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What makes a MUA or hair stylist want to shoot TF?
NOTE: First and foremost, this is NOT a solicitation! I am asking for advice, not for someone to do this for me! Hi everyone! I'm just starting out here on MM! Though I may be new, my ideas are very big and often require a MUA and/or hair stylist. I'm not really at the point where I can comfortably pay for any yet, especially since I've only ever done TF shoots. I know you want to make money, but you have to start somewhere, just like I'm doing...right? (Or am I totally wrong?) This lack of extra help has meant that I don't actually get to do the shoots I'm dying to do which would make my port so much more incredible. I don't mind trying out someone without a whole lot of experience. But every time I reach out, I don't get a response and feel stupid. How would you approach this? What would make you want to work TF with someone who wasn't a pro model or photographer, etc.? Are there certain features you look for in a models face? I'm really trying for advice here...thanks! May 12 12 09:26 am Link It takes time to find a team...I have 2 photographers who I feel like I can go to for TF and I know very little actual models but usually the photographer provides the models.... I guess just continue to connect with people, get to know them and find a team who you can do projects with. I'm sure other people on here have better advice lol sorry. May 12 12 09:43 am Link Finding the photographers hasn't been the problem...it's the hair and MUAs... (Not that they're a problem.) I'm wondering if I'm doing something wrong or maybe expecting too much? May 12 12 09:45 am Link All MUAs or Hair Stylists are looking for the same three things - photographer, model and concept. It is like the holy trinity of book building. If there is one part of the trinity that doesn't jive for some reason then they may not want to spend the time testing with that team. It doesn't have to even be that they do not like one of the three sometimes they do not need what is being offered at the time. If you are looking for someone without experience (which it sounds like you are - it is a good opportunity to grow as a team) you can try the schools. They have people graduating all the time that need what you are offering. You get can together to try something smaller like just doing beauty, fashion or whatever you are in to just to test out the vibe. Once you find someone that you work well with you can work on the bigger concepts. May 12 12 09:57 am Link Dani Vespa wrote: The more elements you organize and put in place, the more people will jump on board that test/TF project. May 12 12 10:09 am Link Ms BSK wrote: Well I have a ton of concepts that I would love to shoot, a willing photog who often is willing to shoot at least 2 of them, so the MUA/hair stylist has a choice! Maybe one shoot has already been done a million times but the other could really enhance their port. That's what I'm trying for... May 12 12 10:10 am Link Reading your profile, you sound like someone with a passion and creativity, this is actually very important and personally it's a big factor for me, to know the person will strive for a good shot, not just the cash, but it's probably the very first line in the profile that makes some people pass over. And yes, mua schools is another source I've used in emergencies and often the results have been spectacularly good, because they see the opportunity and work really hard. May 12 12 10:13 am Link Rollo David Snook wrote: Why do you say that beauty work has to be implies/topless/nude? Also, why would that make me less of a fashion model? I have seen and talked to plenty of models on here who don't do nudes and don't have difficulty in this area. I started MM very recently so I haven't had a chance to really get a great port, but I don't see myself as a "glorified portrait" model, nor do I see my only alternative to be taking off my clothes. May 12 12 10:15 am Link Rollo David Snook wrote: You don't think I should tell people I'm fairly new at this? Isn't that deceptive? May 12 12 10:16 am Link Speaking as someone who does hair, makeup, wardrobe and design work I'm only interested in TF for a few reasons. It's a future relationship I can build that's mutually beneficial, I can try out new products, try new concepts, or replace dated images in my port. I prefer to work with easy going people and if they feed me it's even better lol I still do TF work even now, I test whenever I can and I'm always looking to improve things May 12 12 10:27 am Link Angel Graves wrote: Very good to know. And good food does seem to be a good bartering tool on here... May 12 12 10:31 am Link Dani Vespa wrote: Dani, you don't tell people you are new, you tell them you are amateur, it's a very huge difference. I'm suggesting to you that the mua is looking for someone who has the same goals as themselves. Why do you say that beauty work has to be implies/topless/nude? Again, I didn't say this either. I am saying that SOME beauty work involves the model being topless/implied, backshot or hands on boobs etc. Also, why would that make me less of a fashion model? AGAIN, I didn't say this either. I am guessing/suggesting that PERHAPS the mua did not see you as a fashion model, based on your profile and current pics. Clearly you have an arty streak and interest in the actual concepts themselves. I don't see myself as a "glorified portrait" model, nor