Forums > Digital Art and Retouching > "glazed" photo look

Photographer

Notions

Posts: 164

Penitas, Texas, US

This is my version of the style; I do like it a little more sharp. Model is Heather

https://i261.photobucket.com/albums/ii54/bdp477/800heather0782a.jpg

This is the unedited image

https://i261.photobucket.com/albums/ii54/bdp477/600heather0782.jpg

Dec 31 09 01:38 pm Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Kiko Land wrote:
This is my version of the style; I do like it a little more sharp. Model is Heather

I really like the retouch. At least, the "glaze" part was done effectively.

Kiko Land wrote:
I could've desat just a tad more.

Yes, but that's an easy change.

I also like adding a sepia toned layer instead of a midtone gray like some others do. This adds a burned out look to the photo. Obviously, I adjust the opacity depending on the desired effect.

Dec 31 09 05:10 pm Link

Photographer

Notions

Posts: 164

Penitas, Texas, US

MinisterC  wrote:

I really like the retouch. At least, the "glaze" part was done effectively.

Thanks. As you can see, Besides the extra USM step, on the Difference layer I extended the brush beyond the model to create that glow behind her and improve the 3D effect. I could've desat just a tad more.

Dec 31 09 06:31 pm Link

Photographer

Strange Babes

Posts: 436

Los Angeles, California, US

FSG Photography wrote:
Hi, I'm a relative newbie and I'm trying to bump up the impact of my images.   I've come across a few post-processing techniques I'd like to try, but I can't find any information on how they are done.  I apologize in advance if this question has already been asked and answered. 

The first is the "glazed" look that Jaime Ibarra and others use so well https://www.modelmayhem.com/pic.php?pid … up_id=&ua=

I've tried playing around with curves and opacity levels but don't seem to be able to come anywhere close. 

Any pointers to online tutorials or books are appreciated.

Cheers

make a duplicate layer and mess around with USM $.02

Jan 03 10 07:51 pm Link

Photographer

Jaime Ibarra

Posts: 312

Austin, Texas, US

Strange Babes wrote:

make a duplicate layer and mess around with USM $.02

It's a bit more involved that that...heh.

Jan 05 10 05:30 pm Link

Photographer

Jeffrey Engel

Posts: 22327

Waltham, Massachusetts, US

I'm simplifying greatly, but it seems like you could go for this faded Polaroid look by doing what happens to a Polaroid over time. You lose contrast and colors. So, in hue/saturation or levels or curves or whatever tool you like, start pulling out the midranges of the yellows, then the reds and then the blues until you get what you like. You also have to clip the highs and lows of those colors as well. You want to make sure there are no true blacks and no true whites in the photos.

Experiment with the hue/saturation panel, it's a great learning tool. Then see what you can do in levels and curves as well.

Jan 05 10 06:51 pm Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

https://i119.photobucket.com/albums/o135/CWS_album/couchgun2MM.jpg

https://i119.photobucket.com/albums/o135/CWS_album/sidesitMM2.jpg

Jan 06 10 12:07 am Link

Photographer

Peter N Photography

Posts: 126

New Orleans, Louisiana, US

https://photos.modelmayhem.com/photos/100109/00/4b48452b12a72.jpg

Jan 09 10 01:11 am Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Peter N Photography wrote:

Ooooooooh, that one's yummy. Terrific tones. Still love that you're making it your own.
Your port was good, but these images really are your best work.

Bow howdy, she's good lookin' too.

Jan 09 10 01:28 am Link

Photographer

Jaime Ibarra

Posts: 312

Austin, Texas, US

Peter N Photography wrote:
https://modelmayhm-1.vo.llnwd.net/d1/photos/100109/00/4b48452b12a72.jpg

Oh wow...nice one, brother! smile

High-Five!

Jan 09 10 04:41 am Link

Photographer

wbphotography

Posts: 727

Bad Wurzach, Baden-Württemberg, Germany

Peter N Photography wrote:
https://modelmayhm-1.vo.llnwd.net/d1/photos/100109/00/4b48452b12a72.jpg

very cool! is there a chance we could see the unedited version?

Jan 09 10 09:29 am Link

Photographer

Peter N Photography

Posts: 126

New Orleans, Louisiana, US

MinisterC  wrote:
https://i119.photobucket.com/albums/o135/CWS_album/sidesitMM2.jpg

thx MinisterC. Still trying to adapt what I learned to my own style. btw great new pic.

