Photographer
Noah Russell
Posts: 609
Seattle, Washington, US
I couldn't resist. Post examples. :-P Cheers! Noah
Photographer
E Thompson Photography
Posts: 719
Hyattsville, Maryland, US
Four lights...two strip boxes as rim lights, a mirror mylar reflector for the hair, a background light and a gridded 20" beauty dish with reflector as a main.
Photographer
Giacomo Cirrincioni
Posts: 22232
Stamford, Connecticut, US
Now we're in my wheelhouse! LOL I tend to use lots of small hard lights (7" reflectors with grids, strip boxes with grids, etc.) and maybe one broad source as fill. This shot (for an editorial) used something like ten or 11 lights:
Photographer
LightDreams
Posts: 4452
Vancouver, British Columbia, Canada
Giacomo Cirrincioni wrote: Now we're in my wheelhouse! LOL I tend to use lots of small hard lights (7" reflectors with grids, strip boxes with grids, etc.) and maybe one broad source as fill. This shot (for an editorial) used something like ten or 11 lights: Wow, What beautifully complex lighting! Deserves it's own category. 10+ lights! Then again, Noah did say a "boatload"...
Photographer
Pat Berrett
Posts: 275
Albuquerque, New Mexico, US
My standard five light setup.
Photographer
L A F
Posts: 8524
Davenport, Iowa, US
Glad to see Giacomo posted. He's the first posted I thought of.
Photographer
Herman Surkis
Posts: 10856
Victoria, British Columbia, Canada
6 Einsteins. 1-hair 2- grided 7" reflectors into the fog. Gelled. 2- side/rim 1- main front Shot in studio against a black background. Some real plants leaves, and some background composite.
Photographer
Alien LiFe
Posts: 934
San Jose, California, US
I shoot this on location, on the side of a creek. Yes, I hauled all those lighting stuff myself ... I used 5 speedlites in this image. 2 as a main light, 1 for the hair/rim light and the other 2 for those grasses in the background. This all in TTL mode. If I have to shoot this again, I will shoot it with a wider angle & use a strobe as a main and do everything in manual for better fine tuning light ratios. 3 lights on both images above ...
Photographer
Ken Marcus Studios
Posts: 9421
Las Vegas, Nevada, US
Back in the days when I was shooting 8x10 for Playboy centerfolds, we would sometimes use as many as 30 or more strobe heads with maybe 20 or so packs. To get the equivalent imagery of f. 5.6 on a 35mm camera, we would be shooting around f. 32 on a 3/4 length figure. KM
Photographer
cwwmbm
Posts: 558
Vancouver, British Columbia, Canada
6 lights
Photographer
Dan Howell
Posts: 3570
Kerhonkson, New York, US
I forget if this is 5 or 6 lights. Each glow behind the set pieces were created by an independent strobes, either grid heads or gridded soft boxes, to show the depth of the set.
Photographer
Ezhini
Posts: 1626
Wichita, Kansas, US
Photographer
Ezhini
Posts: 1626
Wichita, Kansas, US
Photographer
Flex Photography
Posts: 6471
Sudbury, Ontario, Canada
LightDreams wrote: Then again, Noah did say a "boatload"... Shouldn't that be "Arkload" lol
Photographer
Francisco Castro
Posts: 2630
Cincinnati, Ohio, US
5 strobes and the entire set was basically one giant reflector box lined with mylar.
Photographer
Abbitt Photography
Posts: 13564
Washington, Utah, US
They'll never trust me again with a boatload of strobes. ...
Photographer
Alien LiFe
Posts: 934
San Jose, California, US
cwwmbm wrote: 6 lights Beautiful work ... This image reminds me if Erick Almas' Don Julio Tequila campaign ...
Photographer
Alien LiFe
Posts: 934
San Jose, California, US
Giacomo Cirrincioni wrote: Again, seriously impressed. I tried speedlights once... Once.... Someday, when I have more patience or more bourbon I may try again... Believe me, I think your image above was more complecated then all of mine combine ... whatever light we used ... Thank you for the kind words, Giacomo ... It's nice to get nice comment from person who's the work you'd always admire ...
Photographer
Noah Russell
Posts: 609
Seattle, Washington, US
Giacomo Cirrincioni wrote: Now we're in my wheelhouse! LOL I tend to use lots of small hard lights (7" reflectors with grids, strip boxes with grids, etc.) and maybe one broad source as fill. This shot (for an editorial) used something like ten or 11 lights:
WOW! Cheers! Noah
Photographer
Noah Russell
Posts: 609
Seattle, Washington, US
Herman Surkis wrote: 6 Einsteins. 1-hair 2- grided 7" reflectors into the fog. Gelled. 2- side/rim 1- main front Shot in studio against a black background. Some real plants leaves, and some background composite. Very nice work! Cheers! Noah
Photographer
Noah Russell
Posts: 609
Seattle, Washington, US
cwwmbm wrote: 6 lights Beautiful! Cheers! Noah
Photographer
Noah Russell
Posts: 609
Seattle, Washington, US
Dan Howell wrote: I forget if this is 5 or 6 lights. Each glow behind the set pieces were created by an independent strobes, either grid heads or gridded soft boxes, to show the depth of the set. Gorgeous light! Cheers! Noah
Photographer
Giacomo Cirrincioni
Posts: 22232
Stamford, Connecticut, US
Herman Surkis wrote: 6 Einsteins. 1-hair 2- grided 7" reflectors into the fog. Gelled. 2- side/rim 1- main front Shot in studio against a black background. Some real plants leaves, and some background composite. This might be my favorite "mad hatter" shot of all time.
Photographer
Giacomo Cirrincioni
Posts: 22232
Stamford, Connecticut, US
Alien LiFe wrote: Believe me, I think your image above was more complecated then all of mine combine ... whatever light we used ... Thank you for the kind words, Giacomo ... It's nice to get nice comment from person who's the work you'd always admire ... Complexity, in and of itself, is meaningless. If I could get the look I want, with less I would. Your use of color and light, your choice of models and poses - it all truly impresses me. I desperately want to walk into your photographs... This one in particular:
Photographer
cwwmbm
Posts: 558
Vancouver, British Columbia, Canada
Alien LiFe wrote: Beautiful work ... This image reminds me if Erick Almas' Don Julio Tequila campaign ... Thank you! I have to admit it was a bit of an inspiration here
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