Photographer
Eridu
Posts: 623
Boston, Massachusetts, US
Jules NYC wrote: I know this is a hypothetical, but interesting in it, I am a waitress:) If you are a lawyer, then you would have more money to pay me I'd figure. I'm broke but I still adore you.
Model
Jules NYC
Posts: 21617
New York, New York, US
Autonomy II wrote: I'm broke but I still adore you. I never cared about $ Seriously.
Photographer
Craig Allen Studio
Posts: 4307
Tacoma, Washington, US
"Photographers and their rants about costs" I think in most cases the size of the rant is inversely proportional to the lack of talent.
Photographer
Barry Kidd Photography
Posts: 3351
Red Lion, Pennsylvania, US
Robert Helm wrote: Photographers that rant about costs are not charging enough. Guys billing 5 and six figure jobs are not complaining about the cost of their camera. I guess that means me. Well perhaps not. It depends on how you look at it. I never "rant" about cost but I do worry about cost. I never buy toys for the sake of buying toys (Though I would like to.) I have to honestly be able to justify everything I buy and it has to fit into the types of gear that make up the bulk of my income. Everything else is rented here and there if it's needed. I have never made 6 figures for a job. I rarely make 5 figures though I have occasionally. I don't live fancy and I do have to watch my spending but I do survive and love what I do. (Most of the time.) Yes, there are big money 6 figure photographers out there out there but the bulk of them are like me and I most certainly do not undercharge my clients. I never under any circumstances underbid or undercut my fellow photographers. To say that every photographer that does not routinely work 5 and 6 figure jobs is undercharging is a flat out an insult to 99.99% or more of the professional photographers out there that are working to support them selves and their family's. This is the world that we live in. Simple as that.
Photographer
Barry Kidd Photography
Posts: 3351
Red Lion, Pennsylvania, US
SB Glamour Photos wrote: In saying that, your work is only worth as much as someone is willing to pay for it. You have to be worth more than your expenses, otherwise you have wasted your money buying more than you can afford....... or you are the owner of a nice fun hobby! 1. Our work is only worth as much as someone is willing to pay. If we charge more than someone was willing to pay then we have an income of zero. That is when our businesses becomes just a hobby. 2. I was talking about CDB and the fact that CDB must be covered first. I did not say that CDB was the be all and end all of what was charged to the client. 3. I'm sure you knew and understood that but nice just the same.
Photographer
PhotoSeven
Posts: 1194
Pittsburgh, Pennsylvania, US
rp_photo wrote: I am proud of: Being self-taught and spending virtually nothing on education. Doing what I can with "very low 5 figures" worth of gear. Never taking pay. Paying worthy models more and more. "never take pay" so what is your day job?
Photographer
Revenge Photography
Posts: 1905
Horsham, Victoria, Australia
I prefer to just quietly suck at being a photographer
Photographer
Herman Surkis
Posts: 10856
Victoria, British Columbia, Canada
Photographer
Herman Surkis
Posts: 10856
Victoria, British Columbia, Canada
KlassyKlix wrote: Bragging about the cost of equipment seems silly. I don't hear llamas bragging about their expensive clothes. I do.
Photographer
Herman Surkis
Posts: 10856
Victoria, British Columbia, Canada
robert b mitchell wrote: So many egos to contend with. It will never end "the I AM better than you" syndrome. Just take the darn photos. My photos are better then yours, because I use a Nikon. :>)
Model
JessicaB - Model
Posts: 122
Jacksonville, Florida, US
Jules NYC wrote: It does. Annoying when anyone on the team (if there is one) thinks their time is more valuable. It's not that anyone's time is more valuable. It's just that I won't go out of my way for a day off of my day job when the pay isn't worth it.
Photographer
B R U N E S C I
Posts: 25319
Bath, England, United Kingdom
rp_photo wrote: We've all read the rants about how much photographers spend on equipment and software, but the latest I saw also made mention of how they spent almost 6 figures on an education at a questionable local art institute. I'd be impressed... by their stupidity! Just my $0.02 Ciao Stefano www.stefanobrunesci.com
Photographer
KungPaoChic
Posts: 4221
West Palm Beach, Florida, US
Self-taught, university taught, high end gear, Holga nothing really matters but the work.
Model
MichelleGenevieve
Posts: 97
Austin, Texas, US
Ansel Adams was trained as a concert pianist and never spent a dime studying at an art institute or trade school, as far as I know. And from what I can tell his equipment was the standard photo lab setup and large-format cameras (as well as some 35mm and medium format cameras for non-landscape work) in use by photographers working in his genre at the time. Nothing exotic. I'm not minimizing the value of professional training and equipment investment; it's important and useful! But if you want to impress me show me what you can do, not how much you spend.
