Forums > Photography Talk > Why is the D800 camera profile so bad in CO7?

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Why is the D800 camera profile so bad in CO7?

Skin tones are VERY unnatural.

While my older Canon 1Ds and Canon 5DII files open quite well at standard settings D800 files look wrong.

If I open my Canon images in Canon's Raw converter, ACR and CO7 all at default setting they look very similar.

If I open d800 files in NX2,ACR and CO7 the NX@ and adobe ACR are quite similar with NX2 looking significantly nicer the
CO7 conversion at default setting looks way off with "brownish" skin tones and patchy skin.

https://farm4.staticflickr.com/3781/12296270314_5706856dfc_z.jpg

The actors true skin tone is what you see in the Nikon shot. He's blond and fair skinned.
If I want a fake tan look like the CO7 conversion I can do easily in post.

Straight RAW conversions should be accurate and natural.

Feb 03 14 04:15 pm Link

Photographer

Worlds Of Water

Posts: 37732

Rancho Cucamonga, California, US

Although the one on the left looks alittle more appealing than the slightly more yellow/red image on the right... I'm thinking your client would probably be happy with either one.  What amazes me is how you captured the EXACT same image at the EXACT same time with two different cameras... OR... are you just opening up the same file with two differnet applications... wink

Feb 03 14 05:13 pm Link

Photographer

790763

Posts: 2747

San Francisco, California, US

I like the image on the left, I think we could agree that if he comes out like a smurf, regardless of what we shoot, we will agree that it is wrong. No real human (without MUA) looks blue, unless lit by blue light.

For a comparison like this, my wrong is your right.

Feb 03 14 06:15 pm Link

Photographer

You Can Call Me Pierre

Posts: 800

Loma Linda, California, US

There are proprietary algorithms in Nikon' software to process its NEF files.

Feb 03 14 06:43 pm Link

Photographer

Robb Mann

Posts: 12327

Baltimore, Maryland, US

Why do people think skin tones should be perfect 'out of the camera'? If you get the limits of imaging sensors and how the temperature of light affects color, you just shoot RAW and adjust. It's easy to come up with a simple workflow to nail skin tones with minimal post processing. Works on my D70, D700, D800, V1or LX-5.

I'm not sure of the OPs workflow, but in 99% of other cases the problem is a result of technique, not hardware. It's just easier to blame hardware.

Feb 03 14 06:50 pm Link

Photographer

Worlds Of Water

Posts: 37732

Rancho Cucamonga, California, US

Feb 03 14 06:53 pm Link

Photographer

Vector One Photography

Posts: 3722

Fort Lauderdale, Florida, US

Everyone except Nikon is guessing at the algorithms used by Nikon. Granted Adobe's guessing is pretty good, there's nothing like knowing the actual ones.  I always use NX2 to open .NEF files and then import into CS.  I've had any problems with accuracy.

Feb 03 14 06:59 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Robb Mann wrote:
Why do people think skin tones should be perfect 'out of the camera'? If you get the limits of imaging sensors and how the temperature of light affects color, you just shoot RAW and adjust. It's easy to come up with a simple workflow to nail skin tones with minimal post processing. Works on my D70, D700, D800, V1or LX-5.

I'm not sure of the OPs workflow, but in 99% of other cases the problem is a result of technique, not hardware. It's just easier to blame hardware.

Robb this is not a technique issue.

What I am seeing is that when I open files in NX2, ACR and other RAW converters I see subtle differences, but accurate skin tones. When I open D800 files in Capture One they do not look natural, what is worse they cannot be corrected to look natural.

However when I open a Canon 1Ds file it looks natural in Capture One and while subtlety different from Canons Raw converter, both look quite natural.

Normally I would not be concerned as I no longer use Capture One much except for when I want to use the color editor skin tone uniformity tool in Capture One.

it would be nice to be able to open the image directly in Capture One so as to use the uniformity slider.

Anyway I used the uniformity slider for some images the other day and due to the weird camera profile of the D800 I convert from RAW in NX2 and then open the file in Capture One to use the uniformity tool only and bring the result back into photoshop as a layer.

It seems to me that Capture One did a shitty job on the d800 profile. Maybe because the 36MP files threatened their lower ed backs?????

