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Falsely saying "worked with Vogue Italia" ~rant~
Post hidden on May 17, 2011 07:11 am
Reason: violates rules Comments: Do not hijack. Do not troll. No unsolicited critiques. harassment, bullying, personal attacks and other boorish behavior are not tolerated. May 17 11 03:12 am Link neil , you know it is a professional suicide in the long term ...chill out , life will care about him May 17 11 03:14 am Link hhahahha exactly = chill, life for the living. if you were in holland i'd say go smoke a spliff May 17 11 03:15 am Link
Post hidden on May 17, 2011 07:13 am
Reason: violates rules Comments: Do not troll. Take a few days to review the site and forum rules. May 17 11 03:16 am Link LondonWeddings wrote: Are you adding something to this thread or just dribbling. May 17 11 03:21 am Link Pinocchio's nose would reach to the moon in here. I generally don't believe anything people say in here. Too many people "wanting" to be something they are not. But in reality it is harmless. The only person they are hurting is themselves. Dignity and respect have to come from within first. And basing who you are on internet lies doesn't really get you there. May 17 11 03:22 am Link Lies always catch up. You dont need to get these people...they get themselves every day. I was amused at the depth of the backround check in my first museum show. And I was glad that I didnt have any bullshit in my resume. Just be glad that someone taught you integrity. May 17 11 03:31 am Link I was a newspaper photographer. I worked for some of the most prestigious newspapers in Fleet Street. Well, actually, before I was a newspaper photographer, when I was still at school, I had a morning paper round. But this is the internet, and I could really be a dog so I could have lied about the newspaper photographer bit as well. May 17 11 03:35 am Link
Post hidden on May 17, 2011 07:13 am
Reason: violates rules Comments: Do not feed the trolls. May 17 11 03:37 am Link I've seen so many wannabes posting about Vogue Italia bullshit and it's just laughable. Do they REALLY think people are so thick as to believe that their making an account and uploading pictures counts as being published on the Vogue Italia website? Well technically, it does. But it just makes people look moronic and desperate. Wow. Thanks for this rant. LOL May 17 11 03:42 am Link Burning Violet wrote: We do seem to missing a healthy dose of skepticism on this site (and in general). May 17 11 03:45 am Link William Cox wrote: Yes of course. May 17 11 03:45 am Link Burning Violet wrote: To be positive, there is hope , and like lottery tickets, if you don't buy the tickets you cannot win. May 17 11 03:57 am Link I think that there is a subtle distinction that people are missing. 1)Anybody can open a portfolio account on Vogue Italia and upload images. 2)A few of the daily uploads are 'selected' by the picture editor and can qualify as 'Picture of the day' and go on to be published in the magazine. 3) Only the images selected are visible to the public on the photographers portfolio and form part of the sites archive. It is probably reasonable to state, if 'selected', that you were published on their website, but to state that you have therefore 'worked for Vogue Italia' is simply wrong. The selected images aren't just small jpg's http://www.vogue.it/en/photovogue/Portf … Fullscreen May 17 11 04:19 am Link Ken , you raise the proverbial question of what is published in this day and age of digital delivery. Someone just asked the same question by PM. Even when you upload pictures to FlickR or from certain HTML editors , the term publish is used. I don't consider pictures uploaded for portfolio reviews to be published as there is no editorial contribution being made. With the demise of print publication and full digital delivery of subscription magazines, my views will undoubtedly have to change. I know when I do or if I do send up some images, and if they are selected, I still wouldn't consider them published. IF they went on to winning the overall competition and were printed in the magazine, then I would at least feel justified by that print as a publication , as it would likely have layout and words. Hence you see coming from a print background full screen highly compressed jpgs are still in my eyes , an internet abstraction . May 17 11 04:36 am Link Neil Snape wrote: I submitted a few of my photos to Vogue.it too and they have kindly put some up but I certainly wouldn't claim that I "worked" for Vogue or try to use the watermarked photos as evidence of such. May 17 11 04:46 am Link Stefano; I agree, the sole purpose of sending pictures up is to have them seen. Cross promoting on FB , blogs, twitter is where it's at. Again I fully support the idea of Vogue allowing us to send pretty pix up. It is an excellent front for viewing work , with the added benefit of having that uber cool logo embedded. Ps , the MM person I saw was someone using the published in a way that you never would... Out of the thread 3 things are slightly more clear 1 most important : it's internet and no one can stop what dogs can write 2 question of what is published or not: big question, not so important but philosophical indeed 3 using other sites for cross promotion of photography is great but there is some integrity to be maintained otherwise