Photographer
Ken Marcus Studios
Posts: 9421
Las Vegas, Nevada, US
MichelleGenevieve wrote: Ansel Adams was trained as a concert pianist and never spent a dime studying at an art institute or trade school, as far as I know. And from what I can tell his equipment was the standard photo lab setup and large-format cameras (as well as some 35mm and medium format cameras for non-landscape work) in use by photographers working in his genre at the time. Nothing exotic. I'm not minimizing the value of professional training and equipment investment; it's important and useful! But if you want to impress me show me what you can do, not how much you spend. There were no photographic trade schools during his formative years. Ansel spent most of his life teaching and writing books on photographic technique. He was on the staff at Art Center College of Design for many years He believed that a good solid educational foundation in photography was essential. KM
Model
MichelleGenevieve
Posts: 97
Austin, Texas, US
Ken Marcus Studios wrote: He believed that a good solid educational foundation in photography was essential. Oh, so do I! And I apologize if I implied otherwise. As a photographer I also began my career with professional training, and some of my contemporaries have gone on to further their training at other photographic institutes and have become even more successful. I make this point to anyone who says that training isn't important. It is! I do not skimp on either quantity nor quality of the equipment I own. If it will help me achieve a result that I just cannot get with what I have on hand I buy it or build it. But my work really improves because I spend time honing my skills and not simply because I spend money buying more stuff.
Photographer
WIP
Posts: 15973
Cheltenham, England, United Kingdom
KlassyKlix wrote: Bragging about the cost of equipment seems silly. I don't hear models bragging about their expensive clothes. Because they don't buy expensive clothes. Most models wear 'fast fashion'. I didn't spend a $/£ on my photo education but studied at one of the finest institutes for photography. Good old days where education didn't cost. As a bonus it opened doors to assist some of the worlds finest.
Photographer
udor
Posts: 25255
New York, New York, US
GreatMomentsPhotography wrote: I never would think of going to school to learn photography. There is so many books and videos with minimal investment to learn the trade. For my first studio shoot I went to you tube to get a brush on the skill. With the internet and youtube tutorials and the vast amount of photographic literature, adding talent, drive and creativity, you can gather the technical knowledge on your own and become a good or excellent photographer. I utilize some tutorials to close the gaps in my own self taught, informal education. But... when I started photography, in the mid 70's, there was no internet and I started to go to mini workshops at the local community center (in Germany), did internship at the photolab of the largest German tv network and worked there part time for 2 years. I read books, like a great TimeLife series about all aspects of photography... however... at that time, there wasn't even a university degree in photography in Germany (the only one today is "Photo-Design") and it's usually learned via the apprenticeship system in Germany. Although I work as a full time fashion photographer and photojournalist in NYC, which is pretty exciting in itself... I do wish sometimes that I had a formal education in photography in my youth... and I am certain that my path would have been different (not via engineering, financial markets route for almost 2 decades) and more successful, especially financially!
Photographer
Dark Shadows
Posts: 2269
Miami, Florida, US
rp_photo wrote: I am proud of: Never taking pay. That's the only difficult part of photography, getting paid. It's practically an art unto itself. I wouldn't be proud of never making any money.
Photographer
udor
Posts: 25255
New York, New York, US
KlassyKlix wrote: Bragging about the cost of equipment seems silly. I don't hear models bragging about their expensive clothes. Aren't YOU supposed to provide the garments at the shoot??? (Via designer, client?)
Photographer
Vector 38
Posts: 8296
Austin, Texas, US
KlassyKlix wrote: Bragging about the cost of equipment seems silly. I don't hear models bragging about their expensive clothes. well, open your search feature & read to your heart's content: the 'who pays' vs 'who gets paid' rants from both photographers & models have lasted here for years, each side having those feeling they have the most cogent argument for the final say.
Photographer
Vector 38
Posts: 8296
Austin, Texas, US
rp_photo wrote: I am proud of: Being self-taught and spending virtually nothing on education. those of us who've watched you since the start, as those who've read your threads since you came to MMayhem, might recall otherwise how this has worked out over the years ...
rp_photo wrote: I am proud of: Paying worthy models more and more. ... but going forth to imply anyone's being "worthy" simply sets a disappointing new high for you.
Photographer
Rakesh Malik
Posts: 498
New Westminster, British Columbia, Canada
Jules NYC wrote: I know this is a hypothetical, but interesting in it, I am a waitress:) If you are a lawyer, then you would have more money to pay me I'd figure. I'd argue that the lawyer, given what they do and what they offer to society compared to what a waitress offers, the waitress has the more important job. I'd rather have better service than more leeches.
Photographer
Jay Leavitt
Posts: 6745
Las Vegas, Nevada, US
udor wrote: Aren't YOU supposed to provide the garments at the shoot??? (Via designer, client?) I'll gladly buy a bottle of SPF50... the sun here can be harsh.
Photographer
Neil Snape
Posts: 9474
Paris, Île-de-France, France
Brag about why? I certainly haven't read about many doing that. Yet having the best stuff sometimes allows doing things that you cannot without. For example, I've recently added HMI for mixing with daylight for shootings stills or video or both. Or flash that can shoot as fast as your camera can at your highest settings. The uniqueness of your work though cannot scream what what used to make the picture, as it can be nothing more than daylight and a camera.
Photographer
Jay Leavitt
Posts: 6745
Las Vegas, Nevada, US
Neil Snape wrote: Brag about why? Cause my dick is bigger than yours cause I have a 1DX actually I have a T2i.....
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