What is really wierd is that if withing Capture One instead of using the D800 profile (or the d800E profile) I use the Canon EOS-550 Generic profile and Film extra shadow curve on a D800 file the skin tom looks way better.

Feb 03 14 07:36 pm Link

Photographer

Andrew Thomas Evans

Posts: 24079

Minneapolis, Minnesota, US

Robb Mann wrote:
Why do people think skin tones should be perfect 'out of the camera'? If you get the limits of imaging sensors and how the temperature of light affects color, you just shoot RAW and adjust. It's easy to come up with a simple workflow to nail skin tones with minimal post processing. Works on my D70, D700, D800, V1or LX-5.

I'm not sure of the OPs workflow, but in 99% of other cases the problem is a result of technique, not hardware. It's just easier to blame hardware.

I'm going to start to blame mixed lighting conditions and temps on equipment from now on.

smile



Andrew Thomas Evans
www.andrewthomasevans.com

Feb 03 14 07:46 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

oops

Feb 03 14 08:05 pm Link

Photographer

Jacob in Japan

Posts: 29

Fukuoka, Fukuoka, Japan

Have you checked the default color profile the programs try to open with?

When I tried to open my d800 raw files for the first time, everything defaulted to an adobe 1998 profile.  I guess that's alright if I'm putting my pictures on a sega or nintendo from the 80s.

Feb 03 14 09:59 pm Link

Photographer

DaeNaturals

Posts: 135

Sacramento, California, US

I feel your pain and frustration Fred. I also shoot Raw with a D800.
I have the same prob but in Adobe LR4 and CS5 / ACR
The shadow areas only in skin tones look fine in NX2, actually great; but get more contrasty and almost blotchy in any Adobe software. It's subtle, but noticeable, and drives me nuts.

I'm glad you mentioned it, because I have not heard any complaints anywhere else, including the Nikon forums. Other Nikon photographers I know don't seem to have that problem, or they just haven't noticed.
I just assumed it was something I was doing wrong or missing.

I was hoping maybe the latest versions would have better conversion algorithms but I don't currently have the money to upgrade or try any other Raw converter software; So I have been dealing with retouching when needed.

What's worse: Because of this, I revisited some of my older NEF images, (shot with a D700) and they have the same prob now. I swear they looked fine when in LR3 and CS4 but changed after I upgraded and imported into LR4 and CS5.
I am going to do some comparisons soon.

I think there is something wrong with all the other software NEF conversions.
Unless there is something we are totally missing.

Feb 03 14 10:44 pm Link

Photographer

Christopher Hartman

Posts: 54196

Buena Park, California, US

Jacob in Japan wrote:
Have you checked the default color profile the programs try to open with?

When I tried to open my d800 raw files for the first time, everything defaulted to an adobe 1998 profile.  I guess that's alright if I'm putting my pictures on a sega or nintendo from the 80s.

Adobe RGB 1998 or just Adobe 1998?

Feb 04 14 09:06 am Link

Photographer

L o n d o n F o g

Posts: 7497

London, England, United Kingdom

The D800's skin tones are amongst the worst I have seen, either in ACR or NX2? Even my ancient D200 looks better!

Feb 04 14 02:59 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Here is a reply I got from a Phase One "Crew" staff member.

Re: Why is the D800 camera profile so bad in CO7?
Postby Christian Gr » Tue Feb 04, 2014 9:25 am

I can of course see the difference, but the brown-tinted tone of CO is deliberate choice based on user input. Couple that with the use of the "Extra Shadow" film-curve and you have a very strong combination.

So Phase One made a deliberate choice to brown tint the Phase One ICC profile of the D800 according to Christian Gr

What I don't understand is why the brown tinting for the D800, when other camera profiles that I have used.... several canons, Phase one Backs are accurate with subtle differences compared to other converters.

Feb 04 14 03:10 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

DaeNaturals wrote:
I feel your pain and frustration Fred. I also shoot Raw with a D800.
I have the same prob but in Adobe LR4 and CS5 / ACR
The shadow areas only in skin tones look fine in NX2, actually great; but get more contrasty and almost blotchy in any Adobe software. It's subtle, but noticeable, and drives me nuts.

I see the same thing you are seeing between ACR and NX2, but as you say it's a subtle difference. The difference I'm seeing in Capture One is not subtle.

Canon 1ds converted in Capture One and ACR are very very similar.