it'll bite you ( referring to the dogs again!) May 17 11 04:55 am Link Neil Snape wrote: Let me start by saying, that I fully agree with your general thrust, that the term 'published' is being diluted. May 17 11 04:57 am Link Am I being old fashioned? I only considered myself to have worked for someone if they've paid me. I'm not sure about having worked "with" someone. I feel that involves some kind of exchange, possibly. May 17 11 05:04 am Link IMHO, the whole point of a tear sheet or claiming to have worked for X,Y or Z, is not to prove that your work was 'good' enough but rather to show that you have experience of taking a brief and executing it to the satisfaction of the editorial staff, within a deadline and on budget. As a result I would discount the commercial value of any tear sheet that was obtained from a submission or competition rather than a direct commission, regardless of where it appeared. J May 17 11 05:30 am Link (Not a spec shoot, I was on assignment!) Ha! Neil, while you see this as a disaster, I see this as a breakthrough and a major step forward for the World Wide Web! Claiming to shoot for Vogue Italia? Great! For the last 15 years it's been guys claiming they had contacts at Playboy (which meant they had called the 800 number to renew their subscription), and don't get me started on all the Harley-Davidson calendars that were being shot every year (actual number of calendars being shot for Harley-Davidson in most years....none!). So yeah, guys (or girls) claiming to shoot for major fashion magazines? In their dreams, but even if they aren't really doing what they claim, at least their dreams have moved up the food chain! Okay, no French Elle cover, but does shooting a spread on spec for "Big 'Uns" count? John -- John Fisher 900 West Avenue, Suite 633 Miami Beach, Florida 33139 305 534-9322 http://www.johnfisher.com May 17 11 06:17 am Link Neil Snape wrote: There is a difference between being featured and being published. I have been featured on many art nude websites in Europe and the US. On Vogue Italia, you are being featured, not published. If you do win picture of the day, you can at least claim you were "featured" on Vogue Italia so you still would have bragging rights but it is not published. May 17 11 06:31 am Link John Fisher wrote: I am sharing an apt with a model who was in various Playboy special editions 12 years ago so I have a "contact" now May 17 11 06:37 am Link Ken Pegg wrote: Corrected it for you. Yes, the photographer can use it as "featured on xxx" but it is not published. May 17 11 06:46 am Link Even though I understand and somehow share the upsetting frustration feeling I think the focus of the post isn't in the right spot. What is important in having a job published, or posted, on a renowned magazine is the contacts you can get. The editor, the art director, the producer, the MUA, the hair stylist on so on. Those are the ones that give the photographer real references and that can get him/her more work and make the name known. I don't really care if some sloppy personalities go around touting they have been published here and there, is relatively easy to debunk them; if you really want to spend that energy in such a fruitless operation. I rather use my time to study something beautiful and interesting to me; I don't know... Something like Art? May 17 11 07:08 am Link I agree with the thrust of this thread too, though I think you might be being a little harsh on onlines, Neil. Some are excellent and very well viewed. There are tablet based editions for many magazines now, which may or may not have a cover price, but as a delivery mechanism it's "new media" and in my mind extremely valid. "if it isn't commissioned, it isn't published" as one poster dropped in up there is the hard line approach and in fairness probably the benchmark, or one of them. I liked your secondary thought; essentially "if it's laid out properly". This works for me. If someone has invested good money, good time, or both, then the work has ben viewed as worthy of the investment and hence I would consider it published. I view a couple of the onlines who have shown my work more highly that some of the print publications.. granted the print publications take on the cost / risk.. but it doesn't make their creative direction any better simply by default. In truth, I base my own successes in terms of where my work is by that of my peers. If my work is sitting alongside photographic works I respect (not photographers) then I'm happy. But then for me, it is about the visual, not the badge. May 17 11 07:38 am Link Neil, the only people that matter are those that have the connections like you, Ben and others.. I actually saw an image with the GQ logo (GQ logo from a website gallery image) saying GQ germany in the credits.. whatever. irritating. May 17 11 08:13 am Link Neil, I once knew a photographer who listed a lot of top-tier clients for which he never actually worked. His "work" was mostly spec that never actually went anywhere, but that he placed their logos on his images and claimed they had used him regardless. He readily touted his success to everyone that would listen and many did... except for the clients he was hoping to land for himself. Most people who seek manipulate either others or the facts for their own self-gain do eventually dig a hole for themselves