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Has anyone noticed how many photographers choose really ugly backgrounds. I won't mention any names but I saw a forum regular who did that not just once, but three times. Geez. One was the most horrible mottled baby blue you ever saw in your life. Paul Jul 18 05 10:24 am Link Has anyone notice how some photographers use the same backgrounds over and over? I won't name names, but I saw this forum troll that not just once, but 1000+ times used the same background and composition so every photo in his portfolio and website looked exactly the same. It was the most redundant boring body of work I've ever seen. Low Jul 18 05 10:42 am Link No offense to you Paul because you do a great job lighting your backgrounds, but I'm tired of plain backgrounds myself. They're utilitarian for catalogs, but for photography in general I think locations make the best backgrounds. Jul 18 05 10:51 am Link Posted by Low Tek: Guilty, but I am getting another one soon... Jul 18 05 10:53 am Link Posted by Udo R Photography: Posted by Low Tek: Guilty, but I am getting another one soon... No you're not. You actually manage to go outside with your camera and lighting and take fantastic shots. =] Jul 18 05 10:59 am Link Posted by Low Tek: Posted by Udo R Photography: Posted by Low Tek: Guilty, but I am getting another one soon... No you're not. You actually manage to go outside with your camera and lighting and take fantastic shots. =] Oh... thanks... but honestly, I am trying for quite a while to get another fabric, a white on for backdrop. I do have a collapsible botero backdrop, but that is only good for portraits. Jul 18 05 11:04 am Link same here - I only have three... Black, white and blue but black worked always good for me and my style... Hard to do different if you're doing things "just for fun"... Jul 18 05 11:07 am Link Not sure who you're talking about but I agree with Xtreme, shooting either outside or on location is much more fun. Outside cause it forces you to be alot more creative with everything. From posing to lighting to everything. Have to wait for the wind to die down, etc. Much more fun and rewarding. The Crazy Army Guy Jul 18 05 11:11 am Link Posted by Chris Hansen: I am really a location shooter, which I totally LOVE... I think working in a studio is a little bit more boring... I like environments, that's why my studio equipment is rather rudimentary. Jul 18 05 11:22 am Link heck..im a poor photographer who wishes he could afford studio lights, backgrounds, etc. right now my studio is outside, but i would love to be boring and shoot inside. just to try it out. Jul 18 05 11:28 am Link Backgrounds? I have alot of 9ft paper rolls in many colors, even pink (a couple have some water stains from a ceiling leak once but can be cut). Haven't used paper in years and there in my way, some are still new. I also have some small headshot backgrounds. First person to come (and you must take all of them) and pick them all up gets them, FREE!!! Do not come with a car. You'll need a van or pickup. email me. [email protected] Jul 18 05 11:40 am Link Posted by Blanchard: Posted by Udo R Photography: I feel your pains. I'm just a lowly Army HR Manager. I HAVE to shoot outdoors 90% of the time. I finally got my first "studio shoot" at an open photo shoot. It was nice having lighting available but I still prefer the out of doors. Jul 18 05 11:45 am Link Being extremely light in complexion, I avoid outdoor shoots as much as possible. I don't like sunlight on my skin, it burns. Sunblock isn't too much help. Jul 18 05 02:01 pm Link Posted by Low Tek: Yeah, I need to get some models some tires to sit on. In swimwear yet. Definitely won't be boring, huh? Jul 18 05 07:12 pm Link not many models will do nudes outside these days, i have no idea what their problem is..lol.. i kid.. i like shooting outside, be it in a club / bar environment or even proper outside ie. beaches, parks, etc.. i'm in the process of getting a home studio setup and getting my lighting sorted out to do some more indoor work.. Jul 18 05 08:53 pm Link I hate using the same background twice, but if I have to, I will. I'll just make sure it looks different in all of the shots. Jul 18 05 09:20 pm Link i have a wall for a backdrop that pitches inward a foot in 7' high, i will just paint it however i did it in Ace *walden pond* eggshell, an antique ish Lt green, a memory of Hyde Park in the 60's ill just paint it henna for whatever mood suites my immagination. i also am playing around with the multitude of available 4' flourescent tubes, i just screwed several fixtures into the ceilling. i am partial to grow lights as the 6500K 'daylight' are just too bright ailbet a geater neutrality. isnt 'white ballance' a great addition to composit photography. Jul 18 05 10:18 pm Link Posted by * Visual Mindscapes *: That reminds me of a port of a guy from Vegas. He shot all of his models on bright white. Jul 18 05 10:51 pm Link Posted by Paul Ferrara: Now what you need is a swift kick to the nuts. What you could use is an elementary school lesson in grammar. Jul 19 05 08:17 am Link I love shooting outside but every now and again you have to shoot indoors. Sometimes I can get a location but more often then not I move my dining room table and shoot there. It's just big enough to put up a back drop. I have a solid black and I am getting a nice earth tone muslin later this week. My wall is also a nice tan so I can shoot against that and I also have a white sheer piece of fabric that can be used to. With the exception of the black back drop I haven't used any of the other stuff. The only time I tend to shoot indoors is lingerie or nudes. Most models don't want to shoot outdoors in in nothing or close to nothing unles it's a bikini. And I am still stockpiling out of the way locations that would be good for any type of risque shoot. Chris Jul 19 05 10:15 am Link Posted by Paul Ferrara: Yup. See it all the time. Bad 1970's-style mass-market lighitng and makeup styling, too. Jul 19 05 11:08 am Link I have a couple of plain