Forums > Photography Talk > Photographers worrying about lighting setup.

Photographer

Chris Chronos

Posts: 353

Benidorm, Valencia, Spain

In Balance Photography wrote:

Who is starting off with equipment they can't afford?

I think these people are a figment ...

+1
Also who doesn't dream of getting better equipment than the stuff they already have? tongue

The people that can afford it.
The rest of us make do with cheaper solutions and worry that it might not work as well as it could if we had a few extra grand in the bank!

Jul 10 13 07:39 pm Link

Photographer

Mikey McMichaels

Posts: 3356

New York, New York, US

Green Grape Photography wrote:

Read slowly. I never said light was NOT important. I said master the camera settings First.

Shutter, Aperture, ISO,
Speed light
White balance
Rules like inverse square, maybe

instead of buying your first slr then 5 min later buying a $500 strobe set. (if they want to whatever. just saying)

what did i say that was so Off?

How long does it take to master camera settings, 5 minutes?

Slow shutter = blury
Small aperture = deep DoF
Bright light = low ISO
Low light = high ISO

Turn things you don't mind changing, keep the things you want the way you want them and when the meter shows that you're going to have a correct exposure, you're going to have a correct exposure. What else is there learn?

Jul 10 13 07:44 pm Link

Photographer

Jay Farrell

Posts: 13408

Nashville, Tennessee, US

Try leading by example then.

Jul 10 13 07:44 pm Link

Photographer

Tzalam

Posts: 548

Toronto, Ontario, Canada

Photography - drawing with light

I am on my 3DSLR and 6SLR over all

Never read the manual and camera is always set to Manual

Been shooting for almost 27 years.

Learn new camera 30 min
Learn lighting a lifetime

my 2 cents

Jul 10 13 07:56 pm Link

Photographer

Green Grape

Posts: 293

West Paterson, New Jersey, US

Tzalam wrote:
Photography - drawing with light

I am on my 3DSLR and 6SLR over all

Never read the manual and camera is always set to Manual

Been shooting for almost 27 years.

Learn new camera 30 min
Learn lighting a lifetime

my 2 cents

wow you've been doing photography longer than I have been alive

Jul 10 13 08:01 pm Link

Photographer

Leighsphotos

Posts: 3070

Toronto, Ontario, Canada

Azimuth Arts wrote:

I mostly agree with you but he is the OP smile

His reply sounded like he didn't think about his post when he typed it.

If light is light, then any equipment will work, no?

Jul 10 13 08:13 pm Link

Photographer

Green Grape

Posts: 293

West Paterson, New Jersey, US

Leighthenubian wrote:

His reply sounded like he didn't think about his post when he typed it.

If light is light, then any equipment will work, no?

yes! may not last longer than brand names or take a beating but Yes

Jul 10 13 08:15 pm Link

Photographer

BareLight

Posts: 512

Kansas City, Kansas, US

You can learn to control your camera all you want but, if you ignore the possibility of controlling light, you'll always be at the mercy of the light you have.

Jul 10 13 09:34 pm Link

Photographer

Lumatic

Posts: 13750

Brooklyn, New York, US

If all you're concerned with is making a "proper" exposure, then sure, light is light.

Jul 10 13 09:43 pm Link

Photographer

J O H N A L L A N

Posts: 12221

Los Angeles, California, US

Photographers whose primary skill is camera operation, is a big contributor to photography being perceived as a commodity.
Working the camera is basically nothing - it's all about controlling light.
That's the skill to concentrate on.

Jul 10 13 09:43 pm Link

Photographer

FEN RIR Photo

Posts: 725

Westminster, Colorado, US

Tulack wrote:
Here is one of my favorite photographers.

http://500px.com/89205537525

Only natural light. Know your camera, know light, know post. "Cheap" photoshoot every time. Only camera, sometimes reflector.

Those also have a shit ton of post processing.  Camera doesn't have much to do with that either.

Jul 10 13 09:47 pm Link

Photographer

Mike Kelcher

Posts: 13322

Minneapolis, Minnesota, US

I'll try to explain my thoughts on this topic this way....

