Forums > Photography Talk > What is the worst studio lighting equipment..

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Serious..

Everyone likes to pipe dream, but most of the folks out here cobbling together equipment can't afford the best..

So when the options are limited by budget..

Which brands and which models should people be running in terror from?

(Dunno, seemed like it might be useful...)

May 28 07 05:04 pm Link

Photographer

David Allen Smith

Posts: 3055

Fayetteville, North Carolina, US

I would avoid Novatron, maybe their new stuff is better with fan cooled heads and bare bulbs, but the 20 year old set I have...  don't bother.

May 28 07 05:06 pm Link

Photographer

BCADULTART

Posts: 2151

Boston, Massachusetts, US

David Allen Smith wrote:
I would avoid Novatron, maybe their new stuff is better with fan cooled heads and bare bulbs, but the 20 year old set I have...  don't bother.

I would second the nom. for the "Worst of the Worst" being Novatron, the only lighting that actually killed someone.

May 28 07 05:09 pm Link

Photographer

Rp-photo

Posts: 42711

Houston, Texas, US

W.G. Rowland wrote:
Which brands and which models should people be running in terror from?

Lowe's, Home Depot?

May 28 07 05:10 pm Link

Photographer

Rik Austin

Posts: 12164

Austin, Texas, US

I got sold Smith-Vector when I was starting out by a local store (no longer in business).  Not very impressed mostly because of lack of accessories.  Have since switched to AB's.  Before anyone screams they may not be the best but price and customer service are hard to beat.

May 28 07 05:11 pm Link

Photographer

NerdDogStudio

Posts: 3100

Fort Wayne, Indiana, US

David Allen Smith wrote:
I would avoid Novatron, maybe their new stuff is better with fan cooled heads and bare bulbs, but the 20 year old set I have...  don't bother.

Frick thats what I've got.

May 28 07 05:30 pm Link

Photographer

John Urban

Posts: 125

Madison, Wisconsin, US

Black and Blue wrote:

Frick thats what I've got.

Doesn't eveyone start out with Novatron?  smile

I did and then moved to Speedotrons.  I would skip the Novatron
step if I was just starting out today and I could afford to.

May 28 07 05:35 pm Link

Photographer

Gil Perron

Posts: 336

Montreal, Quebec, Canada

I think that the list of bad studio lighting tools could be a looong one...  I kinda' think that stuff like AB is not that good either... I like having consitent output and color...but that's just me.

May 28 07 05:36 pm Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

I'm cheaper than AB's.. (Mono's seemed so much smarter than packs before I bought them.. Now I'd kill to be able to charge and set from one spot.. Ah well)..

I'm using Flashpoint II's.. Cheaper than AB's even..  (i.e. junk lights)..  They're solid..  They work (except when the power blows out... Er, long story..)

But getting modifiers for them is a bitch.. So I'd highly recommend staying away..

May 28 07 05:37 pm Link

Photographer

Christopher Hartman

Posts: 54196

Buena Park, California, US

W.G. Rowland wrote:
Serious..

Everyone likes to pipe dream, but most of the folks out here cobbling together equipment can't afford the best..

So when the options are limited by budget..

Which brands and which models should people be running in terror from?

(Dunno, seemed like it might be useful...)

My first experience was with Britek.  Hated them!! hate hate hate hate!

May 28 07 05:38 pm Link

Photographer

Lucas Chapman

Posts: 6129

Scottsdale, Arizona, US

Black and Blue wrote:

Frick thats what I've got.

I had a Novatron V600 kit for many years.. never missed a beat.  My only complaint was the way the lamp cords curled up and twisted over time, but they worked flawlessly.

May 28 07 05:39 pm Link

Photographer

Robert Sanders

Posts: 905

Los Angeles, California, US

ABs

May 28 07 05:39 pm Link

Photographer

M Pandolfo Photography

Posts: 12117

Tampa, Florida, US

I'd have to go with Smith Vector first...followed by Britek a close second.

May 28 07 05:41 pm Link

Photographer

215 Studios

Posts: 3453

Center Point, Texas, US

What ever breaks in the middle of my using it.  It's usually total crap.  Well, if not then, it is by the time I back over it with my truck a few times...  Yes, I have anger management issues.

