Forums > General Industry > State Of Emergency by Steven Meisel

Model

Andrea Barnett

Posts: 108

Sacramento, California, US

INCREDIBLE. done.

Sep 10 06 11:54 pm Link

Photographer

Ron Goldstein

Posts: 219

Brooklyn, Indiana, US

Great concet of a story , over all cool ... some images have no sense to the story line some other can be refined better but over all great job .......

Sep 10 06 11:58 pm Link

Photographer

oldguysrule

Posts: 6129

photomovement wrote:
Great concet of a story , over all cool ... some images have no sense to the story line some other can be refined better but over all great job .......

doesn't make sense, could be more refined. great job?... hmmm not sure how that makes sense.

you say great concept and some images don't fit. what do you think the concept is, and what doesn't fit?

Sep 11 06 12:03 am Link

Photographer

Ron Goldstein

Posts: 219

Brooklyn, Indiana, US

Did I raise an issue with my opinion ?? great concept is that I like the conceptual  of this production, some don't make sense and could be more refine is that I don't feel that all have a flow with the intensity as well as if the concept is great dosent mean that I feel that all the execution was dun to the fullest .... this is my personal opinion ...

Sep 11 06 12:06 am Link

Photographer

Webspinner Studios

Posts: 6964

Ann Arbor, Michigan, US

oldguysrule wrote:

doesn't make sense, could be more refined. great job?... hmmm not sure how that makes sense.

you say great concept and some images don't fit. what do you think the concept is, and what doesn't fit?

your comments are too intelligent for me tonight.

I liked some of the photos though. I am personally enjoying the work of the photographers in my Kinky magazine edition #1 published in england. They are really doing fashion much more creatively over there right now. Anyone want to buy me a ticket to London?

Sep 11 06 12:07 am Link

Digital Artist

Koray

Posts: 6720

Ankara, Ankara, Turkey

today a cop (one of the white shirt ones) called me around City Hall Park...there was a man next to him with a suit and shades:
- Sir can you come here for a sec?
Seriously millions of butterflies flew in my stomach at the same time in just one second.
then he said:
- Nothing serious. Are you following news lately?
Me:
- No. not really.
Officer:
- Ok then. I was gonna tell you something but you wont understand then.

He let me go.

now I see these pictures.

why never one of these pretty female models call me?

this world I dont understand sometimes heh big_smile

Sep 11 06 12:09 am Link

Photographer

Brian Morris Photography

Posts: 20901

Los Angeles, California, US

What was the budget for this little film. great work!

Sep 11 06 12:13 am Link

Photographer

oldguysrule

Posts: 6129

photomovement wrote:
Did I raise an issue with my opinion ??

not at all. just hoping to understand what you see.

Sep 11 06 12:15 am Link

Photographer

Ron Goldstein

Posts: 219

Brooklyn, Indiana, US

oldguysrule wrote:

not at all. just hoping to understand what you see.

R.
when I say great concept is that I like the conceptual  and art direction of this production, When I said  some don't make sense and could be more refine is that I don't feel that all have a flow with the intensity of the story line also if I say that the concept is great dosent mean that I feel that all the execution was dun to the fullest .... this is my personal opinion ...

Sep 11 06 12:19 am Link

Photographer

oldguysrule

Posts: 6129

photomovement wrote:
Did I raise an issue with my opinion ?? great concept is that I like the conceptual  of this production, some don't make sense and could be more refine is that I don't feel that all have a flow with the intensity as well as if the concept is great dosent mean that I feel that all the execution was dun to the fullest .... this is my personal opinion ...

okie dokie. i wish you would provide a deeper understandng, but that's your business.

my personal opinion is that most attempt to read WAY to much into fashion editorials, then attempt to look at the 'story' in a somewhat linear or literal manner. that was the reason for my inquiry. i'm always interested to hear how fashion editorials are viewed.

Sep 11 06 12:19 am Link

Photographer

Webspinner Studios

Posts: 6964

Ann Arbor, Michigan, US

oldguysrule wrote:

okie dokie. i wish you would provide a deeper understandng, but that's your business.

my personal opinion is that most attempt to read WAY to much into fashion editorials, then attempt to look at the 'story' in a somewhat linear or literal manner. that was the reason for my inquiry. i'm always interested to hear how fashion editorials are viewed.

uh...look at the purty pictures? I won't tear apart my import magazines but give me a W and I will blast through it getting stuff for my scrapbook for ideas. Which reminds me, I am looking forward to purty pictures and prints from you oldguy.

Sep 11 06 12:23 am Link

Photographer

Ron Goldstein

Posts: 219

Brooklyn, Indiana, US

oldguysrule wrote:

okie dokie. i wish you would provide a deeper understandng, but that's your business.

my personal opinion is that most attempt to read WAY to much into fashion editorials, then attempt to look at the 'story' in a somewhat linear or literal manner. that was the reason for my inquiry. i'm always interested to hear how fashion editorials are viewed.

well me personaly i am always looking at the deep layers of a story line and like to have that deep feel from the story , and when some images dont flow to me with the direction, it feels to me like a scratch in a record and jumps me from the initial feel i had .. but it is always an individual thing i belive

Sep 11 06 12:24 am Link

Photographer

Paul C

Posts: 62

San Antonio, Texas, US

Though I can't say I'm a huge Meisel fan, he does have some really good ideas. I think that is his strong point. I can see the influence of Newton in his work but Newton the influence of Newton heavily reverberates throughout the world of fashion.