do I see my only alternative to be taking off my clothes. Neither do I May 12 12 10:44 am Link Erm. Strapless top or bra? Or just dropping the strap? You don't have to be nude for head-and-shoulders shots. May 12 12 10:54 am Link This is what I am trying to get across... https://www.modelmayhem.com/portfolio/p … 2#28261392 In this particular shot, she is most likely wearing a towel. However shots similiar to this do require implied topless. But yes, basically you are right. But to a casting director/tog you do wonder when "shoot nudes =no" if the person is going to be comfortable with being poked and prodded by mua's and stylists all day, or what clothes might make them uncomfortable. I'm sorry if you feel criticized, far from it, just I was looking for reasons why you are having trouble with mua's and those 2 points in your profile to me, could be the reason. I didn't say you should respond or change anything, but simply I was pointing to it. I respect fully whatever people want to do. I do think, changing "amateur" to "new" would help, in the case of attracting mua's to work with. Cosmetics cost money. May 12 12 11:02 am Link Rollo David Snook wrote: Dani, you don't tell people you are new, you tell them you are amateur, it's a very huge difference. I'm suggesting to you that the mua is looking for someone who has the same goals as themselves. That's what I had on my bio. The word "amateur". I took it off though. I am very versatile. I can go without a bra, I just don't want anything exposed. My hands are not a bra and therefore using them to cover my breasts is nudity for me. And to answer how you shoot, see the response above this and underneath yours. Strapless bra. The tiny one that I own rarely shows in anything I wear but does wonders for both my figure and my comfort. May 12 12 11:06 am Link A competent photographer and a smashing wardrobe stylist already on the team, with a clearly elucidated concept, should bring interest from hair stylists and makeup artists May 12 12 11:07 am Link Rollo David Snook wrote: I'd probably be fine with this shot honestly. But ONLY this shot. Too much down and you get into nudity. Also, if I put implied, everyone has their own definition of that. I don't want to be a liar. Hell, there are some slight fetish things I would do or pose with, but the minute you put it on your profile, it's assumed you do ALL of it. May 12 12 11:11 am Link You are 100% right. When I see "shoot nudes =no", but I see nudes in the port, I know I'm dealing with someone who is experienced, cares about themselves enough to control their imagery and etc. Dani, let me ask you your own question, why are you struggling to get mua's? If it's not your profile or pics, then perhaps like other posts have said, it's the photographer? May 12 12 11:13 am Link Rollo David Snook wrote: I figured it was because I'm new, still working on my port, and usually take what I get and make the best of it. I also figured they wanted to be paid. I have no idea, outside of that. That's why I posted this. May 12 12 11:16 am Link Dani Vespa wrote: For me, at this stage in my portfolio building, the model doesn't have to be a pro, but there does have to be potential demonstrated in a nice little collection of photos in their port for me to have faith that they'd bring what is desired to a shoot. In other words, whether or not you can get an artist at the moment, try to do a few shoots that really show off your modeling skills. Anyone looking to shoot with a newer model is not likely to expect you to have wowing makeup in your port yet. They're wanting to see what you can do for them (poses, expressions, willingness to experiment and be comfortable) and the attitude you convey in what you have to say about yourself, your work ethic and your goals. May 12 12 11:20 am Link I find getting MUA's rather easy to find where I live, a lot of them do "editorial work", though not what I shoot. The hard part is finding a hairstylist to do TF. Most newly "licensed" hairstylists, are looking for a job as an assistant, or working for one of the franchise hair salons. Most can't afford to do a TF shoot. Building a portfolio, is not a high priority, they have rent, car payment and other expenses. The free lancer HS may be more plentiful, though I suspect they have bills to pay too. Best bet is find a beauty school and try and workout a deal. Though you'll probably have to work around the students schedules. May 12 12 11:30 am Link I only do TF now and then for fun and to meet new people, but even so, if I know the model, photographer and concept etc. are not going to even leave me with the slight possibility of ending up with even one photo I could show a client, it's not worth my time and money and I'll say no thank you. Unless I already know those involved and just really like them. Honestly, I see the note about "solicitation" as a red flag, tells me you aren't familiar with how things work. But looking at your pictures would probably make me say no unless you were shooting with a photographer whose work I knew well and loved. I can't say more as this isn't a critique forum. But that's the honest truth, although it's just my opinion, nothing more. My advice would be to continue shooting to diversify your port, take out the "note" in your profile, and don't approach someone who is a pro without really solid idea/photographer, etc. May 12 12 11:33 am Link the lonely photographer wrote: Most licensed stylist have