts: 1618

Madison, Wisconsin, US

Beach wrote:
Nikki MM#281091

https://img5.modelmayhem.com/070117/17/45aea1aba4737.jpg

That is quite possibly the nicest shot I've seen from a Rebel. I've seen some really nice ones too.

May 06 07 09:00 pm Link

Photographer

Leonard Thompson

Posts: 136

Los Angeles, California, US

Nothing special but had to contribute! One snooted light overhead.

https://i27.photobucket.com/albums/c177/leonardsPhoto123/IMG_8524web.jpg

May 07 07 08:27 pm Link

Photographer

Elliot

Posts: 603

Honolulu, Hawaii, US

My first studio shoot - big mahalos to warren -IX for setting things up and to Brandon Ching for his 1001 answers to my 1001 questions!

https://i2.photobucket.com/albums/y40/Uncle_E/Myspace/shoot001.gif

https://i2.photobucket.com/albums/y40/Uncle_E/Myspace/IMG_8774.jpg

Sorry about the lack of depth of information on the settings ... all I can say was that I had so much fun and im hooked now!

May 16 07 08:42 pm Link

Photographer

Justin Berman

Posts: 826

Brooklyn, New York, US

Brandon Ching wrote:

From one of the before/after threads....

Studio shot > retouch > background > composite

https://www.brandonching.com/beforeafter/kayko6.jpg

ok seriously, thats beautiful post work, but i find it really hard to believe that you got the eyes out with no real light on them. did you composite the eyes from an additional shot? Is this just a lot of fill light? It is an amazing shot, don't get me wrong. I freaking love it, and your work is nothing besides quality. I am just curious as to the method you used to PP this.

May 16 07 09:59 pm Link

Photographer

Brandon Ching

Posts: 2028

Brooklyn, New York, US

Love and Wonder wrote:
ok seriously, thats beautiful post work, but i find it really hard to believe that you got the eyes out with no real light on them. did you composite the eyes from an additional shot? Is this just a lot of fill light? It is an amazing shot, don't get me wrong. I freaking love it, and your work is nothing besides quality. I am just curious as to the method you used to PP this.

The eyes were not a composite. The face was underexposed intentionally in camera (originally shot contrasty for Sin City feel), but then I decided I wanted more light so I upped the exposure in ACR and applied a curve adjustment to bring out the midtones.

The key light was metered for F/5.6 and the camera was dialed in at F/8.

May 17 07 07:54 am Link

Photographer

Antoine Thisdale

Posts: 176

Montreal, Quebec, Canada

LightLab Studios wrote:
I'll start. This setup is courtesy of Richard Warren's Fashion Workshop.

Equipment and Materials:
- white seamless background
- model approx 15 ft in front of background
- background lit by beauty dish w/blue gel
- model lit by 48" white umbrella
- additional partial diffusion on umbrella using rolux tufflux fabric
- two fill cards (placement seen in pics)
- nikon d2x w/50mm

Ratios
- background about 2 stops below key

Post-Production
- minimal: basic post on skin, contrast, and color

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_8931.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_8932.jpg

https://i85.photobucket.com/albums/k74/tfullum/Richard%20Warren/DSC_8949_OMP800.jpg

Why did you use the Beauty Dish to light the background? Would it make a big difference between using a direct light source with gel or an umbrella with gel?

edit: I'm asking mostly because i haven't worked with a Beauty dish yet so i'm unfamiliar with this light modifier.

May 18 07 09:31 am Link

Photographer

Christos

Posts: 376

Scottsdale, Arizona, US

Possibly. I suppose you could always PS out the catchlights from her eyes...but I think it did a great job of even lighting and avoiding blowing out her skin tone .....

all that is totally unnesessary to get that shot... well thought out, but could be done more simple with the same results...

May 18 07 11:16 am Link

Photographer

Antoine Thisdale

Posts: 176

Montreal, Quebec, Canada

actually, i don't believe the Beauty Dish is directed at the model. From the schematic it seems the light is directed at the backdrop.

May 18 07 11:46 am Link

Photographer

LightLab Studios

Posts: 755

Seattle, Washington, US

That's right. A blue gel over the beauty dish is aimed at the white seamless. A white umbrella is aimed at the model with two reflectors for fill and to stop spill onto background.

May 26 07 11:32 am Link

Photographer

LightLab Studios

Posts: 755

Seattle, Washington, US

https://i85.photobucket.com/albums/k74/tfullum/Lighting/DagnyJumpingSetup.jpg

https://i85.photobucket.com/albums/k74/tfullum/Lighting/_DSC5398-PROOF-800.jpg

https://i85.photobucket.com/albums/k74/tfullum/Lighting/_DSC5398-FINAL-800.jpg

From my shoot last week, I am including the original capture and final image. I shot this with blue gels on the kickers and decided in post to desaturate and remove the blues. Also did some cleanup on the background, light dodging and burning, some color tweaks, added a mild sepia filter, and sharpened.