that becomes to deep to dig themselves out from. Just let them. I don't worry about what that photographer, or others like him, choose to do to try and get ahead. I'm only concerned with the path that I choose to take and where that path inevitably takes me as a creative and a photographer. Let others undo themselves if that's the path they choose to take. Just take the path that you're meant to. In the end, you'll be much better off... not just because of where you will eventually be, but because (unlike them) you'll have enjoyed your journey along the way. Just my $.02 May 17 11 08:25 am Link Neil Snape wrote: I have heard many photographers mention that they were working overseas in Europe, and then I check their profile and they've got a snapshot of their kids in front of Big Ben or something. It's pretty funny because it's so transparent. I don't think most people really get away with saying that kind of stuff if people actually take the time to look at the evidence. May 17 11 08:28 am Link Neil Snape wrote: Neil, I understand very well what you mean and I'm with you on many things you pointed up in this thread but many contributors here are clearly confusing two really different concepts: May 17 11 08:35 am Link I can go into the Guggenheim, whip out my phone, and show someone one of my photos. According to their logic, this would mean that I could go around telling people that my work was 'featured' at the Guggenheim. Same concept, but switch it around to a ring tone I created going off during a performance of the New York Philharmonic... You get my drift. Online vs. offline publishing are two very different things, but the lines are quickly beginning to blur. Whereas an image in a magazine may be seen by 100,000 subscribers, the same image on the magazine's website might be viewed by millions. If you are 'featured' or even 'published' on the web version, you must be clear to mention that. Rather than bring up Vogue Italia, use Vogue.it in your captions/credits/whathaveyou. May 17 11 08:48 am Link I disagree that "worked with" is by necessity connected to "was paid." If Steven Meisel or Annie Leibovitz posted a casting for a photographer to go assist them for a few days on a Vogue or Vanity Fair cover, for free, many here would jump at the chance to do it without being paid, and there is no reason they could not thereafter legitimately say "Worked with: Steven Meisel." I don't see a huge problem with stating "I was published on Vogue Italia's Photo of the Day." (Although I personally would use the word "featured.") People who know what PotD even is are either going to understand that it's the online version (and that's an accomplishment to be selected), or they're going to ask "what issue" and the honest person is going to have to reply that it was just the online version of the mag. And, people who know exactly what Vogue Italia's online PotD is--and see other people making it out to be something more than it is--can have a good laugh. May 17 11 08:52 am Link maryelle stclare wrote: Sorry Marielle but "working for someone" means "doing something for someone, for the only purpose to receive something in change", that said the pay you receive can be money, natural goods or know-how... being this last the case of assistant. May 17 11 09:25 am Link BTW, if I gives my pictures for free to someone I can Never state I've Worked for him! May 17 11 09:28 am Link I once did an advert for Italian VIAGRA...Does that count? Although I did work quite a bit for VOGUE Italia with both Franca and Carla Sozzani back in the late 80's and early 90's, I haven't since. I have worked for several other Vogue's however, but my shining moment has to be for "VIAGRA Italy" May 17 11 09:30 am Link John Fisher wrote: Ummm...It does for Me! May 17 11 09:33 am Link It astonishes me to see how many photographers and makeup artists do this. I was in the web business building portfolios so you can imagine the amount of resumes I saw come in with loads of BS. I had to step away from doing that kind of web work because I was contributing to that kind of misleading marketing. Neil Snape wrote: May 17 11 09:35 am Link The Deviant One wrote: Huh, photographers lying about their age and weight May 17 11 09:35 am Link MorittuPhotoGraphy wrote: MorittuPhotoGraphy wrote: And if you get published by them, do you not get paid in exposure in the same way assisting someone pays you in experience? In both cases you are "gifting" something as you said -- one you are volunteering your time for experience in the other you are volunteering your photo licensing in exchange for exposure. May 17 11 09:36 am Link MorittuPhotoGraphy wrote: I totally agree that sending in photos to Vogue does not constitute "working for Vogue." Having one's picture chosen for Picture of the Day does not constitute "working for Vogue." Sending in pictures at Vogue's request, even, and having Vogue do nothing with them afterward does not constitute "working for Vogue." Sending in unsolicited pictures and having Vogue call you and ask you to come in so you can review the shots with Anna Wintour, then see the features editor and choose a layout, discuss story ideas, and plan which issue it's going to be in--and they state up front they're not paying a dime--is at the least "working with Vogue," if not "working for Vogue." May 17 11 09:40 am Link |