My camera....

I shoot with a Canon 40d.

I have a few good lenses.


The lighting....
I own 12 Photogenic monolights, all 600w/s, all use the same modeling light and flashtube.

I have 14 light stands, most on wheels.

I have 4 light modifiers in the 6-7' diameter range.

I have 4 strip lights with grids

I have 3 beauty dishes, with grids, diffusion socks, and barn doors.

I have 3 other softboxes of various sizes.

I have a number of metal reflectors (like 7 I think), 3 parabolics, grids for almost everything, plus some snoots, and gels, etc.

I have a spot flash and incident meter, (Minolta Spotmeter 7), an incident meter (Sekonic 358L), a Gossen meter, and 2-3 gray cards.

I have many go-bos, scrims, diffusers, and reflectors of various sizes and colors.

I'm guessing that I've invested 4-5 times as much in lighting equipment as I have in camera related equipment and lenses. Why? Because photography is the recording of.... l  i  g  h  t.  If I properly light a model, even the most inexperienced photographer with an el-cheapo camera would get a good photo.

Jul 10 13 10:00 pm Link

Photographer

I M N Photography

Posts: 2350

Boston, Massachusetts, US

Leighthenubian wrote:
His reply sounded like he didn't think about his post when he typed it.

If light is light, then any equipment will work, no?

Green Grape Photography wrote:
yes! may not last longer than brand names or take a beating but Yes

Wrong.
(I detected a bit of sarcasm in Leighthenubian's comment, by the way).

Sometimes going "cheap" can end up being more expensive in more ways than one, because of multiple purchases or inconsistent lighting results.

There are times when you can get quality equipment at a cheap price, but you should avoid getting cheap equipment, even if you are "just learning." Anyone looking to take on photography "on the cheap" should rethink their hobbies.

Jul 10 13 10:29 pm Link

Photographer

I M N Photography

Posts: 2350

Boston, Massachusetts, US

Tulack wrote:
Here is one of my favorite photographers.

http://500px.com/89205537525

Only natural light. Know your camera, know light, know post. "Cheap" photoshoot every time. Only camera, sometimes reflector.

Nice images, but they stopped being photographs about 2 hours before the very extensive retouch work was completed.

Tulack wrote:
Here is one of my favorite photographers retouchers.
...

Sorry, but there is really no way of knowing if the last part of your
comment is applicable. We don't even know if some of those images are drawings.

Jul 10 13 10:33 pm Link

Photographer

YZF Jeff

Posts: 256

Statesboro, Georgia, US

I'm not sure about the hate on 'strobist' style work, I'm sure off camera lighting didn't magically appear once the 'strobist style' gained popularity. Personally I prefer one light and dramatic shadows instead of using 16 strobes to fill in all the shadows.......

Jul 10 13 10:37 pm Link

Photographer

Al Green XM

Posts: 383

Townsville, Queensland, Australia

Each to their own - go crazy, get creative. Experimenting  with lights - or not - can be part of it.  Individual choice should never be condemned.

Jul 10 13 11:40 pm Link

Photographer

Philipe

Posts: 5302

Pomona, California, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

First off, I always check the camera settings..
Also, anyone one who is picky about lighting (the actual set up) regardless off type of light will always check the camera settings..
Camera settings and light settings go hand in hand..
You can't set up lights with checking your camera settings..

Yes light is light..
But to say, that just because some one has expensive lighting does not mean they do not check their camera.. What makes you assume that?

I also shoot in natural light.

Yes I check the light set up all the time, to try avoid hot spots...
I also check my camera settings..
This photo was taken with a cheap 150 ws plastic strobe, with just barn doors..
https://photos.modelmayhem.com/photos/100812/16/4c6484466c796_m.jpg

and natural light
https://photos.modelmayhem.com/photos/110604/13/4dea92b684ea0_m.jpg

https://photos.modelmayhem.com/photos/110802/18/4e38a69ccb35a_m.jpg

You'll have to guess what picture in my port was taken with profoto lights.

