Robert Randall wrote:

Its late and I feel like a good argument. I've shot cars, and I've shot tractor rigs such as Peterbilt and Kenworth. I've shot jewelry, and clothing and appliances... matter of fact, I can't think of too much I haven't shot. But until you've shot dental implants for Sulzer Calcitek, while being art directed by a woman from India, and the 3/4 inch implant will be enlarged to 20 feet on a trade booth wall, and they want every facet and crystalline coating nuance to pop, you haven't shot shit!

Maybe; but when your standing in a studio and the sweat is dripping of you by just standing due to so many hot lights. Then you have to get above the car with a 10x8 into the roof of the studio and someone below has to catch the sweat that dripping down onto the car. Not fun.

Or roof cut of a car for an overhead some of the boot and bonnet showing. The clients sent the cars the wrong colour silver instead of black.. Dulling spray and tins of black paint.. your lungs feel like shit.

I really liked car photography allmost all gone to GC.

ARabbit wrote:
Sorry. Try this:

This is simply awesome!  I'm going to try some light painting the next time I'm in a dark location.

What were used as source lights?  I've seen programmable dance club lights that could do that, but that's just a guess.