Forums > General Industry > Objectification of women in photography.

Photographer

Merlinpix

Posts: 7118

Farmingdale, New York, US

What a great thread...I'll be back as soon as I make more popcorn.

Dec 28 05 01:45 am Link

Photographer

Lost Coast Photo

Posts: 2691

Ferndale, California, US

I did encounter the objectification issue often with an earlier generation of models, those who came of age in the 70s; my radical feminist friend Lisa in particular would challenge me on this all the time, even though she did model for me and was an art model in her earlier starving artist days.

The current generation of models seems to have a completely different take on this, which I can only describe as an understanding that, even though they take what superficially appears to be a more passive role in creating a typical photograph, they in fact exercise a great deal of control.  If they hadn't agreed to pose, then the image could not  exist; then, they choose what to wear (or not), how much of their emotional selves to bring to the surface, and so much more.  I'm actually hoping a model will step up and tell us more about this, until I have a chance to talk in greater detail with a few of my favorite muses.

But I think one difference is that in earlier years, I occasionally encountered women who, in trying to extend their freedom and equality, were willing to get a little combative at times.  They rejected existing roles, but hadn't really formulated a viable alternative yet, or at least they were still finding the edges of a hastily-carved, untested, somewhat narrow, and poorly defined new role.  Rebellion, of necessity, came first.  Creating a replacement set of values took much longer.  Today, it seems that women in the U.S. enjoy at least some additional level of freedom, recognize that they do indeed have choices on how to present themselves to the world, and as a result are able to be more self-confident.

I've largely avoided this dilemma at least in recent years because what I do is provide a connection... I take viewers inside a subculture that might otherwise be closed to them.  Sure, I prefer to photograph women, who even though I rarely ask tend to wear little or nothing; I make no apologies for that.  Certainly I bring my own way of seeing, my own biases, my own context.  But I work within corners of society which play by their own rules, create their own unique identities, and to some extent I document, and let the end viewer be the judge.

Dec 28 05 01:53 am Link

Photographer

William Kious

Posts: 8842

Delphos, Ohio, US

Photography is a funny thing in that objectification is the essence of the art.  If a photograph fails to objectify something - be it animal, vegetable or mineral - the frame will be quite boring (all white or all black.)

I've heard this argument from a few women in my life - that taking pictures of naked women constitutes objectification - but I disagree.  There's a difference between objectifying women and exploiting them, and I think much of feminist theory overlooks that distinction.  Of course, sometimes it's virtually impossible to tell the difference.

I took a look at your port, D. Brian Nelson - from my point of view, a couple of your images do lean toward being exploitative.  However, that's just my opinion.

Dec 28 05 02:14 am Link

Photographer

64318

Posts: 1638

San Anselmo, California, US

ART is basically the creation of subjective ideas into an objective medium. If the personification of pulchritude is an affront to some feminists it would seem to me they have a definite problem. If I or you create a beautiful picture of a gorgeous woman and it produces a "reaction" usually of admiration  or a hunger to gaze on this depiction of  beauty, or even if  its sometimes  a work that  incites  fear, disgust, anger, revolt or quite the opposite  the fact that it has produced a reaction an emotion makes it  real  ART. Conversely if a picture leaves you with "blahs "/ an indifferent feeling it is essentially a failed piece of work.  Whether taking female images is exploitation...if those images are blatantly crass , without any subtlety, and are pure unadulterated porn we venture into the realms of immature Peeping Tomism, or perverse sexuality and kink. And this is really taking advantage of interests in perversion or the para normal, if there is such a category, and I can understand that this could cause repressed indignity or even anger to many,   especially female viewers.  Conversely Generations  of  Artists from Botticelli , Rubens, Poussin --To present day Artists  like Helmut Newton, Mapletorpe have used the human female form to portray its beauty and variance. Then we we examine  the work of Ruth Bernhard and compare it to Diane Arbus, both female artists we catch a glimmer of the very different  subjective views on female sexuality exploitation. There are so many variances on this subject,  that I for one cannot formulate a clear conclusion.