-Major

May 28 07 05:41 pm Link

Photographer

David Allen Smith

Posts: 3055

Fayetteville, North Carolina, US

My only real complaint with Novatron is the lack of good modifiers and output control.


I have a 20 year old 1600ws kit with all original flash bulbs, and even one original modeling light. The thing will put out light and keep on trucking.

Hell, it's only started burning once during a shoot!

Another photographer I know has a newer Novatron 1000ws pack that has exploded twice in as many years.




Yeah, I won't be shopping with them again.

May 28 07 05:45 pm Link

Photographer

Jonathan Cain

Posts: 463

Baton Rouge, Louisiana, US

My lighting rig... yay for low budget... walmart lamps and ge reveal light bulbs( beats the regulars for that yellow tint hehe)

May 28 07 05:49 pm Link

Photographer

Joe Alcantar

Posts: 438

Beaumont, California, US

Black and Blue wrote:

Frick thats what I've got.

-
Me too and they work fine.  Depends on the application, if it works for you stay with it till you can move on to something else. 
-
Mobil lights are cheap JTL's, but they get the job done for now.
-
Buy what you can afford and learn to use them well.

May 28 07 05:54 pm Link

Photographer

LightWerks

Posts: 4

Winnipeg, Manitoba, Canada

what kind of lighting will suit you the best? are you looking for a location kit, or something a little more 'stationary'? 19 years ago, i bit the bullet and bought four Photogenic Studiomaster II's...the BEST money i've ever spent, in retrospect. i've looked at it as an investment, and requiring only minor, and i mean MINOR service in 18 years. hell, i'm still using the ORIGINAL flashtubes! they are well-built, heavy studio units that DON'T like to travel (thus the long tube life...), but my next choice for a location kit would be Speedotron Blacklines. look at your lighting as an investment if you plan to be doing this for any length of time. availability to accessories and modifiers are a HUGE consideration in your prosepective purchase.

May 28 07 06:01 pm Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Finelight wrote:
what kind of lighting will suit you the best? are you looking for a location kit, or something a little more 'stationary'? 19 years ago, i bit the bullet and bought four Photogenic Studiomaster II's...the BEST money i've ever spent, in retrospect. i've looked at it as an investment, and requiring only minor, and i mean MINOR service in 18 years. hell, i'm still using the ORIGINAL flashtubes! they are well-built, heavy studio units that DON'T like to travel (thus the long tube life...), but my next choice for a location kit would be Speedotron Blacklines. look at your lighting as an investment if you plan to be doing this for any length of time. availability to accessories and modifiers are a HUGE consideration in your prosepective purchase.

I'm not buying anything.. We're talking about BAD lights.. To warn potential buyers what to avoid.. Because, um, anecdotal evidence is everything.. *shrug*

May 28 07 06:04 pm Link

Photographer

LightWerks

Posts: 4

Winnipeg, Manitoba, Canada

sorry....misunderstood.

May 28 07 06:08 pm Link

Photographer

Lorin A Edmonds

Posts: 1181

Eugene, Oregon, US

A Balcar unit tried to kill after it was turned off and discharged while I was changing a burnt out flash tube. the on off switch was defective.

I sold Normans many years ago and they had a 30% failure rate within two weeks.

May 28 07 06:09 pm Link

Photographer

LightWerks

Posts: 4

Winnipeg, Manitoba, Canada

...i guess i haven't had many bad lighting experiences....thankfully.

=^)

May 28 07 06:10 pm Link

Photographer

D Geoffrey Hill

Posts: 995

Los Angeles, California, US

I shot "Court TV" ,for the network "court tv",with novatron hot lights....they worked good and I still use them for documentary work when I travel to remote locations where I worry that somebody might steal the gear or drop it or whatever..... less value to lose....

GEOF

May 28 07 06:13 pm Link

Photographer

Max Bloom

Posts: 1241

San Francisco, California, US

Worst lighting are the generic chinese-made lights on ebay, and the re-branded ones such as interfit. JTL and Smith Victor aren't so hot either. And I second the "old novatron" thing.