Jaime Ibarra wrote:
Oh wow...nice one, brother! smile
High-Five!

props from the man!  smile

Jaime, love your new pic. Brittany is dreamy, pic is dreamy...
http://jaimeibarra.deviantart.com/art/M … -149654815

Jan 09 10 10:44 am Link

Photographer

Peter N Photography

Posts: 126

New Orleans, Louisiana, US

wbphotography wrote:
very cool! is there a chance we could see the unedited version?

thx.

https://farm3.static.flickr.com/2769/4259271825_cc7a56f942.jpg

Jan 09 10 10:49 am Link

Photographer

wbphotography

Posts: 727

Bad Wurzach, Baden-Württemberg, Germany

Peter N Photography wrote:

thx.

https://farm3.static.flickr.com/2769/4259271825_cc7a56f942.jpg

wow ... quite a change ... thanks smile

Jan 09 10 11:43 am Link

Retoucher

Virtuoso Skins

Posts: 333

Asheville, North Carolina, US

https://img686.imageshack.us/img686/453/quickglaze.jpg

Just had an idea of a alternate quick way to do a similar look and tried it out. The numbers if you can't read them at 60% in the blue, and 35% in the constant.

Jan 10 10 03:07 pm Link

Retoucher

Virtuoso Skins

Posts: 333

Asheville, North Carolina, US

Hope you don't mind me using the thumb of your shot Peter, but figured since the threads about figuring out ways to achieve the look you would not mind since it provides a reference point. If you do, I'll remove it.

Jan 10 10 03:15 pm Link

Digital Artist

Koray

Posts: 6720

Ankara, Ankara, Turkey

did anybody notice that the OP also figured it out somehow but never bothered to let us know

Jan 10 10 03:51 pm Link

Photographer

Duncan Hall

Posts: 3104

San Francisco, California, US

Maybe he paid Jaime for a tutorial. Or just figured it out himself...since it's really not that hard.

Jan 10 10 03:53 pm Link

Photographer

mike danger

Posts: 92

Los Angeles, California, US

wow... like wow.... I've been looking for a topic on this type of post-processing FOREVER! thank goodness you guys are so talented and so kind enough to share this info! the "glazed" effect seems to be pretty popular right now. It's good to know that i know how to do it now!

Jan 10 10 07:50 pm Link

Photographer

Glam Girl Photography

Posts: 287

Little Rock, Arkansas, US

I have a Nik filter that does this. One click, done.  I personally don't like that hazy look but I guess it has its place! wink

Jan 10 10 07:56 pm Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Duncan Hall wrote:
...since it's really not that hard.

Getting a "glaze" is certainly not that hard.

Getting your images to look like Jaime Ibarra's is another story.

Jan 11 10 11:27 am Link

Photographer

Hipgnosis Dreams

Posts: 8943

Dallas, Texas, US

Glam Girl Photography wrote:
I have a Nik filter that does this. One click, done.  I personally don't like that hazy look but I guess it has its place! wink

Your response shows pretty much exactly why I avoid this forum.  A person comes in here, asks for help, a few people try to genuinely offer help, and then one person comes in with an answer that isn't anything more than a waste of time spent reading.

If you want to contribute, try telling what filter you are using, how you use it, and possibly (if you felt like actually being helpful) linking to at least one image created in this fashion. 

What you have down now is a knee-jerk remark about a one-click fix that is nothing like the OP asked for followed by something that could be interpreted as an unsolicited critique at worst, and an opinion that has nothing to do with the OP at best.  I can only hope that your other 150-ish posts on here have actually had some merit to them. 

If you want to contribute, then contribute.  Otherwise don't.

Jan 11 10 09:21 pm Link

Photographer

Duncan Hall

Posts: 3104

San Francisco, California, US

MinisterC  wrote:

Getting a "glaze" is certainly not that hard.

Getting your images to look like Jaime Ibarra's is another story. Some of his moves are basically impossible to duplicate or figure out. A person might be able to get in image to look virtually identical, and Jaime's image would still just look better, and no one would be able to put a finger on "why" There are some genius tricks, that have less to do with actual photoshop moves and more to do with some serious artistic though.

No argument from me there. I just hope the people chasing this look understand the holistics of making a good picture.