Feb 04 14 03:21 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

London Fog wrote:
The D800's skin tones are amongst the worst I have seen, either in ACR or NX2? Even my ancient D200 looks better!

I recall my friends d200 often had red artifacting in the gradint near deep shadows on skin.

Feb 04 14 03:54 pm Link

Photographer

J O H N A L L A N

Posts: 12221

Los Angeles, California, US

Since I can remember, Nikon D70, D300 and now D800e come into LR & C1P a bit on the orange-ish side. Seems to be a Nikon thing.

Feb 04 14 04:25 pm Link

Photographer

R Bruce Duncan

Posts: 1178

Santa Barbara, California, US

In general, I've been more than happy with the my images using LR 4 for D800 conversions:

https://photos.modelmayhem.com/photos/140110/14/52d06e6fc7e66.jpg

That said, I'm old and digital is still sort of a mystery to me.

I will say, though, that I just received my first copy of a book featuring many of my images of Antique/Classic Raceboats, shot with my first digital camera, a D2X.

Virtually all of these were shot on the water, boat-to-boat--in 2005--and the quality, at least to me, is more than impressive.

The auto-focus--I was in a moving boat, shooting a moving boat, sometimes very fast (they're raceboats, remember, and the fastest competitive boats of their respective eras, going as fast as they can) using 2005 Nikon technology, is right on.

I had never seen these images in print, and I'm blown away.

RBD

Feb 04 14 06:51 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Antique Raceboats.... that must be quite a book.

When the photographer is blown away it means he's done a great job.  wink

Feb 04 14 10:50 pm Link

Photographer

Leggy Mountbatten

Posts: 12562

Kansas City, Missouri, US

Does C1 allow you to create your own profiles, like you can with LR?

Feb 05 14 07:49 pm Link

Photographer

Yingwah Productions

Posts: 1557

New York, New York, US

It could be the possibility that capture one is reading the ISO wrong as it looks slightly underexposed? A few measurements have shown the D800 iso100 is actually iso65 or so.

Feb 06 14 04:07 pm Link

Photographer

J O H N A L L A N

Posts: 12221

Los Angeles, California, US

Yingwah Productions wrote:
It could be the possibility that capture one is reading the ISO wrong as it looks slightly underexposed? A few measurements have shown the D800 iso100 is actually iso65 or so.

Could you elaborate on those measurements please. I have noticed C1P behavior to suggest that what you say is true.

Feb 06 14 04:29 pm Link

Photographer

S-a-P

Posts: 232

New York, New York, US

Geez, why are so many commenters being so obtuse or commenting if they are completely ignorant & unhelpful.  You might want to hold off on advice if you do not understand the question.  This is not a technique or lighting issue, the OP is asking about discrepancies in RAW decoders for the same file.  He did not shoot the same photo with two different cameras (face - palm).

That said, OP, every RAW decoder works differently.  For some shots with certain cameras one decoder will be superior to another.  You may find this comparison to be helpful:
http://www.lifeafterphotoshop.com/dxo-v … -pro-best/

Even different process versions of RAW decoders can change an image's appearance significantly.

To my eye, it seems that Capture One is defaulting to converting with more contrast, clarity, vibrance and sharpness.  I am a Lightroom user, but you should be able to at least compensate by changing the default import settings.

Feb 06 14 04:29 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Yingwah Productions wrote:
It could be the possibility that capture one is reading the ISO wrong as it looks slightly underexposed? A few measurements have shown the D800 iso100 is actually iso65 or so.

No it's not an ISO reading error.
Phase One stated to me on another forum that the profile is "brown tinted"

Christian Gr wrote:
I can of course see the difference, but the brown-tinted tone of CO is deliberate choice based on user input.

They are dding contrast and a brown tint to skin tones .... and anything else in the photo that is in the same color range.

I think it has more to do with protecting their digital back market from the D800 than anything else.

BS is certainly not something new to their marketing. Right no they are claiming 14 stops of dynamic range across all ISO settings on the new IQ250 digital back.
That is utter bullshit. Unless the samples we've seen so far are wrong.

Feb 06 14 04:30 pm Link

Photographer

Fashion Beauty Photo

Posts: 954

Lansing, Michigan, US

Leggy Mountbatten wrote:
Does C1 allow you to create your own profiles, like you can with LR?

Good question.