Jul 11 13 12:11 am Link

Photographer

Drew Smith Photography

Posts: 5214

Nottingham, England, United Kingdom

Interesting comments from everyone.

However, it would seem that there are many photographers on MM yet to master their camera controls, let alone lighting. smile

Jul 11 13 12:11 am Link

Photographer

Al Green XM

Posts: 383

Townsville, Queensland, Australia

Drew Smith Photography wrote:
Interesting comments from everyone.

However, it would seem that there are many photographers on MM yet to master their camera controls, let alone lighting. smile

Maybe but momentum creates success - and many here are looking to improve.

Jul 11 13 12:18 am Link

Photographer

Good Egg Productions

Posts: 16713

Orlando, Florida, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

I'll respectfully disagree.

You need to know three things.

Shutter speed
Aperture
ISO setting

Everything else is just fluff.

Light is far more complex and some people will never see it.  Any monkey can operate a camera.  Any person who's used *a* camera is able to use *all* cameras with 30 seconds to discover how to change those three parameters.

Do I REALLY need to know how to make an interval movie from still in-camera?  All I want to do is take a picture.

I pick up a camera and can operate it perfectly within 5 minutes.  But I'll spend the rest of my life hoping to master using and shaping light.



Your advice is misguided.

Jul 11 13 12:27 am Link

Photographer

B R U N E S C I

Posts: 25319

Bath, England, United Kingdom

Green Grape Photography wrote:
Light is Light. (unless quality is also a in interest)

Hmmmm

So quality isn't an interest of yours then?

Green Grape Photography wrote:
I mean, shouldn't photographers master the camera first-then discover how light works?

I set my camera to "P" for professional - what do you do? tongue




Just my $0.02

Ciao
Stefano

www.stefanobrunesci.com

Jul 11 13 12:33 am Link

Photographer

Ash Photographic

Posts: 378

Cirencester, England, United Kingdom

A calibrated monitor also helps.









Ash.

Jul 11 13 01:02 am Link

Photographer

Rik Williams

Posts: 4005

Melbourne, Victoria, Australia

Jay Farrell wrote:
Try leading by example then.

smile

Jul 11 13 01:22 am Link

Photographer

scubie

Posts: 50

Worthing, England, United Kingdom

Lights! four candles-  cheap as chips

https://1.purplecdn.com/i/p/3/302-399532415.jpg?1350564842

Jul 11 13 01:40 am Link

Photographer

Amul La La

Posts: 885

London, England, United Kingdom

Green Grape Photography wrote:
That is was trying to say. know how your camera works first

Thus far, and at this moment in time, all I ever need is inspiration, camera and light (waiting for quality). I use no other tools what so ever with what I'm doing, I guess I'll utilize more tools when they want me to utilize them.

In my opinion, a larger majority of beginners will never initially pick up a camera, and think it is imperative I learn how to see/use light, I doubt that thought will cross many of minds. However my thought is that they will pick up a camera initially and want to fiddle about with it, and more importantly make exposures, how ever they come, however they fall, that's what most will usually do, to me that is the start (making lots of exposures regardless of whether they are completely useless or not).

Then comes the "Fun" part, after however many minutes, hours, days, weeks, months, years, they'll come a point when the beginner in this case is frustrated to a degree, they'll become curious, not just about what they are shooting, or why they are shooting, but what the light is doing, this is when they start realize the worth of light, the lights worth - when they come to this realization, is when they know they need to learn about light, and how to light in part for a relatively desired effect, or a specific desired effect.

That's when you make the transition from happy snapper to photographer.

Jul 11 13 02:05 am Link

Photographer

Mcary

Posts: 1803

Fredericksburg, Virginia, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

Personally I'd suggest they spend their time reading a few good books on basic photography that cover things like composition, lighting and how ISO, Aperture and shutter speed relate to each other.   As for the camera manual as others have stated pretty much the only pages I use are the ones covering setting/changing WB, ISO, aperture, shutter speed and AF if its an AF camera.

