Boris Yankov wrote:
How did you achieve the bokeh?

Mr Sifuentes wrote:
I was wondering the same thing. It might have been with some curtain beads???

- it's Christmas lights, but I added bg in PS

Mariusz Jeglinski wrote:

Boris Yankov wrote:
How did you achieve the bokeh?

- it's Christmas lights, but I added bg in PS

so did you shoot the Christmas lights separately and then imported it into a background? or was it stock footage? regardless it looks clean.

Roadtrip Photography wrote:
Don't have access to a diagram at this time, so here's a pic of the setup.




One 48" softbox - camera left. One 3x6 white reflector - camera right. One 9" reflector with blue gel lighting up the black colored backdrop, hidden by the reflector. Reflector is also blocking some of the blue colored light to keep it from spilling onto the scooter. Also put the escort to work pulling fan duty.

awesome set up. Did you have a back/hair light some where? I was trying to find it in the pic or was it just the light from the reflector? great shot.

Adam D Photography wrote:
I dont know about you guys, but I cannot see any of the photos when I click on links or if I copy and paste them.

Try going back to the beginning of the forum and downloading all the pdf's of the original thread.

olivertam wrote:
Photo

light setup

Nice image, but it seems that the soft box is suppose to be on the right side while the reflector is suppose to be on the left.

And am pretty sure we are not allowed to post nude images here or else this tread might get locked
But you can always put a link to the image.

Ken Norcross wrote:
A pretty basic setup, but I liked the result:

Model: Sharon TK

Note - I used a strobe with a blue gel to light the black backdrop in the top photo




results:

Nice! , very simple and does a great job. Thank!!

Panascape Photography wrote:




1)Printed background image. Used for pixel consistancy and replace by the original image in Photoshop.
2)Two SLS3200 lights at 45° to the background to provide illumination.
3)Hair light with turquoise gell. The hair light must be the colour that you will finally make the background.
4)Polyboards to stop the background lights causing flare. Polyboards are sheets of polystyrene usually painted white on one side or black on the other but can also be a combination of colours.
5)Nikon SB-900 Speedlight with softbox acting as a clip light.
6)SLS Strobe on a boom providing fill from above the models head.
7)Nikon SB-900 Speedlight acting as fill and adding specular highlights.
8)Large Octobox with Bowens 750 DX pro mono light acting as key light.
9)Nikon SB-900 with softbox below model acting as fill light.
10)Row of wooden boxes simulation the wall she is standing on.

Technical info:

•Camera - Nikon D3x Camera, on loan courtesy of Nikon South Africa
•Lens - Nikon VR 105 Macro N F/2.8
•Shutter Speed – 1/200s
•Aperture – F/18 (full frame Nikon cameras have a very shallow DOF)
•ISO – 200
•Triggering method – Bowen Pulsar wireless trigger

Amazing work and thank you for sharing such a detail info!

Apfel Photography wrote:
Shot yesterday at a wedding

This is Great!!! Anymore wedding setups like this?

Mcary wrote:
Very basic Set-up








http://mcaryphotoart.blogspot.com/2009/ … green.html  18+

Hott Diggity!! The BOMB!

S T U D I O  S I X  wrote:
Anyone know the light setup for jill greenbergs light setup?

Not sure if this answers your question but try this .....

Clicky Linky Thingy

Hikari Studio wrote:
Nothing terribly impressive by any stretch of the imagination but never hurts to share.




2 gridded Elinchrom Rx400 strobes on either side of the model, slightly pushed back and elevated
Medium softbox on a Elinchrom Bx600 used for fill.

wicked shot!

Tusk wrote:
Does anyone feel like creating a PDF for pages 26 onwards for us newcomers who cannot see the images?? Thanks!

I would, but I don't know how it's done. If someone has a link to a tutorial I will be happy to do it.