Feb 06 14 08:16 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

No not really. You can save your correction done to a photo as an ICC profile, but as far as I know there is no proper tool for building accurate profiles from targets.

Feb 06 14 09:43 pm Link

Photographer

R.EYE.R

Posts: 3436

Tokyo, Tokyo, Japan

Have a look at MM thread where we were discussing MFD/35mm equivalent. Mescalamba had few good points on conversion.

Feb 07 14 12:55 am Link

Photographer

Dan OMell

Posts: 1415

Charlotte, North Carolina, US

Vector One Photography wrote:
Everyone except Nikon is guessing at the algorithms used by Nikon. Granted Adobe's guessing is pretty good, there's nothing like knowing the actual ones.  I always use NX2 to open .NEF files and then import into CS.  I've had any problems with accuracy.

those algorithms (hardware + software) are reverse-engineerable by interested parties. there are plenty of hackers with a lot of time on their hands and huge ego.
the problem is that mass market doesn't have too strong demand to egg those guys to impress ya.
not every one is so picky, and there is always an easy option to use the proprietary software

Adobe cannot do anything ergonomically reasonable even for their own interface of photoshop brushes for the last 10 years... losing their customers who paint

Feb 07 14 04:55 am Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Just spotted this on another forum:

Quote from: T.Dascalos on Today at 08:16:03 AM
Why do I have that suspicion, that if one uses C1P1 with IQ250 profiles for his D800 or other Sony sensor Dslr, will benefit a lot…?  Lips sealed  Wink

OK wow, excellent tip. Just tried this on some of my D800 files and the results were amazing.

So Phase One comes out with a back with a Sony sensor. They make a profile for it and guess what..... using the IQ250 profile on the Nikon D800 makes the D800 look amazing.

This is rather suspicious.

Could it be that Phase One is protecting it's entry level MFD from d800 competition by using crappy profiles in Capture One...... the likely place where digital back and d800 files would be compared.

Feb 09 14 01:48 pm Link

Photographer

Giacomo Cirrincioni

Posts: 22232

Stamford, Connecticut, US

Fred Greissing wrote:
Just spotted this on another forum:


So Phase One comes out with a back with a Sony sensor. They make a profile for it and guess what..... using the IQ250 profile on the Nikon D800 makes the D800 look amazing.

This is rather suspicious.

Could it be that Phase One is protecting it's entry level MFD from d800 competition by using crappy profiles in Capture One...... the likely place where digital back and d800 files would be compared.

Can you try it and see if you get the same results?

Feb 09 14 08:42 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

Giacomo Cirrincioni wrote:
Can you try it and see if you get the same results?

I tried it. One of the IQ250 profiles is significantly better than the D800 profiles.
Still not as nice as NX2.

Makes me wonder if one can get an IQ250 file into NX2...

Feb 10 14 08:26 am Link

Clothing Designer

GRMACK

Posts: 5436

Bakersfield, California, US

Fred, I was playing around with Profile Inspector  (Link: http://www.color.org/profileinspector.xalter ) and there does seem to be a difference in the Capture One DataBack and their one for the D800.  They make a distinction on their file folders as "DB" and "DSLR" so it was easy to find the ICMs.

Profile Inspector might allow you to save the PhaseOneIQ260-Outdoor Daylight.icm (Didn't see the one you referenced?) to a Nikon one as it does allow you to Save and Modify the ICM to an extent.  Haven't tried it though.

I did find it interesting that some time back when Qimage Ultimate began to print RAW files directly that the converter used for the D800 and D800E were different.  Seems the generic RAW software conversion programmer made the framing different between the two and the Qimage software guy/owner had to change the RAW converter code himself to make the D800E work correctly in Qimage.

I don't think you can beat Capture NX2 for conversion though.  Nikon probably didn't provide much in the way of an SDK for other programmers over what they hold onto.

Does seem the Phase One's Capture wants to make their converter a little better than what the D800 does though.  Very suspicious if they think "Their customers asked for darker orange skin in some feedback poll for the D800."  If true, their backs should be the same, or so I would think.

Feb 10 14 10:09 am Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

GRMACK wrote:
Does seem the Phase One's Capture wants to make their converter a little better than what the D800 does though.  Very suspicious if they think "Their customers asked for darker orange skin in some feedback poll for the D800."  If true, their backs should be the same, or so I would think.

