Forums > Photography Talk > How the hell do you shoot outdoors?

Photographer

PIEntertainment

Posts: 1308

Tokyo, Tokyo, Japan

I use speedlights and reflectors and the sun,  just figure out what you want and then go for it.

Jan 02 13 05:09 pm Link

Photographer

Joseph William

Posts: 2039

Chicago, Illinois, US

Working to get people who will shoot with you at the time that the sun is in the right place is cheaper than powerful strobes.  Even with strobes your photos will be better if taken at the right time.

The sand is pretty light colored in ft. Meyers so it will make a pretty good fill.  Just don't shoot between 10 and 2 and you will do ok.  Shooting a lot with who ever you can, you'll get a lot better pretty quick.  You have a good eye and know what your doing, this is less different than you may think.

Jan 02 13 05:10 pm Link

Photographer

Dontez Akins

Posts: 345

Atlanta, Georgia, US

As many people have already said use your strobe lights outside since you are comfortable with them.  Buy a portable battery pack for your strobes.  Depending on if you use a softbox, umbrella, beauty dish etc you can get the same studio feel when the sun is not so high in the sky or when in shade. You can also use you strobe(s) as a fill light

All of these images are shot with my strobe light

https://photos.modelmayhem.com/photos/121225/17/50da4e9656152_m.jpg

https://photos.modelmayhem.com/photos/121208/13/50c3b5747a6eb_m.jpg

https://photos.modelmayhem.com/photos/120508/16/4fa9ac105856a_m.jpg

https://photos.modelmayhem.com/photos/120323/06/4f6c7a2f8db69_m.jpg

Jan 02 13 05:12 pm Link

Photographer

Kennedy StillsandFilms

Posts: 146

Miami, Florida, US

For the most part all my outdoor stuff is with a monolight or several of them, and occasionally with a reflector or using a 8x8 butterfly with a strobe. I'm always more mindful of the location and where the sun is currently at especially at the beach, even though I'm blowing it away with strobes.

https://photos.modelmayhem.com/photos/111130/04/4ed6241169bf4_m.jpg
Just with a 300w strobe with a beauty dish

Jan 02 13 05:18 pm Link

Photographer

Glenn Hall - Fine Art

Posts: 452

Townsville, Queensland, Australia

...grab yourself a shady tree basking in an mid-day sun and place your victim under it and watch the lovely show of subtle shifts in light and shadow.

Jan 02 13 05:22 pm Link

Photographer

Joseph William

Posts: 2039

Chicago, Illinois, US

Oh, also I will be in ft. Meyers beach from January 22nd till the 25th.  If you can get a battery for a strobe I would love to show you how I do.  (assuming I can line up a model)

Jan 02 13 05:31 pm Link

Photographer

Rp-photo

Posts: 42711

Houston, Texas, US

Worlds in Digital wrote:
I'm the opposite.  I would much rather just get outside and shoot with nothing but a person and a camera and a good location.  I despise having to set up lights and backdrops and whatnot.

Same here.

Jan 02 13 05:32 pm Link

Photographer

JSB Fine Art Photo

Posts: 316

Frederick, Maryland, US

PIEntertainment wrote:
I use speedlights and reflectors and the sun,  just figure out what you want and then go for it.

Same here.  I love shooting outdoors.  Inside is no fun for me.

Scott

Jan 02 13 05:41 pm Link

Photographer

Caveman Creations

Posts: 580

Addison, Texas, US

Something else to think about.........
In studio, I can't express how much I love my 85mm. But, I have been griped at more than once, about using it outdoors. I hear things like, "That looks like a fake backdrop." due to the compression of the lens. I have now taken to shooting the 85 in studio, and 50mm or wider outside. Lens choice can make or break you.

This shot, was with the nifty fifty, lit with a White Lightning Ultra 1200, topped with a 20 degree grid.
https://photos.modelmayhem.com/photos/120813/10/5029355c5f00b_m.jpg

This one, with the 200mm 2.8L no artificial or modified light at all. Just a nice, mostly cloudy, day.
https://photos.modelmayhem.com/photos/120517/17/4fb593c07694b_m.jpg

Jan 02 13 05:43 pm Link

Photographer

Stephoto Photography

Posts: 20158

Amherst, Massachusetts, US

I do both (in studio and out) but i always use full natural light, so it's something i'm used too.

1- on a sunny day, find shade. use it, don't shoot a model in the sun, or you're going to get shadows under the eyes.

