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New Pink Floyd album
Sorry. Waters and Gilmour completed each other contributing to the unique sound. On their own they just two very talented but different musicians. Nov 14 14 05:44 am Link FlirtynFun Photography wrote: That must be quite reassuring, since the crowd is always right. Nov 14 14 09:49 am Link kickfight wrote: actually it must be quite lonely trying to change someone's personal opinion on something as subjective as music. Nov 14 14 01:37 pm Link kickfight wrote: FlirtynFun Photography wrote: I agree. So stop being so lonely while also failing to convert me by invoking argumentum ad populum. Nov 14 14 01:52 pm Link Art Silva wrote: Would have to somewhat agree... BUT... if Gilmore, Watson and Waters could put their differences aside and jam together just one more time... something magical could result. 'The Endless River' has it's moments... but it doesn't quite shine as a total package... Nov 14 14 01:53 pm Link kickfight wrote: Kicking around on a piece of ground in your hometown, waiting for someone or something to show you the way. Nov 14 14 01:55 pm Link kickfight wrote: Justin wrote: Ticking away the moments that make up a dull day Nov 14 14 02:03 pm Link Select Models wrote: i think he's too busy with holmes. Nov 14 14 03:29 pm Link Select Models wrote: GK photo wrote: Yup. Nov 14 14 03:35 pm Link kickfight wrote: You forgot nauseum. Nov 14 14 04:45 pm Link kickfight wrote: Cherrystone wrote: Well, that's one's perma-implied. MM forums are, after all, "all nauseam, all the time!!" Nov 14 14 05:04 pm Link kickfight wrote: Yeah but....some are soooo much better at the nauseam thing, than others. Nov 14 14 06:39 pm Link Cherrystone wrote: True that. Nov 14 14 06:42 pm Link Die hard fan since 1973, Loved the earlier stuff but DSOTM and Wish You Were Here blew my mind. I was confused when I heard the acoustic start to Animals and it took me a few years to grow up and understand it more. The Wall was great but tbh, I never "loved" it. It has great tracks. Comfortably Numb is possibly the best song ever written. Then came Final Cut. Amazing super production, poignant and it speaks to an England I recognise from my past. - Wonderful. I will never thank r W (the live one) for breaking the band. His solo albums are well made but exercises in self delusion. gave G has some good tracks on his solo stuff. The subsequent Floyd albums were good but not Floyd. I saw R W (the live one) at one of the DSOTM concerts in Zurich. It was brilliant. The whole album was the second half of the concert. I couldn't afford to see his Wall concerts in the UK. The reunion songs for charity were amazing and I admit, I cried. Nov 15 14 02:24 am Link GDS Photos wrote: waters' solo records are indeed self-indulgent, but they are still finely crafted musical exercises. and hell, i'd pay for nothing more than his incessant disdain for andrew lloyd webber. but he does have a head as big as that pig that flew above battersea. Nov 15 14 03:08 am Link The snippet that was played on 'Later ....... With Jools Holland' pleased me. On buying it though it does sound very much like Division Bell rejected tracks as opposed to a meaningful release. As has been pointed out above, it is derived from recordings made whilst they were recording The Division Bell. Nov 15 14 07:56 am Link I sampled the tracks on Amazon and thought everything was a take-off on older work. Nov 17 14 11:26 am Link Well, I spent the extra dollars to buy the DVD for its 5.1 DTS audio. I have to say that it is technically well-done. I don't know why more artists don't use 5.1. It seems to me that a lot of the older quadraphonic recordings, such as DSotM, would see a resurgence in sales if they did. I'm still formulating my opinion on its aesthetics, though. At any rate, in terms of the production it's pretty strong; up there with Dark Side of the Moon, Alan Parsons' Turn of a Friendly Card and Peter Gabriel's So. Nov 17 14 04:06 pm Link Tony-S wrote: Are you drawing a distinction between production and content? Nov 17 14 10:50 pm Link No, it's no DSotM in terms of it's aesthetics, that's for sure. But acoustically, it is very well done. I wish they'd redo DSotM in 5.1, though. That would probably be cool if they did it right. Nov 18 14 04:45 pm Link Tony-S wrote: i've had it on sacd for years. it's not all that great in 5.1. the clocks at the beginning of time are basically the highlight of the 5.1 mix. i still like stereo, but i have a great sound system, that is capable of really nice sound-staging on great stereo mixes/mastering. Nov 18 14 05:26 pm Link I thought the SACD was just a 4-channel reproduction of the original quadraphonic production? Nov 18 14 06:23 pm Link Tony-S wrote: nope, 5.1 Nov 18 14 06:37 pm Link GK photo wrote: Well, maybe it was the remastering to 5.1 that screwed it up. That's too bad, at any rate. Nov 18 14 06:39 pm Link Tony-S wrote: it makes for an interesting listen, but i still prefer the stereo mix. Nov 18 14 06:48 pm Link I leave for over a yr, come back n this is the first thread I see. Filled with some of my fav MMers talking about the greatest band ever!!!! Nov 18 14 07:52 pm Link Kozmina wrote: I knew there's a reason I like you. Nov 18 14 08:27 pm Link The more I listen the more I think I have found a top 10 album to have sex to Nov 19 14 08:31 am Link I've decided I like it quite a bit. At loud volume. The 5.1 is really well done and even the 2-channel is great especially with DTS Neo:6 enabled. People say it's just more Division Bell and that's probably a fair assessment. But there's a reason Division Bell made it to number one on the U.S. and UK charts. Nov 26 14 07:24 pm Link |