May 26 07 11:38 am Link

Photographer

LightLab Studios

Posts: 755

Seattle, Washington, US

https://i85.photobucket.com/albums/k74/tfullum/Lighting/DagnySetup2.jpg

https://i85.photobucket.com/albums/k74/tfullum/Lighting/_DSC5448-PROOF-800.jpg


Basically the same exact setup, except I changed the gels to red and orange, moved the orange kicker more directly behind the model to get some lens flare, added a little more fill with the reflector and softbox, and opened up my camera by 1/3 stop.

This is the original capture and I have done no RAW adjustments or retouching.

May 26 07 12:02 pm Link

Photographer

Rob Meredith

Posts: 7

Shepherdstown, West Virginia, US

Here is a very simple one light set up.  I loved looking through this info and will post more when i use some of the techniques I learned here.

https://i195.photobucket.com/albums/z114/Black_Platinum_Photography/LightingSetup.jpg

Not edited
https://i195.photobucket.com/albums/z114/Black_Platinum_Photography/Noedit.jpg

Final product
https://i195.photobucket.com/albums/z114/Black_Platinum_Photography/Final.jpg

May 26 07 02:10 pm Link

Photographer

E O

Posts: 564

Aaronsburg, Pennsylvania, US

Ransom-The Cheese-J wrote:
That's the other great thing about these lights.  While everyone else is using 2 thousand dollar power packs on location, I can run these off of a 100 dollar back up computer battery and get enough shots to fill a 2gig card with NO problem.

I was wondering about using a back up computer battery or even my automobile emergency battery kit to power my AC powered Lumedyne or a Spedotron 805.  What do you think?


EDIT:
Saw some warnings on other posts in this thread so will read everything first and then check with manufacturers.  I get nervous when my powerpacks start making firecracker sounds.

May 27 07 01:18 am Link

Photographer

Capitol City Boudoir

Posts: 774

Sacramento, California, US

Great work, keep 'em coming.

May 27 07 12:00 pm Link

Photographer

fStopstudios

Posts: 3321

Lowell, Massachusetts, US

LightLab Studios wrote:
One more before bed... again courtesy of Richard Warren Fashion Workshop.

Equipment and Materials:
- white seamless
- four white umbrellas
- two acute 1200R packs
- two large 6'x6' scrim jims w/white panels
- nikon d2x w/50mm f1.4
- 1/125, f4.5, ISO 100

Ratios:
- light is bounced 3x: off umbrella, off background, off scrim jim to model
- triple bounce gives extremely even, diffuse light for exceptional skin tones; highlights wrap from back to front; catch light from scrim jim in eyes is subtle and fills iris
- lights were at full power
- approx. 5 stop

AWESOME work. I really love your studio shots as well! Excellent work all around and I love your studio.

May 27 07 01:12 pm Link

Photographer

Gil Perron

Posts: 336

Montreal, Quebec, Canada

Here's the shot...here's the set-up


https://www.pbase.com/gilp/image/68878982.jpg

https://www.pbase.com/gilp/image/68878984.jpg

https://www.pbase.com/gilp/image/68878983.jpg

and the stuff

https://www.pbase.com/gilp/image/72674967.jpg

1 rear fill
2 set lights
1 masked out key
1 "face light" on boom
1 ringlight on camera
(profoto)

May 27 07 01:59 pm Link

Photographer

Gabes Photography

Posts: 244

Copperas Cove, Texas, US

I really like this thread and I just wanted to put my $.02 into it...
Thank you to everyone who has posted to this thread. I have learned quite a bit.

Gabe

https://i82.photobucket.com/albums/j241/gaber_70/GangstersGirl.jpg

May 27 07 08:15 pm Link

Photographer

Chipshotz

Posts: 880

Tampa, Florida, US

Simple but effective natural light
https://i124.photobucket.com/albums/p20/chipweiner/Windowlightexplained.jpg
https://i124.photobucket.com/albums/p20/chipweiner/SW357CloseupII.jpg

Focal Length 300 mm
Exposure Time 15.00 sec
Aperture f/29


www.chipshotz.com

May 27 07 10:26 pm Link

Photographer

fStopstudios

Posts: 3321

Lowell, Massachusetts, US

yes, agreed-- one of the best threads I've ever seen anywhere. I vote for stickie. Mucho kudos to the OP.

May 28 07 01:17 am Link

Photographer

Kristine Kreations

Posts: 1629

Davis, California, US

I like the product shot- very nice setup, and great photo!

May 28 07 01:50 am Link