Dec 28 05 02:45 am Link

Photographer

Webspinner Studios

Posts: 6964

Ann Arbor, Michigan, US

THere is lots of good stuff here...but i am too sleepy to properly respond. But, I will be back tomorrow.

Dec 28 05 04:14 am Link

Photographer

Rick Edwards

Posts: 6185

Wilmington, Delaware, US

mphot wrote:
There are so many variances on this subject,  that I for one cannot formulate a clear conclusion.

I'm gonna get a little "Zen-ny" here (zenesque??)
But I think the lack of clear conclusion is the clear conclusion.  If the pursuit of any art reaches a "final" conclusion, then the journey is over and if you ask most people who do art, finishing one "object" (I agree with the other earlier post that art is the objectification of the subjective) hopefully leads to another and another and so on.
I hope I never fully figure out why I do it, I just hope I continue to enjoy the doing.
Ah, the sound of one hand clapping.

Dec 28 05 11:07 am Link

Photographer

StMarc

Posts: 2959

Chicago, Illinois, US

I did a shoot once with a woman who really didn't want to be a model - she is a professional dancer (so of course I met her waiting tables at the restaurant next to my studio. smile ) But she is SO gorgeous that I just wouldn't give in and eventually she did a set with me.

Pics were great, and we had a good time. But what she said when we were done was, "That was very liberating."

Take that, "objectification" whiners. smile

M

Dec 28 05 12:28 pm Link

Model

Mayanlee

Posts: 3560

New City, New York, US

I have yet to be convinced by any of the nay-sayers that objectification is necessarily a bad thing...

Dec 28 05 12:40 pm Link

Photographer

Lost Coast Photo

Posts: 2691

Ferndale, California, US

Sanders McNew wrote:
This is a subject dear to me.  One of the reasons I find glamour and lingerie photography troubling is the way it reduces its subjects to pieces in the photographer's fantasy.

That might be because if you look at random online glam and lingerie photos, what you're mostly seeing is lowest common denominator stuff.  These are photographers who, for the most part, have never asked themselves why they do what they do, who either pander to a mass market mentality or to their own rather simplistic fantasies generated by the mass media.

But those aren't the photographers (or models) taking part in the current thread.  As an example of what is possible, look at the lingerie work of say, Jeanloup Sieff; not quite the same thing.  His women may very well be objectified, but they are beautiful in and of themselves, and the images radiate feeling, emotion.  There's a beauty beyond that of simply the woman or the clothing, it's a synthesis which includes those things and the light, the composition, and intangibles beyond words.  They are photos with something to say, in a language all their own.

Dec 28 05 01:00 pm Link

Photographer

D. Brian Nelson

Posts: 5477

Rapid City, South Dakota, US

Mayanlee wrote:
I have yet to be convinced by any of the nay-sayers that objectification is necessarily a bad thing...

OK, I like your attitude too.  My own background is conservative but my current position on almost everything is libertarian.  Cause no harm, make no threats, let me do as I wish with myself and my stuff, and leave me alone.  I'll do the same.

Objectification is necessary.  Making a photograph is almost the definition of objectification.  I won't argue that point.  I also idealize.  The problem is whether idealizing a model into another person causes harm to the model.  The answer is "of course not."   Models play roles that do not describe who they are - that's the nature of most modeling. 

But if I consider my photographs to be portraits of people (and I do), rather than created stories, is idealizing a portrait sitter...that is, making them different than who they are...taking too much liberty with who they really are?

OK, that's the specific question as it applies to me.  I don't think my original question applies well to those who do fantasy work, commercial photography, or anything where the end image isn't supposed to describe a specific person.  And I think that point is very well made by many posters.

-Don

Dec 28 05 02:49 pm Link

Photographer

images by elahi

Posts: 2523

Atlanta, Georgia, US

As a film student in school focusing on film theory and screenwriting, this was one of the continual topics of research for me related to Feudian psychology and feminist film theory. My short response for now:

is objectification necessarily sexualization?

and is sexualization necessarily, and innately, degrading and subjugating?