May 28 07 06:13 pm Link

Photographer

SANTI

Posts: 4

Nagoya, Aichi, Japan

Finelight wrote:
what kind of lighting will suit you the best? are you looking for a location kit, or something a little more 'stationary'? 19 years ago, i bit the bullet and bought four Photogenic Studiomaster II's...the BEST money i've ever spent, in retrospect. i've looked at it as an investment, and requiring only minor, and i mean MINOR service in 18 years. hell, i'm still using the ORIGINAL flashtubes! they are well-built, heavy studio units that DON'T like to travel (thus the long tube life...), but my next choice for a location kit would be Speedotron Blacklines. look at your lighting as an investment if you plan to be doing this for any length of time. availability to accessories and modifiers are a HUGE consideration in your prosepective purchase.

so what's a good location kit?

May 28 07 07:55 pm Link

Photographer

San Francisco Nudes

Posts: 2910

Novato, California, US

I'd say indoor use of Tiki torches would be an extremely bad lighting idea.

May 28 07 08:40 pm Link

Photographer

Madcrow Photographics

Posts: 7805

Boston, Massachusetts, US

Pop up flash is, without a doubt, the absolute worst...

May 28 07 09:02 pm Link

Photographer

PK Digital Imaging

Posts: 3084

Vancouver, British Columbia, Canada

OPUS... barf!

-PKD

May 28 07 09:38 pm Link

Photographer

slave to the lens

Posts: 9078

Woodland Hills, California, US

Madcrow Studios wrote:
Pop up flash is, without a doubt, the absolute worst...

Wow, I laughed.. and agree.

I have 2 lowel totas, an omni and a beatup DP. Great for lots of things if you don't mind the warmth, and snoots and barndoors etc are plentiful on the used market. All of these were bought pice by piece with used stands at flea markets/photo swapmeets for less than 400 total. They all hold umbrellas, and Chimera makes a speedring if you want to upgrade. The totas can be stacked on top of eachother.

What Ive been digging recently, I'm not in the least ashamed to admit...

Dynaphos. Photoflex knockoff tungsten lighting from ebay. watch the auctions , buy during the week. Amvona. where else can you buy a 1000w hotlight with a 36x48 softbox (with baffles and multiple  internal diffusion , and fabric that hold the heat well.) It comes with a few bulbs as well. DON'T buy from the Amvona store. Don't buy if quick shipping or customer service is an issue.

couple the above with a well made homemade 1k dimmer or used variac, and you have a pretty versatile softbox/ large throw / decent sized lightbank for under 150.

I have 3 of those, 1 gridmounted on the rafters with a constant cooling fan hardwired in. also wired to a wall mount dimmer ( all cheap and easy to make) If I want dramatic top lighting or soft ambient fill from above. Add an arm to the baby plate and I can bring it to just above camera level and point it forward.  a homemade trashcan snoot creates a tasty circle.

May 28 07 10:00 pm Link

Photographer

slave to the lens

Posts: 9078

Woodland Hills, California, US

ED Edmonds wrote:
A Balcar unit tried to kill after it was turned off and discharged while I was changing a burnt out flash tube. the on off switch was defective.

I sold Normans many years ago and they had a 30% failure rate within two weeks.

Doesn't the capacitor in most flashes hold a charge? My comets tried killing me plenty o' times.. just to remind me to discharge the remaining "pop" before fiddling with it... Maybe it's just Comets... hmm. Add comet to the list ( though they were actually rocking strobes for the price)

May 28 07 10:10 pm Link

Photographer

R Michael Walker

Posts: 11987

Costa Mesa, California, US

David Allen Smith wrote:
I would avoid Novatron, maybe their new stuff is better with fan cooled heads and bare bulbs, but the 20 year old set I have...  don't bother.

So it lasted 20 years and you're bitching? mine lasted 15 years and not a hitch. I even sold it used for a good chunk of change and 2 years later that guy is still happy with it. He asked me about the new stuff not working with his old pack..new extra grounding pin..but you can get an adapter for $20. I praise Novatron for years of great commercial use.

David Allen Smith wrote:
My only real complaint with Novatron is the lack of good modifiers and output control.

So i had 3 different grids a long and short snoot a honeycomb, grids for the snoots and 4 door barndoors. i had flexible flag holders and a bunch of other stuff..and with the mounting ring you can put most softboxes, starfish and what ever you want on them..i think you must have been mislead??? packs were 2 stop reducing and the heads were too. if that's not enough then use the clip on gel holder to ND the lights or just diffuse them more or stick them in an umbrella. I think I even had a focusing (lico) attachment for them. Sold it all a few years back when I was heavily investing in more hot lights.