no desire to build a port that can't be used to advertise skills that get them paid work is the problem. Bridal, commercial (prom, special occasion), cut/color services... This is the work they need to showcase for a trade to be of benefit. May 12 12 11:47 am Link Makeup by Dani B wrote: About the note: I have been on here for less than 2 whole weeks and have already been propositioned unprofessionally 3 times. One of them was someone I had never heard from before. He asked me if I was single. Two of them were way after the initial contact. In fact, I was in talks about what concept/location it would be and he kept dragging. Then he just started flirting and said we should hang out. The last one apologized for not getting back to me sooner, but invited me to come to the kegger he was throwing for his son's 21st birthday. May 12 12 11:49 am Link Well I know in my case, I won't agree to a test or tf shoot if it won't benefit my portfolio. I think everyone's goal in the end is to get paid. Building an awesome portfolio so people can know your skill set and know what you're capable of. You may have some cool ideas but they may not match up with everyone else's visions. That's all it is. If you don't fit the market they're trying to get into they probably won't even bother. Also like everyone else said, if the photographer isn't up to par people may pass. I've done several shoots I should have passed on and can't even use on my site anymore. It's really a waste of valuable time in the end. I've worked with a lot of aspiring models who were great! So I doubt it's because you're new. May 12 12 04:26 pm Link Usually I'll contact a makeup artist, or a makeup artist will contact me, about setting up a trade shoot. Then we discuss models, and find a model we can agree on. Sometimes I'll get messages from models asking if I can provide a makeup artist, as if I have a great artist in my back pocket who is always happy to do trade work with models before even seeing them... which seems absurd to me. Usually I'll say if they want a makeup artist, they'll have to hire one, and I can recommend a few - but if they are looking for a makeup artist on a trade basis, then maybe when I book a shoot with a makeup artist and we're looking for models we'll see her profile and consider her, but it's a longshot. I've heard a lot of models say they've never worked with a makeup artist before - so I think as a model, finding a makeup artist who wants to do trade work with you is a difficult thing. Maybe your best bet is to do trade work with some of the best photographers in your area, so when those top-tier photographers are talking to MUA's about trade shoots, they think of you and how great you were to work with previously. May 12 12 04:42 pm Link Beat Face Beauty wrote: I think everyone is kind of misunderstanding. I guess I'm just really excited and shouldn't expect MUAs and hair stylists to come running without some experience. Since I'm really only contacting people that are new, a lot of them seem not to check their MM as often as I do. May 12 12 04:54 pm Link Ms BSK wrote: +1. May 12 12 06:10 pm Link Dani Vespa wrote: It will really depend on what the MUA or photographer is looking for and everybody is different. I currently work with a team (MUA, Photographer, Hair Sylist, Clothing Designer, studio, etc) and often we look for new models. every project is different and it depends on if the look would fit what we are looking for. Keep trying and maybe you might find the right team. May 12 12 06:20 pm Link Raw-Beauty wrote: Thank you! May 12 12 08:43 pm Link Dani Vespa wrote: Nah, you just havent found the right photographer yet for you. It will happen. Keep pushing, never stop sending out cheery hellos to teams you want to work with. May 12 12 09:27 pm Link If you want to know why I'd personally not work with you then I can message you privately. I won't turn this in to a critiquing session but it seems that you're quite defensive. I find often people ask for their work to be critiqued but turn around and make different reasons or excuses for what is being said. Open your ears because quite frankly you came here asking for help and you're rejecting a good portion of what people are saying. May 12 12 10:47 pm Link CK Makeup Artistry wrote: I appreciate your offer, and while I'm not trying to turn down good advice, if you read the note on my very first post, I clearly say I am not looking for a critique or to really make this about me. That's why I'm getting defensive. Because I'm not ready for a critique of my work yet... I'm wayyy too new. I'm totally taking in what people are saying, but the times I'm getting defensive are when people aren't really answering my question. My question was what can a model do to make herself/himself more marketable to a MUA/hair stylist who would do a shoot TF. May 13 12 11:00 am Link for me... its all about concept when it comes to testing/trade. Competent photographers are always good to have, and it doesn't hurt to have other stylist on board. (hair/ wardrobe/ etc) Honestly... its in your best interest to book a photographer, decide on a concept for the shoot, find a makeup artist that you like, then have the photographer contact the MUA. (at the very least, you can make first contact and then let the photographer handle it.) the reason I say this... I have 3 ports, (model, photographer, MUA) plus my wife is a great photographer... so I shoot trade pretty regularly in one