2- reflectors, get used to them. In addition to regular reflectors you can buy- don't forget natural ones. Sunlight bouncing off a wall, the road, the grass, etc. ALL can give the same effect.

3- Cloudy days are your friend. Yes, you can still shoot in the rain- plastic bag over the camera (as long as it's light).

Find something/a style of shooting outside that YOU like, though. It is very different than shooting with strobes, etc.

To ease yourself in- stay in studio, shot with all natural light instead of strobes if you can manage it (and have enough light).

4- There are people that will very much disagree with me- but don't shoot during the golden hour. it's too gold, and for me it's absolutely BLEH.

5- Go out at all times of the day to shoot, too. Think of it as a challenge.

6- Try backlighting with the sun (especially when you have a reflector that can help light the front of your model) as it gives some lovely effects

Jan 02 13 05:43 pm Link

Photographer

Phantasmal Images

Posts: 690

Boston, Massachusetts, US

SitronStudio wrote:

I remember light meters! I may still have one, somewhere.....

Or if you have a smartphone, there are light meter apps...

I use Flash Meter, but it only works with the Samsung Galaxy S3. The nice thing about it though is that it measures both ambient light and strobes.
https://play.google.com/store/apps/deta … eter&hl=en

BeeCam Light Meter works well for measuring ambient light, but doesn't work with strobes.
https://play.google.com/store/apps/deta … lightmeter

I'm sure there are others (and probably some for iPhone as well), but those are the two on my phone.

Jan 02 13 05:48 pm Link

Photographer

DennisRoliffPhotography

Posts: 1929

Akron, Ohio, US

You use the same basic knowledge of light and shadow that is used to shoot indoors.

Jan 02 13 05:51 pm Link

Photographer

ArtisticGlamour

Posts: 3846

Phoenix, Arizona, US

SitronStudio wrote:
Even the models agree I should stay in the studio. I hate that I can't see my monitor in the sun, I hate relying on the weather, but I love a lot of shots done outside with natural light. I use an  Olympus FL-40 flash, with a bunch of different diffusers, but nothing leaves me satisfied. Give me some hints, please!

I've been working on "getting it right" for a year now...and I know what to do...but always seem to get lazy or into a rush and skip steps.

But, here they are (for me)...

Shoot on Manual, with a Manual speedlight(s) off camera.

1.) Set exposure for the background. Model doesn't even need to be in the picture at this point. Maybe set the f-stop around 2.0 (for good bokeh) and then adjust the shutter speed up around the manual sync speed (1/125-1/200ish). If its a BRIGHT background use a Neutral Density filter (and/or Circular Polarizer filter) to bring it down into this (around f2.0@

Jan 02 13 05:57 pm Link

Photographer

afplcc

Posts: 6020

Fairfax, Virginia, US

SitronStudio wrote:
My New Years resolution- figure out how to shoot outdoors. I've been strictly a studio photographer for a number of years, I love strobes, I love backdrops, I love everything about the studio. But it's time for a change. It's not for lack of trying, though. Since I moved to Florida a few years ago, I try to do some outdoor shots at every shoot for more variety. Even the models agree I should stay in the studio. I hate that I can't see my monitor in the sun, I hate relying on the weather, but I love a lot of shots done outside with natural light. I use an  Olympus FL-40 flash, with a bunch of different diffusers, but nothing leaves me satisfied. Give me some hints, please! Should I just set up my strobes outside?

Okay, here's a bunch of hints:

1.  Start by shooting without models.  Shoot some macro shots (bugs, waterdrops, spider webs, foliage).  Shoot water (extended exposure) or reflections. 

2.  Learn about natural light.  Choose a location very near you, kick yourself out of bed and get there before sunrise.  Yes, you'll need a tripod.  Shoot pre-sunrise as the color starts to fill the sky.  Shoot the sunrise.  Now shoot not the sunrise but how that light affects what it hits around you.  Look at the shadows.  Then come back at mid-day and shoot the same stuff again.  It's helpful to also have a human.  Look at the shadows on their face from direct noon-day sun.  Now come back to the same site before sundown.  Shoot the shadows and golden glow on things.

3.  Identify some cool surroundings.  An interesting beach.  An abandoned building.  A place with some fascinating geometry or amazing flowers or great lines or lots of kites or flags or patterns.  And compose shots without models.