I especially like the juxtapostion of beautiful, sexy fashion models (where the image and glamour is a heightened reality) brought into a 'real world' situation of homeland security and paranoia which we all can relate to. When you pair the two you create a stir and it causes people to think. Have a reaction. It reminds me of David Lynch's recurring theme in most of his films where he always has this all-american girl with blonde hair and blue eyes who becomes drawn to or along the way gets corrupted by the darker side of life which people have a hard time believing or dealing with because have been taught to judge people by the way they look. I really like this spread a whole lot.

Sep 11 06 12:41 am Link

Photographer

Paul C

Posts: 62

San Antonio, Texas, US

Christopher Bush wrote:

i think that is really secondary here - the main impact SHOULD be from considering who is doing the violence to those women.  if we have to show images of kittens and babies being slaughtered with nightsticks to get the point across that police states are not desirable, then do it.  stupid patriot act.

i tend to take things very politically.

I have to say that these images no matter how disturbing they may be we have the choice to look away or turn off the TV. What's REALLY disturbing to me is the reality of the situation. All of it. Terrorism is scary. The fact that our country has turned into a police state and that we are becoming a totalitarian dictatorship for the world is scary. And you can't just switch it off.

Sep 11 06 12:51 am Link

Photographer

Boho Hobo

Posts: 25351

Santa Barbara, California, US

I liked the shots that were less posed.  The sniper shots ruin it for me.  Cheapens the powerful shots.

I like the boot to the throat shot, but honestly I would have preferred it more if she had her hand to her throat and was writhing for air.  A more realistic vs. pervy sexy portrayal.

Sep 11 06 11:27 am Link

Photographer

La Seine by the Hudson

Posts: 8587

New York, New York, US

KM von Seidl wrote:
I liked the shots that were less posed.  The sniper shots ruin it for me.  Cheapens the powerful shots.

I like the boot to the throat shot, but honestly I would have preferred it more if she had her hand to her throat and was writhing for air.  A more realistic vs. pervy sexy portrayal.

Then it wouldn't have been a Meisel, for better or worse.

Sep 11 06 11:52 am Link

Photographer

Boho Hobo

Posts: 25351

Santa Barbara, California, US

Marko Cecic-Karuzic wrote:

Then it wouldn't have been a Meisel, for better or worse.

These are all Meisel right?

Take out the Angelina tombraider sniper shots and you've got a more powerful set.  Certainly the shots with the blonde being squished onto the ground and her face against glass are powerful and done by Meisel.  I love the Abu Grabbass reference as well.  I just wish the whole set had the same intensity as the more powerful shots.

But in a day and age where many aren't even referencing this stuff, or only speaking in code, he deserves credit. (not that he doesn't get it normally!)

Sep 11 06 12:14 pm Link

Model

Chaya Phally

Posts: 7738

New York, New York, US

oldguysrule wrote:
my personal opinion is that most attempt to read WAY to much into fashion editorials, then attempt to look at the 'story' in a somewhat linear or literal manner. that was the reason for my inquiry. i'm always interested to hear how fashion editorials are viewed.

exactly. that's why i posted the series.

Sep 11 06 01:28 pm Link

Photographer

La Seine by the Hudson

Posts: 8587

New York, New York, US

KM von Seidl wrote:
These are all Meisel right?

Take out the Angelina tombraider sniper shots and you've got a more powerful set.  Certainly the shots with the blonde being squished onto the ground and her face against glass are powerful and done by Meisel.  I love the Abu Grabbass reference as well.  I just wish the whole set had the same intensity as the more powerful shots.

But in a day and age where many aren't even referencing this stuff, or only speaking in code, he deserves credit. (not that he doesn't get it normally!)

What I meant was that the fashiony kitsch touch is both a powerful uniter of the editorial, and a major part of Meisel's voice. It's a major part of what makes his stuff read. And in my opinion it works best and strongest when he takes it outside the normal context of fashion (ie that Paparazzi editorial last spring, or esp the "kiddie porn" campaign for Calvin Klein several years ago). I'm not nearly as into fashiony kitsch as he is, and that's probably while he'll never be my favorite, but nevertheless when he's good, he's really good. He manages to hit on topics and subtexts in fashion and culture and yet they read "fashion" and belong in a fashion magazine. That's about as good as anybody can ever hope to do 9999 out of 10000 times, IMHO.

(I rather liked Christopher Bush's "Fashion Photographers Against Totalitarianism" quip... and I think that's kinda how it reads... in a glib, sarcastic sort of tone. It's something that's part of our zeitgeist and I'll say its even touched fashion very tangentially, and this is the first time I've seen anybody big say anything about that directly.)

I'll also re-iterate that this is a fashion editorial. And that's primarily how I feel it should be judged.

Sep 11 06 01:38 pm Link

Model

Catriona

Posts: 3674

Portland, Oregon, US

Ivy Bressler wrote:
I think that's why the model are "beautiful white." If this was being done to models/pretty white girls, wou't the middle clabe enrged, instead of iging it the way they do.

...

I think this editorial had to be done using white women; its the only image that really  inflames people against a situation. If they were black, middle eastern, male, fat or ugly, no one would care. No one would think twice about it.

Unfortunate, but thats the world we live in.

Precisely my thoughts. If the victims in these shots had been stereotypical "terrorists" - the middle-American image of brown-skinned people in turbans - this piece would not have the shock value it does. Everything's worse when it's happening to pretty white girls...

I also think the "high fashion sniper" shots detract from the set. While I can kind of see their point - make fascism attractive and it becomes more acceptable? - they don't really fit with the rest of the images.

Sep 11 06 02:26 pm Link