This whole brown-tinted profile is either suspicious or simply rather amaturish.

Starting with a very good and accurate profile it is quite easy in post to give images a  more tanned skin tone if that is desired. It can be done in several ways and it i more controllable and less destructive. All capture One needs to do is have an accurate color profile and include a separate "fake tan" profie.

what is also rally silly about this bad D800 profile is that there are many very beautiful skin tones that are not tanned in the slightest. Fair skin, olive skin and red heads skin does not look nice with the Capture One brown tint effect. The other day I photographed a stunning actress with jet black hair and dramatically white skin with dark eyes. Brown tint profile looked like a uniform coffee stain.

Feb 10 14 11:37 am Link

Photographer

Kelvin Hammond

Posts: 17397

Billings, Montana, US

Fred Greissing wrote:
Robb this is not a technique issue.

What I am seeing is that when I open files in NX2, ACR and other RAW converters I see subtle differences, but accurate skin tones. When I open D800 files in Capture One they do not look natural, what is worse they cannot be corrected to look natural.

However when I open a Canon 1Ds file it looks natural in Capture One and while subtlety different from Canons Raw converter, both look quite natural.

Normally I would not be concerned as I no longer use Capture One much except for when I want to use the color editor skin tone uniformity tool in Capture One.

it would be nice to be able to open the image directly in Capture One so as to use the uniformity slider.

Anyway I used the uniformity slider for some images the other day and due to the weird camera profile of the D800 I convert from RAW in NX2 and then open the file in Capture One to use the uniformity tool only and bring the result back into photoshop as a layer.

It seems to me that Capture One did a shitty job on the d800 profile. Maybe because the 36MP files threatened their lower ed backs?????

What is really wierd is that if withing Capture One instead of using the D800 profile (or the d800E profile) I use the Canon EOS-550 Generic profile and Film extra shadow curve on a D800 file the skin tom looks way better.

I've always struggled with Capture One. It feels like I have to fight it to get to the right color.  Overall, it feels like far more work then using LR5, and for the most part, I want to cut that RAW processing time down as much as possible. When it's on, it's dead on... but I shouldn't have to browbeat it to get there.

Feb 10 14 01:04 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

I'm not the only one that has noticed the fishy business going on with Capture One's profile for the D800.

Take a look at this:

http://www.luminous-landscape.com/forum … 7799;image

Notice how the IQ250 color profile looks much better and how there are more subtle tones in both the sky and in the ground below the cliff.

From this it is very clear that the Capture One D800 profile is deliberately altered (as stated by Phase One 'brown tinted')  and that this is to the determent of IQ from the D800.

Feb 13 14 04:27 pm Link

Photographer

moving pictures

Posts: 679

Paris, Île-de-France, France

Capture One isn't so hot on converting Canon Raw's either.  Especially if Highlight Protect is turned on.

Feb 14 14 07:54 pm Link

Photographer

LA StarShooter

Posts: 2731

Los Angeles, California, US

Interesting and dynamic post, Fred. I tried Capture One-And-the-market but I didn't like its interpretation. On some photos I will open in ViewNX but sometimes Lightroom opens good. I really want the ViewNX view as it matches my LCD view. I am running off that when I work. The very early morning I quickly processed from a commerical shoot some images shot over three minutes. Complex but I had everything the way I wanted when I shot it. A shirt was stained so I cleaned it up but I didn't change exposure or contrast.

I really don't want some user profile impose that messes up fair skin. On one image I opened in Capture one it automatically made it more contrasty and darkened her and it didn't work.

Feb 14 14 08:17 pm Link

Photographer

Jim Lafferty

Posts: 2125

Brooklyn, New York, US

Smedley Whiplash wrote:
I've always struggled with Capture One. It feels like I have to fight it to get to the right color.  Overall, it feels like far more work then using LR5...

I have the opposite experience - Levels in C1Pro is a far better tool than LR's Tone Curve for my work. Love the way C1 handles contrast and saturation, too.

Feb 14 14 08:28 pm Link

Photographer

Fred Greissing

Posts: 6427

Los Angeles, California, US

http://www.luminous-landscape.com/forum … c=87187.40

Interesting that another forum is discussing how bad CO7 profiles for the d800 are.

Feb 14 14 09:56 pm Link