What you've just done with these 3 simple exercises (and you can complete them in a week if you're in a hurry, #2 you can do in just one day if it's a sunny day) is to learn a bit about natural light, composition, and to see the environment and it's possibilities.  I'd argue that most decent photographers who suck at outdoor work do so b/c they basically take a pretty girl and stick her outside.  They don't integrate her into the environment, they don't know how to compose shots using that environment, they don't know how to use the natural light (or compliment it with their speed lights and strobes). 

So don't try to shoot models outdoors at first.  Be a photographer of nature...or landscapes....or macro scenes...or abstracts....or buildings.  Do that for a week.  Shoot stuff, review the work, then go back and shoot again.  Bracket.  Experiment.

Ed

Jan 02 13 08:06 pm Link

Photographer

Laubenheimer

Posts: 9317

New York, New York, US

when i shoot outdoors i don't use artificial light or bring reflectors. i look for the natural light. i like that no matter where i go i can always look for the light, even if i'm not doing a photoshoot. richard avedon would often just sit outside and study the light as it slowly changed.

kele, 2012
https://archives.marklaubenheimer.com/image.php?image=/models/2012/08-13-2012_Kele_Lavery/keleweb20.jpg&quality=70&width=600

diana jean, 2012
https://archives.marklaubenheimer.com/image.php?image=/models/2012/12-01-2012_Diana_Oliphant/dianajean4web22.jpg&quality=70&width=600

miharu, 2012
https://archives.marklaubenheimer.com/image.php?image=/models/2012/09-24-2012_Miharu/miharu4web08.jpg&quality=70&width=600

Jan 02 13 08:43 pm Link

Photographer

Loki Studio

Posts: 3523

Royal Oak, Michigan, US

I see 3 big challenges to working outside

1) Monitoring: Its obviously hard to see your screen outside.  This LCD Viewfinder is a great cheap solution and pops easily off the back-
http://www.amazon.com/Viewfinder-Magnif … viewfinder

2) Natural Light Control- Sunlight is awesome, but often needs to be controlled to give the desired results.  Having the model at the edge of a shady area is often desirable, and if you can't find it naturally at your location, you may want an assistant and a scrim or sunbuster.

3) Artificial Light Control - Strobes are great but normally limited for outside use by camera synch speed to 1/200th with limits aperture choices.  Canon and Nikon have wireless eTTL systems with High Speed Synch for flashes, or you can use special wirelss triggers that support HSS such as PocketWizard.  The AB Vagabond Mini is a great cheap power pack for any brand of strobes.

Jan 02 13 10:01 pm Link

Photographer

Alan H Bruce

Posts: 421

San Diego, California, US

You just go do it, man... set yourself free.  I've not read the entire thread, but am amused by all of the advice about taking flashes and umbrellas and other flotsam and jetsam out there.  That's why you want to get out of the studio, isn't it, to leave all of that crap behind?

Get out there early or late, sleep or work out or edit images in the middle of the day.  Or better yet, shoot indoors using only soft, sweet window light in the middle of the day.

I had a speedlight and used it very sparingly, really only when the sun was in the direct background.  Did get a few cool images with it, but when it died, I was done with it; there are only a few relatively old images with it left in my port.

Get to know locations and what light they will bring at different times of day; bounce the sunlight off of landforms or buildings.  Go out there and play, learn to see the light and manage backgrounds, make a lot of mistakes and learn how to avoid them...

Jan 02 13 10:18 pm Link

Photographer

Second Nature Photos

Posts: 52

Murfreesboro, Tennessee, US

SitronStudio wrote:
My New Years resolution- figure out how to shoot outdoors. I've been strictly a studio photographer for a number of years, I love strobes, I love backdrops, I love everything about the studio. But it's time for a change. It's not for lack of trying, though. Since I moved to Florida a few years ago, I try to do some outdoor shots at every shoot for more variety. Even the models agree I should stay in the studio. I hate that I can't see my monitor in the sun, I hate relying on the weather, but I love a lot of shots done outside with natural light. I use an  Olympus FL-40 flash, with a bunch of different diffusers, but nothing leaves me satisfied. Give me some hints, please! Should I just set up my strobes outside?

What on earth are you doing with your monitor outside? Maybe I'm misunderstanding you here, but I'm imagining a computer monitor. There's no need to tether your camera when you're outside. If you're talking about the screen on your camera (unless yours doesn't have one, which would surprise me) just put your back to the sun and look at it in your shadow, or get a shade for it.