Jan 11 10 09:50 pm Link

Photographer

James Orlando

Posts: 125

Brooklyn, New York, US

Jynxs Photography wrote:
In Photoshop:
Make a new layer,
fill it with a beige/yellow color (low saturation)
set the layer style to "pin light"

i do something similar, but I use the exclusion layer style.
play around with the color in the color layer too smile

Jan 12 10 09:37 am Link

Photographer

EF Photography

Posts: 31

Charlotte, North Carolina, US

I have used this action here with pretty good success.

http://coffeeteaphotography.blogspot.co … pspse.html

Jan 12 10 10:41 am Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Ed Frazier Photography wrote:
I have used this action here with pretty good success.

http://coffeeteaphotography.blogspot.co … pspse.html

That, at least, has thoughtful use of layers in respect to the color in lights & shadows.

The effect is what it is... but at least the results would be consistent.

Jan 12 10 05:46 pm Link

Retoucher

Virtuoso Skins

Posts: 333

Asheville, North Carolina, US

Koray wrote:
did anybody notice that the OP also figured it out somehow but never bothered to let us know

No, I did not know that.

That's kinda crappy to start a thread, get so much help, then not reciprocate.

Personally I can recreate the look a dozen different ways, as can you and many others, but I would like to know how Jamie and others do it.

Oh well smile

Jan 12 10 07:27 pm Link

Retoucher

Virtuoso Skins

Posts: 333

Asheville, North Carolina, US

Glam Girl Photography wrote:
I have a Nik filter that does this. One click, done.  I personally don't like that hazy look but I guess it has its place! wink

Nice but keep in mind anything you can do with a click or a filter, so can anyone else, and inevitably your image treatments/styles will look cookie cutter.

By understanding how to do it manually opens the doors to tweaking it or applying it to another style to bring it back to a unique look that will make you stand out more.

Jan 12 10 07:29 pm Link

Retoucher

Virtuoso Skins

Posts: 333

Asheville, North Carolina, US

MinisterC  wrote:

Getting a "glaze" is certainly not that hard.

Getting your images to look like Jaime Ibarra's is another story. Some of his moves are basically impossible to duplicate or figure out. A person might be able to get in image to look virtually identical, and Jaime's image would still just look better, and no one would be able to put a finger on "why" There are some genius tricks, that have less to do with actual photoshop moves and more to do with some serious artistic though.

But yes, even some of the links provided give decent tutorials for a nice vintage/glaze look on photos.

Jaime's a great photographer, the "glazed" look is nothing special imo. What is special is the models he uses (Jessa!), lighting and composition of his shots. Also the colors he chooses to use which seem to always mesh with his post... go figure wink

My best advice is not to try and copy anyone. If you see something you like, figure it out, and expound upon it and make it yours, make it original.

Jan 12 10 07:37 pm Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Virtuoso Skins wrote:
Jaime's a great photographer, the "glazed" look is nothing special imo.

Then do it.

The example you previously posted was just an adjustment of the blue in the shadows and I think the yellow in the highlights. Which isn't remotely how Jaime does it. Nor does it look like his style at all.

Obviously, I am not a Jaime Ibarra apologist, nor do I know all of his secrets. As well as I understand that a person could get close, and maybe that's better cuz it's their own style. HOWEVER, after a behind the scenes view, I can assure you that his workflow cannot be duplicated. Put two nearly Identical images together, one being by Jiame, and most will like his better. And there is a reason. And it's tricky. And genius. But simple in a "That makes perfect freaking sense" kind of way.

Snap2 wrote:
just my observation

This is as close as anyone's come to some of Jiames workflow. It's as much in your understanding of aesthetics as it is post work. Color harmony is so important. Usually can't get it right by just pushing and pulling the curves.

Jan 12 10 07:47 pm Link

Retoucher

Mistletoe

Posts: 414

London, England, United Kingdom

as is often the case with these 'how does he do this' threads  - is much more to do with the photography than the retouching. the composition of the shots, and the attitudes of the models.

having said that concentrating on the easiest bit - the photoshop - within some of the images there are also signs of localised color masking or perhaps strong selective color adjustments which have concentrated certain colors. this has been done with a good eye for color harmony. The images have obviously had a cross process look applied, and there are many ways to do this - but its not as if this has just been applied as a once over to the image as a whole. just my observation

Jan 13 10 06:01 am Link

Photographer

Danny Rodriguez

Posts: 91

BRONX, New York, US

Here is my attempt with a bunch of other steps after playing around with curves, selective color, and some feather gaussian blur. I was going to play around with a sepia layer like someone mentioned but I will try that some other time. I was really lots of steps. I just kept going until I saw something better or closer should I say...I hope you guys like it.