May 28 07 10:10 pm Link

Photographer

Robert Sanders

Posts: 905

Los Angeles, California, US

Madcrow Studios wrote:
Pop up flash is, without a doubt, the absolute worst...

Actually the pop up can be pretty cool.  You have to know how much to cover with your finger to adjust to the amount of shutter drag... a bit of a hit and miss, but it is very productive and always available.  Both of these shots were used in advertising, the Icon shot was for an ad for the Icon glove and the Timmy Woods handbag was on the street in Vegas.  Both shots involved a time exposure with only flash from the pop up.  I would put my finger over the lens of the flash knocking it down about 50% so the ambient would burn in... fun.

https://www.fetishphotobox.com/x/motionParis.jpg

https://www.fetishphotobox.com/x/IconStrtBike_sRGB.jpg

May 28 07 10:29 pm Link

Photographer

LeWhite

Posts: 2038

Los Angeles, California, US

Norman p2000d bullet proof norman sl800 bullet ridden!

May 28 07 10:29 pm Link

Photographer

LeWhite

Posts: 2038

Los Angeles, California, US

Norman p2000d bullet proof, norman sl800 bullet ridden! WTF double again?

May 28 07 10:29 pm Link

Photographer

john knight

Posts: 451

Farmington, New Mexico, US

Britek!

May 28 07 10:34 pm Link

Photographer

Robert Sanders

Posts: 905

Los Angeles, California, US

The Vast Difference wrote:

so what's a good location kit?

Hensel.

May 28 07 10:34 pm Link

Photographer

Darkroomist

Posts: 2097

Saginaw, Michigan, US

Novatrons are fine if you remember and obey the (many) rules.  Like don't pull a light's plug out of the pack unless the pack has been discharged; always make sure one full power light is plugged into the unit (not just -1, -2 stop lights); never flip a power selction switch on a plugged in light with the pack charged; and always adhere to the instructions on the power selection switch.  A nice thing about Novatrons is that they're dirt cheap and even the oldest pack I have uses a less than 6v sync voltage.  My first lighting setup was a Novaton 444HDX with 3 heads and accessories and stands for $250.  Another positive is that they're easy to repair and parts are cheap.  It definitely got my foot in the door and served my purposes until I figured out what I wanted in a lighting system and went with Balcar.  I hear the Novatron monolights are great but more pricey.

Balcar's are great too, I've never had any of mine try and kill me.  After the Novatrons they seem like a breeze to operate.  Balcar systems are rediculously powerful for their price on the used market.  You will need a safe sync, or radio trigger with pretty much all of them.  Repairs and parts for Balcar equipment is about 2-4x that of Novatrons.

I had a older Bowens can light and I'd say to avoid these.  The replacement tubes are incredibly expensive if you can even find them and their sync voltage is extremely high.  I wasn't a big fan of their yoke mounting system either.

-James

May 28 07 10:47 pm Link

Photographer

Hana Mohalo

Posts: 25

Charleston, South Carolina, US

So what studio lights would a budget starter get? I have a budget of ummm 8 dollars (well more then that but I'm so starving artist) and making a fairly DIY studio from the pool house in my backyard, I need good price studio lights that AREN'T the worst!!

-Hana

May 28 07 10:48 pm Link

Photographer

dDavid

Posts: 616

Detroit, Michigan, US

LeWhite wrote:
Norman p200d bullet proof norman sl800 bullet ridden!

what's wrong with your P-2000D? I have a few that worked great for years, tons of uncontrollable power, but they were bullet proof. I haven't used them in a long time and now use Profoto.

D

May 28 07 11:46 pm Link

Photographer

Studio B

Posts: 654

Newport News, Virginia, US

215 Studios wrote:
What ever breaks in the middle of my using it.  It's usually total crap.  Well, if not then, it is by the time I back over it with my truck a few times...  Yes, I have anger management issues.

-Major

Sooo, I guess you expect the equipment to break while you weren't using it???

May 28 07 11:52 pm Link