Outdoor photography is about understanding how the light works in different conditions. It's about being flexible. You can never be 100% sure how an outdoor shoot is going to go down, there's just too many x factors. You can only make the best of what you have. Obviously, check the weather before hand and bring a reflector or a speedlight. Don't try and fight the sun, you'll lose. You have to work with it.

Read a book about it and try shooting at sunset. It's hard to take a bad picture at sunset.

Jan 02 13 10:48 pm Link

Photographer

Leighsphotos

Posts: 3070

Toronto, Ontario, Canada

Mark Laubenheimer wrote:

he is very experienced in the studio. i see nothing wrong with that.

Really?

A guy who says he's very experienced...in studio shooting and comes from a fine art background but doesn't understand that light is light..whether it's from the sun or a strobe? Never heard the term chimping??

Don't you have to know basic lighting for both those activities?

Was photography just invented? what  was the light source used before studio strobes and e-ttl flashes?

C'mon...he's got all the "helpful smurfs" tripping over themselves to give him tips all the while back-talking when he is told to google on youtube..

I call BS.

Jan 02 13 10:59 pm Link

Photographer

Ken Marcus Studios

Posts: 9421

Las Vegas, Nevada, US

What's the big mystery about shooting outdoors?

Take your camera, go outside, take a bunch of pictures and try to learn from your mistakes !

KM

Jan 02 13 11:08 pm Link

Photographer

Glenn Hall - Fine Art

Posts: 452

Townsville, Queensland, Australia

Illuminate wrote:
I call BS.

...oh my little Padawan, nothing to give but a lot we have to say....

Jan 02 13 11:09 pm Link

Photographer

Eric212Grapher

Posts: 3782

Saint Louis, Missouri, US

Think of the outdoors as a really big studio, and you have one bright light, the sun, that you cannot move around, but you can move everything around it.

Use the sun as fill, use the sun as a backlight, use the sun as a rim light.

Set up a screen to soften the sunlight or use it hard.

I've seen folks use nothing but reflectors with that one light source, and I've seen some over power the sun with their multiple strobes.

Another way to look at the sun is you adjust its power using your shutter speed while adjusting the power of your strobes using the f-stop/ISO.

Jan 02 13 11:16 pm Link

Photographer

MarcMarayag

Posts: 77

Vancouver, British Columbia, Canada

i dont understand... shooting outside is easy

like many people have said its the same as shooting in studio

if you actually thought about how light works you'll see that the sun is another lightsource you need to figure out and go from there

Jan 02 13 11:23 pm Link

Photographer

Robbie Wolf Photography

Posts: 569

Phoenix, Arizona, US

Maybe I'm the weird one but I really enjoy shooting outdoors after the sun goes down.

Twilight is my favorite time and night time is like having a giant studio with a black background...or with cool colorful lights in the background.

A tripod, a couple light stands, and speed lights along with city lighting is a lot of fun for me.

Jan 02 13 11:23 pm Link

Photographer

Neil Snape

Posts: 9474

Paris, Île-de-France, France

I'd say you and I should or have to jump out of our comfort zone.

I have been doing this too slowly, using daylight in studio so not really going outside. Last spring I went to Toronto, so no studio, not much equipment. You can see those in my portfolio, completely different.

It's too cold ( my excuse) now to do outdoors here without clothes.

I did buy a portable flash ( used Broncolor Mobil A2r ).

No doubt I'll love it when I force myself to get outside and enjoy what is possibly the best experience I've been hiding from.

One example:
https://photos.modelmayhem.com/photos/120623/10/4fe5ff7d70583_m.jpg

Jan 02 13 11:38 pm Link

Photographer

chasecaleb

Posts: 154

Kansas City, Missouri, US

Sand Angel Photography wrote:
Maybe I'm the weird one but I really enjoy shooting outdoors after the sun goes down.

Twilight is my favorite time and night time is like having a giant studio with a black background...or with cool colorful lights in the background.

A tripod, a couple light stands, and speed lights along with city lighting is a lot of fun for me.

Ooh, that sounds fun. I want to try that with some B&W film sometime.

I love outdoor shooting, it adds a whole new dimension to portraits. Instead of just the model and a white canvas, there's scenery. It adds so much beauty.

OP: watch this episode of the Film show (from Framed Network) http://www.youtube.com/watch?v=4Ih6fc50vQY . The cast is a bit, uh... quirky, but it's entertaining and should solve your problems. They're talking about film, but really the same concepts apply to digital.