Jul 11 13 03:34 am Link

Photographer

udor

Posts: 25255

New York, New York, US

Tulack wrote:
Here is one of my favorite photographers.

http://500px.com/89205537525

Only natural light. Know your camera, know light, know post. "Cheap" photoshoot every time. Only camera, sometimes reflector.

I was curious and it sounded impressive, until I saw only highly manipulated photos into a painterly feel...

Did I miss the "simple" ones?

If you want to compare this "simplicity" to, in my opinion, real simplicity, but kickass photography - in my opinion again - check out Michael Donovan who is frequently disappearing from MM and returns again...

Jul 11 13 04:03 am Link

Photographer

udor

Posts: 25255

New York, New York, US

Leighthenubian wrote:
This

+ I hate the "Strobist" movement. It started out as a way to light images inexpensively and became light everything until no shadows exist.

-JAY- wrote:
I have never seen the "obliterate shadows" mentality of strobists, and I have been following them since David Hobby started the hype... I myself own 16 speedlites, am a devout "lighting on a budget" enthusiast, and typically LOVE shadows.

I agree with Jay!

It was weird reading that the strobist try to obliterate shadows...

In my experience, it's not the strobists who are afraid of shadow, but the regular "light manipulators"... I have said for years that I do enjoy shadows in a photo...

Jul 11 13 04:07 am Link

Photographer

Ruben Sanchez

Posts: 3570

San Antonio, Texas, US

Green Grape Photography wrote:
I mean, shouldn't photographers master the camera first-then discover how light works?

All the new photographers have to do today is put the camera setting on AUTO, and they'll get great photos, with the new cameras available.  Heck, the cameras will even trip the shutter itself when it sees a subject smile, so I don't see a need today for any photographer to learn the camera, other than where the AUTO setting is.

Learning lighting on the other hand will take a lot of testing and learning, to get that right.

Jul 11 13 04:18 am Link

Photographer

Neil Snape

Posts: 9474

Paris, Île-de-France, France

It's better to have lived conquered and retreated, than to stay behind the lines and worry about such trivial stuff.

All I know is M is for mmmmmm is this good? If I put the meter close to where it should be it's usually close enough for making great pictures.

Thankfully have forgotten the days of shooting 8X10 chromes and filtering for 002.5 CC filtering.

Jul 11 13 04:28 am Link

Photographer

Jhono Bashian

Posts: 2464

Cleveland, Ohio, US

M Pandolfo Photography wrote:

Let me ask you this. Who is going to to be further along the curve to attaining excellent photography?

Person A - who has mastered light but has never picked up a dslr? Or, Person B - who has read their manual, "mastered" the technical functions of the camera, but hasn't a clue about using light?

I'm putting my money on Person A.

It doesn't take very long to learn how to use a camera and its functions. Mastering light is far more elusive, something many spend years trying to achieve, and what truly sets apart the great photographers from the "meh."

My vote is for "A"   Its all about seeing the light, kids.....

Jul 11 13 04:30 am Link

Photographer

Revenge Photography

Posts: 1905

Horsham, Victoria, Australia

Green Grape Photography wrote:

That is was trying to say. know how your camera works first

OK that will keep you busy for the first 5 minutes, after that spend years learning light

Jul 11 13 04:34 am Link

Photographer

Mike Collins

Posts: 2880

Orlando, Florida, US

BEst piece of advice I was ever taught was:

"Good exposure does not equal good lighting."

But I do agree, to be a better photographer you do need to understand things like DOF, Field of view, sync speeds, first curtain verses rear curtain, why a wide angle or normal or telephoto may be best, calibrating your hand held meter to your camera for every ISO since they all could be different, when shutter speed or aperture or ISO is more important, when the camera's histogram helps and when it doesn't, when jpeg may be better than raw for some shoots, etc.

Sure I agree there are many who don't know a lot of these things and want to jump into learning lighting.  That's fine, but when your  a pro, you have to know how to solve problems.  Sometimes it's a camera function.  Sometimes it a lighting problem.  Sometimes neither (subject).  But the more educated you are in both areas, the better prepared you are to tackle any problem.