backgrounds, but mostly I painted my walls blue, red, and green, Star Jul 19 05 12:51 pm Link Posted by Low Tek: I don't know what your problem is but let's talk quality for a minute. You call this quality? Jul 19 05 03:08 pm Link Posted by Low Tek: Great - a pissing contest. What's that saying about glass houses? Jul 19 05 04:08 pm Link Now boys... Jul 19 05 04:10 pm Link Posted by Sleepy Weasel: Hmm... is it sometihng the President said? "You know we have a saying down in Texas... fool me with a rock, you've fooled me twice... that is, if I'm in a glass house you can't fool me with glass. You know what I'm sayin'?" Jul 19 05 04:38 pm Link Posted by Paul Ferrara: Barely, through the mucked up retouching. (The glowing eyes and teeth aren't helping the image, but they're not a lighting or background issue-that's just bad retouching.) Jul 20 05 02:25 am Link So what made you jump in here? You thought LowTek needed some support? I don't believe I touched the eyes or teeth but I don't feel like digging through my stack of CD's to find out. I know I wouldn't have on the kid. (Well, I just dug out the original file and the eyes and teeth are just as you see them.) So much for your PS expertise. As for the lighting, I'd say it's pretty damned good so we'll just have to agree to disagree. "Bluntly, even though there are shadows, it looks to me like flat K-Mart lighting." Huh? I won't even ask you to explain that. Flat lighting doesn't have shadows. And why the snide reference to K-Mart? K-Mart and others use two lights permanently mounted at 45 deg angles to each other. That give you flat lighting. No shadows at all, IOW. And I just looked at your port and I only see a couple of images that have what I'd consider acceptable lighting. The rest are flat - that means no shadows. Yell if you want me to point them out to you. Paul Jul 20 05 06:12 am Link Paul is pretty good with his portrait lighting. He still does though need to work on his touchup skills. He does work with some great models. Lowtek though needs to work on his lighting skills, but he needs no help in the artistic department. I could see that he has a pretty creative mind. This is coming from a guy who takes no sides. Jul 20 05 06:58 am Link If you want an almost unlimited selection of backgrounds and have a large enough studio I recomend a product by Virtual Backgrounds called "The Scene Machine". It is not a green screne thing, it is an actual background projection system. So when you are composing the shot, you see the model infront of the actual background through the camera. It works great and as long as you have a slide, you have a background. Had mine now for 3 years and have over 200 backgrounds. One of my best investments in equipment. Michael Jul 20 05 07:56 am Link Posted by Barone Studio: Well, that may be, but I didn't see it in any of the 20 photos in your port. Well, maybe one. Jul 20 05 08:02 am Link Lighting BG's with gels works for variety in the studio. You only need white and black seemless. Light with a gel, then take test shot's changing 1 f-stop for each test shot. You'll get a wide variety of shades...and say the BG shade you want, the apreture is at the oppisite end of where you want it, simply change paper from white to black (or visa versa), and you'll get the same BG shade with a larger/smaller apreture. Then you can print the test shot series to easily get to the color BG you desire. Just another way to get some variety in studio. Merle Jul 20 05 08:06 am Link Posted by Barone Studio: What's it like? I used a friend's machine that attaches to one of my lights. The problem was I couldn't get it on the correct angle to get parallel lines. Where do you put this thing? Jul 20 05 08:58 am Link Posted by Merle: I'm sort of doing that now. My avatar was a brown background with a red gel. No good for full-length shots though. I also need to get it back further than I have it but I don't have the space to do that. Jul 20 05 09:01 am Link It's the age old debate between portrait vs. model photography. Some understand the difference and purpose, some don't. Regardless, what continually gets lost in the translation is the story the image tells, not the photography itself be it great lighting and composition or not. Countless presentations are highly effective in Ad campaigns because technical rules are broken, not followed, which is death to the portrait photographer. Equally, following strict rules can be viewed as sterile in presentation that can work against those in Adverts by limiting the perception and ability to set trends, not follow them for standing out amongst the crowd. Creating the balance and walking that fine line of both is the tricky part and the reason it is so tough. Few do it well. Liken it to cooking a meal. What matters is the taste, not strict adherance to a recipe... Jul 20 05 09:32 am Link Posted by area291: I think we've really branched off here. #1, I never claimed to be the greatest photographer on MM, and I don't. My lighting is pretty good though, and it's not just me saying that. As for posing, well, I have a lot to learn in that area. As for creativity, I think you're born with it. But the issue here was "flat lighting," as seconded by Mr. Connery, not creativity or posing capability. If flat lighting equals K-Mart lighting, then most of his work fills the bill. In reality, I think he just jumped in here and took LowTek's side of the argument. Jul 20 05 09:49 am Link Posted by Paul Ferrara: Sigh... Jul 20 05 10:19 am Link Posted by Low Tek: Well, that's good because if I wanted art lessons you'd be the last guy I'd come to. If you think it takes creativity to put a vinyl dress on someone and then light her boobs instead of her face, we'll that's not art, that's just bad photography. Jul 20 05 11:00 am Link Frankly, you all suck, but you suck for different reasons. Feel better? Jul 20 05 11:04 am Link Just an observation. All the model portfolios and comps I see from agency models show 80% lifestyle. The rest are fashion or glamour. None show studio portrait. Jul 20 05 11:07 am Link |