Jan 02 13 11:43 pm Link

Photographer

Worlds Of Water

Posts: 37732

Rancho Cucamonga, California, US

How the hell do you shoot outdoors?

This is an EXTREMELY difficult mission... HOWEVER... I going to be generous enough to provide you with a step by step guideline enabling you to accomplish this task.

1.  Get outta bed, get dressed and pickup your camera.
2.  March down the stairs and head to the front door.
3.  Open the door, step outside and look in all directions.
4.  No rain?... no driveby shooters?... no Homeland Security freaks?... good... YOU'RE SAFE!
5.  Turn camera on... switch to the P (for professional) mode... push down shutter button.
6.  Mission accomplished... borat

https://img.photobucket.com/albums/v330/GaryAbigt/Vanessa7-1.jpg

Jan 02 13 11:51 pm Link

Photographer

chasecaleb

Posts: 154

Kansas City, Missouri, US

Select Models wrote:
How the hell do you shoot outdoors?

This is an EXTREMELY difficult mission... HOWEVER... I going to be generous enough to provide you with a step by step guideline enabling you to accomplish this task.

1.  Get outta bed, get dressed and pickup your camera.
2.  March down the stairs and head to the front door.
3.  Open the door, step outside and look in all directions.
4.  No rain?... no driveby shooters?... no Homeland Security freaks?... good... YOU'RE SAFE!
5.  Turn camera on... switch to the P (for professional) mode... push down shutter button.
6.  Mission accomplished... borat

I can't help but laugh/cry/roll on the floor every time I hear "P for Professional."

Question answered, case closed.

Jan 02 13 11:52 pm Link

Photographer

Caveman Creations

Posts: 580

Addison, Texas, US

Select llamas wrote:
How the hell do you shoot outdoors?

This is an EXTREMELY difficult mission... HOWEVER... I going to be generous enough to provide you with a step by step guideline enabling you to accomplish this task.

1.  Get outta bed, get dressed and pickup your camera.
2.  March down the stairs and head to the front door.
3.  Open the door, step outside and look in all directions.
4.  No rain?... no driveby shooters?... no Homeland Security freaks?... good... YOU'RE SAFE!
5.  Turn camera on... switch to the P (for professional) mode... push down shutter button.
6.  Mission accomplished... borat

What? No gratuitous examples?!

Jan 02 13 11:55 pm Link

Photographer

Worlds Of Water

Posts: 37732

Rancho Cucamonga, California, US

Caveman Creations wrote:
What? No gratuitous examples?!

OPPS... far be it for me to dissapoint you there... 'mission accomplished' on that task too amigo... and here's another... borat 

https://img.photobucket.com/albums/v330/GaryAbigt/Sarah4.jpg

Jan 02 13 11:57 pm Link

Photographer

Michael McGowan

Posts: 3829

Tucson, Arizona, US

The first thing is to figure out what kind of outdoor shooting you want to do.

For some people in this thread, outdoors means overcoming the sun or sky or lack of light. For others, it's about embracing the elements.

What I'd suggest is first just taking a walk around the neighborhood. Take pictures of things that interest you. Don't even try to shoot people at first. Once you get a feel for how those lighting situations work on things, you can start extrapolating to people.

For the past few years, nearly all my stuff was shot indoors, but I was living in Ohio and it was cold. Also, the neighbors didn't like naked girls running around.

https://www.impactfolios.com/femmefete/6762/6762-58944-large.jpg

Shot of Elkie Cooper standing in a barn doorway, shot on high-speed Fuji film, using Sima soft focus lens.

https://www.impactfolios.com/femmefete/media/maninalley.jpg

Man walking through alley, shot with Nikon F and 105mm on Tri-X. Grab shot because he and I were moving about 90 degrees to one another. He just popped into the light and I fired off two quick frames. (No motor. It was the 1970s.)

http://www.impactfolios.com/femmefete/media/dee324.jpg 18+

Bondage shot of Sister Dee, in open shade, with a bit of light filtering through the leaves.

Anyway, you can get any mood, feel or texture outdoors that you can in. First thing is to figure out what the ambient light is doing. After you have a good feel for that, you can add flash, gobos, scrims, reflectors or whatever else you like. It's hard to drop the extra gear and shoot just with the camera and what's there after you've been controlling it all. Outdoors, it's a matter of finding your light, modifying it if needed and capturing the moment.