Jul 11 13 05:32 am Link

Photographer

Ezhini

Posts: 1626

Wichita, Kansas, US

Green Grape Photography wrote:
... I mean, shouldn't photographers master the camera first-then discover how light works?

Are not understanding light and understanding camera two sides of the same coin?

When tossing a single sided coin, this question be valid.

Jul 11 13 07:08 am Link

Photographer

Garage Photography

Posts: 273

Calgary, Alberta, Canada

L Bass wrote:

You might want to tweak that to say... 'and a TON of post.' If you know your camera and light... you don't have to know squat about post, unless you're going after totally unrealistic results.

Jul 11 13 07:17 am Link

Photographer

Image Magik

Posts: 1515

Santa Cruz, California, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

Um, actually without light your camera won't work...

Jul 11 13 07:28 am Link

Photographer

Leighsphotos

Posts: 3070

Toronto, Ontario, Canada

udor wrote:

Leighthenubian wrote:
This

+ I hate the "Strobist" movement. It started out as a way to light images inexpensively and became light everything until no shadows exist.

I agree with Jay!

It was weird reading that the strobist try to obliterate shadows...

In my experience, it's not the strobists who are afraid of shadow, but the regular "light manipulators"... I have said for years that I do enjoy shadows in a photo...

Alright don't take it too literally. I was making a general observation based on my experiences.

I once belonged to several "Strobist" groups during my non-pro years working in a couple of different countries.

What I saw were people arriving for the meetups and immediately start setting up tons of speedlites even when there was perfectly good natural light available. Can you imagine that?? setting up aux lighting when there was beautiful sunlight coming through a large window.

Then there was the Flickr groups we would dump all our images from the meetup into...not a single shadow to be seen.

Your mileage may vary of course and I don't presume to direct your artistic vision.

In answer to something else posted by another person: There is a big difference between cheap "Strobist" type equipment and more expensive lighting gear. For starters, color consistency and reliability...and on and on.

Bad lighting is still bad lighting no matter what you choose to use.

Jul 11 13 07:32 am Link

Photographer

EyeCanShoot

Posts: 1198

Orlando, Florida, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

Don't you need light to master your camera? =/


cam·er·a
[kam-er-uh, kam-ruh] Show IPA
noun, plural cam·er·as for 1, 2, cam·er·ae [kam-uh-ree] Show IPA , for 3.
1.
a boxlike device for holding a film or plate sensitive to light, having an aperture controlled by a shutter that, when opened, admits light enabling an object to be focused, usually by means of a lens, on the film or plate, thereby producing a photographic image.

Jul 11 13 07:40 am Link

Photographer

Eyesso

Posts: 1218

Orlando, Florida, US

Green Grape Photography wrote:
Many go nuts over what 'expensive'  lighting equipment to use in order to get the right shot. Not many people are curious of controlling their camera. I always suggest people to read their cameras manual & start off with what they can afford being that Light is Light. (unless quality is also a in interest)

I mean, shouldn't photographers master the camera first-then discover how light works?

Photography IS the study of light.  But it doesn't mean you need to buy light....light is free.  (To the above comment, it's what also makes your EYES work.)  So if you like to see things differently, appreciate details, and light, then a camera will help you capture what you already see. 

Studio is it's own discipline.  Takes lots of practice to be able to do it "perfectly" and if you hang around long enough, you might notice that the people who do it well seem to fall back on that as their specialty....meaning, that's all their portfolio seems to have in it. 

If you are just getting started.....try everything.  Just use a basic flash and get one of those basic plastic softeners that attach to the end.   Technically you just need ONE light to do studio work, I've never used more than one light.  I could, I suppose, I have 3, but I find studio to be kind of tedious and boring, no surprises, only controls and variables.   I like the surprises that ambient light have to offer.

Jul 11 13 07:40 am Link

Photographer

EyeCanShoot

Posts: 1198

Orlando, Florida, US

Image Magik wrote:

Um, actually without light your camera won't work...

Touche

Jul 11 13 07:40 am Link