https://th00.deviantart.net/fs70/300W/f/2010/014/1/8/1855316c8aafb5eb59fdc55f85d0922a.jpg

Jan 14 10 12:42 am Link

Photographer

Danny Rodriguez

Posts: 91

BRONX, New York, US

OK! It is 4;06am...Since I had already spend all this time I was like, let me just do it, man.
So I just made a copy layer of the first version I posted and I should have probably work on the original but (I really am tired) I just tried it this way to see what happens...So, I did a Hue&saturation layer and press the colorize check and played with it until I got a sepia finish and then turned down the saturation...Again, I was just trying to see what happens so I was not paying attention to numbers. Then I went through every single blending mode playing with opacity values and I used the linear burn with an opacity of 18 or 20 something like that and then masked that layer with a circular selection around the face and filled with with 50% gray, since I used black but I lost a bit of that bit of glaze that I can not completely recreate.
This is the new result

https://th09.deviantart.net/fs71/300W/i/2010/014/d/8/Another_version_by_DanezRod.jpg

Jan 14 10 01:22 am Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Danny Rodriguez wrote:
I just kept going until I saw something better or closer should I say...

This is not the worst way to learn. I've learned to ask, but
sometimes you have to hack your way to good and original results.

Jan 14 10 01:12 pm Link

Photographer

Notions

Posts: 164

Penitas, Texas, US

In this version, I pumped up the blues and added some noise so it's kind of a slight departure from the main theme of this thread, but at one point in time I had it glazed, I might have screwed it up, though. It's 18+

https://www.modelmayhem.com/pic.php?pic … up_id=&ua=

Jan 14 10 04:59 pm Link

Photographer

NothingIsRealButTheGirl

Posts: 35726

Los Angeles, California, US

It's not quite the 'glazed' look, because he doesn't fog the blue channel, but the green treatment DP Stu Maschwitz gives the shadows - and his thought process behind it - is worth a look -

"Creating a Summer Blockbuster Film Look"

http://library.creativecow.net/articles … torial.php   

and for me it answers a question I had some time ago

Jan 14 10 06:00 pm Link

Photographer

Duncan Hall

Posts: 3104

San Francisco, California, US

Danny: The first photo in your portfolio is closer to the look this thread is focused on than either of the ones you've posted. You should post that one and tell people how you made it.

The reason some of you aren't getting the "glaze" (I really hate calling it that, btw) is you're not softening the tones as you increase the contrast. Open the "Exposure" adjustment in PS, raise Offset (no more than ~ 0.0123), then increase contrast by raising Gamma. If it becomes too dark, make precision adjustments in curves with inverted masks, don't just kick the brightness or exposure.

Jan 14 10 06:11 pm Link

Photographer

MB-2

Posts: 4800

New York, New York, US

Duncan Hall wrote:
The reason some of you aren't getting the "glaze" (I really hate calling it that, btw)

Haha, I thought I was the only one- I don't understand it at all and haven't since the start of this thread lol

Haze, maybe?

Jan 14 10 07:20 pm Link

Photographer

MB-2

Posts: 4800

New York, New York, US

NothingIsRealButTheGirl wrote:
It's not quite the 'glazed' look, because he doesn't fog the blue channel, but the green treatment DP Stu Maschwitz gives the shadows - and his thought process behind it - is worth a look -

"Creating a Summer Blockbuster Film Look"

http://library.creativecow.net/articles … torial.php   

and for me it answers a question I had some time ago

Hey, I was just wondering the other day where you'd gone! smile

Great link as usual- I think the methodology and reasoning explained there is an important complement the technique discussion in this thread.

Plus, he says "It's good to know there are limits, even in Michael Bay's world" lol

Jan 14 10 07:37 pm Link

Photographer

MisterC

Posts: 15162

Portland, Oregon, US

Kiko Land wrote:
It's 18+

https://www.modelmayhem.com/pic.php?pic … up_id=&ua=

I super like it. It's definitely a departure from the glazed style... but since you began with that effect and ended up somewhere else... isn't that what it's all about!? The post effect is terrific to my eyes.

Michael Bonner II wrote:
Haze, maybe?

That really is a better description. But we all know what the look is.

NothingIsRealButTheGirl wrote:
"Creating a Summer Blockbuster Film Look"

This is excellent.

Funny, I was watching a movie the other day and I thought...
you know, that's no too disimilar from the "glaze" look.

Jan 14 10 07:41 pm Link