Jan 03 13 12:08 am Link

Photographer

Ralph Easy

Posts: 6426

Sydney, New South Wales, Australia

SitronStudio wrote:
I hate that I can't see my monitor in the sun

SitronStudio wrote:
I hate relying on the weather

SitronStudio wrote:
Even the models agree I should stay in the studio

SitronStudio wrote:
I love everything about the studio

Change the way you think

All the good advice here will just run off your slippery back like water...

You need self inception.

An idea, planted like a virus, inside your mind.

.

Jan 03 13 12:09 am Link

Photographer

sunn fotography

Posts: 278

Hong Kong, Hong Kong, China

Try shoot outdoor wifout flashes. use the available lights u have in the sence. sunlight, reflection lights of color windows. night shoot wif street lights. they are all fun to shoot.
Know your white balance will help!
keep shooting and u will get a hand on it! smile

Jan 03 13 12:15 am Link

Photographer

Caveman Creations

Posts: 580

Addison, Texas, US

Select Models wrote:

OPPS... far be it for me to dissapoint you there... 'mission accomplished' on that task too amigo... and here's another... borat 

https://img.photobucket.com/albums/v330/GaryAbigt/Sarah4.jpg

big_smile

Jan 03 13 12:19 am Link

Photographer

Jerry Nemeth

Posts: 33355

Dearborn, Michigan, US

Loki Studio wrote:
I see 3 big challenges to working outside

1) Monitoring: Its obviously hard to see your screen outside.  This LCD Viewfinder is a great cheap solution and pops easily off the back-
http://www.amazon.com/Viewfinder-Magnif … viewfinder

2) Natural Light Control- Sunlight is awesome, but often needs to be controlled to give the desired results.  Having the model at the edge of a shady area is often desirable, and if you can't find it naturally at your location, you may want an assistant and a scrim or sunbuster.

3) Artificial Light Control - Strobes are great but normally limited for outside use by camera synch speed to 1/200th with limits aperture choices.  Canon and Nikon have wireless eTTL systems with High Speed Synch for flashes, or you can use special wirelss triggers that support HSS such as PocketWizard.  The AB Vagabond Mini is a great cheap power pack for any brand of strobes.

I have shoot photos outside and don't find it to be challenging.  I photographed models in the desert in November.

Jan 03 13 02:00 am Link

Photographer

Loki Studio

Posts: 3523

Royal Oak, Michigan, US

Jerry Nemeth wrote:
I don't know.  I just do it!

I have shoot photos outside and don't find it to be challenging.

Be careful not to overwhelm us with helpful and educational information.

Jan 03 13 02:16 am Link

Photographer

Drew Smith Photography

Posts: 5214

Nottingham, England, United Kingdom

MarcMarayag wrote:
i dont understand... shooting outside is easy

like many people have said its the same as shooting in studio

if you actually thought about how light works you'll see that the sun is another light
source you need to figure out and go from there

Yes, shooting outside is easy when you know how to shoot outside.

Many people have posted their pics of outdoor shoots in this thread; some are wonderful examples of the art and others are less so and some, frankly imo, demonstrate what can easily go wrong shooting outdoors.

So, even people that think they've mastered the process may have something to learn.

Jan 03 13 02:46 am Link

Photographer

Bethany Souza

Posts: 1464

Pensacola, Florida, US

i dont use off camera lighting unless i reeeeeeeeeeeeeeally have to. 99% of my port is natural light

Jan 03 13 02:50 am Link

Photographer

Ryan South

Posts: 1421

Baton Rouge, Louisiana, US

+1 on the white sand.  Everybody who's anybody in my hometown has their family portraits taken in Destin just after sunset.  The white fill from the beach is lovely.  Here's the Mrs. https://ericliffmann.smugmug.com/photos/i-Z9zXb73/0/XL/i-Z9zXb73-XL.jpg  Here are my "model parents" down the road in Grayton beach.  I put a cto gel on the hotshoe mounted flash.  To lazy for modifiers and triggers and such, it was vacation.  https://ericliffmann.smugmug.com/photos/i-VRxHMvS/0/L/i-VRxHMvS-L.jpg

Jan 03 13 03:00 am Link

Photographer

VecPict

Posts: 27

Bulkeley, Saint George, Barbados

I love shooting outdoors for the beauty of it. I use Alienbees with a DIY power pack, but recently have been using just speedlites. The natural light here in Barbados though is harder than the US though sad

Jan 03 13 03:01 am Link