way or another. Weather im organizing a 4 llama group pirate scene, with wardrobe, hair, makeup, and everything else. To shooting pinup in the park... It always seems to work better that way. I don't know how many shoots have already stalled out because a llama contacted me, we came up with a concept, and she didn't have a photographer or anything else. - now its up to me to find a photographer and work out all the details with them (or shoot it myself, which is not always the best option) im honestly too busy to be chasing down photographers, and nailing down concepts... much less asking my group of established contacts who rarely shoot trade anymore, normal reply "stop agreeing to do trade work and get out there and make some money" (sidenote: I like testing... cause I get to be creative, best way to get a MUA to shoot... make it ABOUT the makeup) its just so much easier to say yes to trade work when you have a general idea of the quality of the final product, the concept given to you ahead of time, and the whole team on the same page. juss my experience, y'know? -Jarret May 14 12 06:24 am Link For me its about making each shoot better. A better model, better concept, better photographer. OR diversifying. Like at the moment I really need to shoot some good fashion because my book has a big beauty swing. If the photographer is good and the model is exceptional (great skin, model features, height etc) then I am generally happy to test. May 14 12 06:53 am Link Dani Vespa wrote: The answer to this question will always be "what is in it for me as a makeup or hair artist." If you want to shoot something and you aren't getting a good response then you haven't offered the artist something they want for their book. Keep asking and be flexible about your concepts. In the mean time working on building your own book. In my experience when starting out the best thing to do is work on simple and clean concepts. May 14 12 07:24 am Link The MUA's and MUAH's I have worked with on a TF basis tell me that they prefer that the photographer contact them with an overview of the plan for the shoot, along with a link to the llama's page. There may be others who prefer to work with the llama, then let the llama find a photographer. I don't know. As with anyone else who does TF, the MUA reserves the right to decide which llamas/shoots/concepts/dates he/she will work TF. Since I can't guarantee that I can provide an MUA, I don't mention this in my profile - or in my initial contact with a llama, unless an MUA has already expressed an interest in working with the llama. These MUA's first identify a photographer or photographers they would like to work with. Then the photographer proposes shoots to them (at least the llama and genre or concept), and the MUA decides. While I have managed to find an MUA who was available on a specific date, it's more likely to work if we schedule the shoot around the MUA's schedule to begin with. I have never contacted an MUA with a request that she work a specific shoot without having established in advance that the MUA is interested in working with me. In my experience the process usually works one of two ways. 1) I contact the llama to determine whether she is interested in a shoot. If so, and if I think an MUA will be interested, I contact an MUA. 2) I discuss the llama and genre or concept with an MUA before contacting the llama. There have been exceptions. One MUA contacted me to express an interest in working a shoot with a llama in my portfolio. I've tried three times to get them together, but it hasn't worked out yet. (The MUA lives four hours from St. Louis in one direction, and the llama lives three hours from St. Louis in the opposite direction. When one was going to be in St. Louis, the other couldn't be.) One MUA asked me to shoot a llama with whom she has worked in several fashion shows. Most MUA's are very specific in the types of shoots in which they are interested in doing TF - only fashion shoots with llamas who are 5'8" or taller who have "the look" for fashion, for example. Some decide on a case-by-case basis. Some MUA's have contacted me first to express an interest in doing TF shoots. In other cases, I have contacted the MUA first. The busier the MUA, the more difficult it is to schedule a shoot. For example, I had scheduled a shoot with a llama and MUA for late March. The shoot was booked with the llama and MUA in early February. The llama was invited to interview with an agency in Chicago on the day of the shoot and postponed with 2-3 days' notice. The MUA suggested we try to reschedule for a Monday in June. At the other extreme, I have managed to schedule a shoot with a llama and MUA with about ten days' notice. Lately I have a "secret weapon" - an MUA who is in a position where she works with many other MUA's, who has offered to help me find an MUA for a specific date/shoot (with a least a week's notice). I can't say why this MUA is in this position without making it very easy for anyone to figure out who she is. Obviously I don't want to go to this MUA too often - so in most cases I try to find another MUA first. May 14 12 08:34 am Link Sometimes you have to accept that the only way to get what you want is to pay for it until you have a portfolio that reflects a certain level of competence that inspires other creatives to want to work with you. Find a temp gig for a few weeks, save up some money and pay someone for their services. May 14 12 10:00 am Link |