Dec 28 05 11:33 pm Link

Photographer

Glen Berry

Posts: 2797

Huntington, West Virginia, US

Let me try this again:

If you create a photograph of a person, are you objectifying the person, or are you actually personifying what was formerly a blank piece of paper?

Dec 29 05 12:05 am Link

Photographer

William Kious

Posts: 8842

Delphos, Ohio, US

Glen Berry wrote:
If you create a photograph of a person, are you objectifying the person, or are you actually personifying what was formerly a blank piece of paper?

The person.

Dec 29 05 12:36 am Link

Photographer

J C ModeFotografie

Posts: 14718

Los Angeles, California, US

You say that like it's a bad thing.

Dec 29 05 03:07 am Link

Model

Mayanlee

Posts: 3560

New City, New York, US

images by elahi wrote:
As a film student in school focusing on film theory and screenwriting, this was one of the continual topics of research for me related to Feudian psychology and feminist film theory. My short response for now:

is objectification necessarily sexualization?

and is sexualization necessarily, and innately, degrading and subjugating?

Oh, for pete's sake....

No and no, unless you want it to be. Then I would argue that it's your treatment of the subject matter that creates the degredation (if you really must call it that).

How about objectification as in exaltation? Exaltation as in raising and looking up to? Can any of us wrap our heads around that concept?

Dec 29 05 06:06 am Link

Photographer

Kentsoul

Posts: 9739

Pittsburgh, Pennsylvania, US

Mayanlee wrote:
How about objectification as in exaltation? Exaltation as in raising and looking up to? Can any of us wrap our heads around that concept?

I certainly can...and do everytime I press the shutter.  I'm glad someone as brilliant as you is here to put concepts like this in terms we can all understand.

Dec 29 05 06:36 am Link

Photographer

former_mm_user

Posts: 5521

New York, New York, US

i've had this argument ad nauseum with an aggressive man-hater friend of mine (not a feminist, just a man-hater - big difference), and i think that it is too specific to be useful.  is a model 'objectified'?  of course, but so is the garbage man, database administrator, president, chimney sweeper, santa claus, etc. 

to objectify is to present as an object.  anyone with any social function is objectified.

Dec 29 05 07:22 am Link

Photographer

Jeff Fiore

Posts: 9225

Brooklyn, New York, US

Mayanlee wrote:
I have yet to be convinced by any of the nay-sayers that objectification is necessarily a bad thing...

Mayanlee wrote:
Oh, for pete's sake....

No and no, unless you want it to be. Then I would argue that it's your treatment of the subject matter that creates the degredation (if you really must call it that).

How about objectification as in exaltation? Exaltation as in raising and looking up to? Can any of us wrap our heads around that concept?

Voice of reason. When I photograph a woman, my goal is to bring out the beauty and sensuality of the female. Objectification? Yes, by definition. Am I degrading women by trying to capture their sensuality? THAT depends on the viewpoint of the viewer. I totally agree with Mayan Lee, exaltation of the female is always my goal - even if it is considered objectification. If people feel that my work exploits women then they don't understand my work or my goal. Artists for centuries exalted women in their paintings, why would photography be different.

My question is, would you consider the work of Mayan Lee or  Jeffrey Scott objectification? Some how I don't think Mayan Lee or Jeffrey Scott would care what you think, the work stands as it is and viewers can interpret it any way they want. I certainly don't care what anyone thinks of my work, it stands as it is, a testament to women. If anyone feels differently about it - that's their problem.

Dec 29 05 07:48 am Link

Photographer

groupw

Posts: 521

Maricopa, Arizona, US

I kept coming back to this thread and wanted to reply...but Mayan Lee just said in 6 sentences what would have taken me multiple paragraphs. Thank you!

Dec 29 05 08:34 am Link

Photographer

Glen Berry

Posts: 2797

Huntington, West Virginia, US

Glen Berry wrote:
If you create a photograph of a person, are you objectifying the person, or are you actually personifying what was formerly a blank piece of paper?

William Kious wrote:
The person.

That's totally backwards from what really happens.

You haven't changed the person whatsoever, but you have definitely altered the paper when you put a person's likeness on it. You are personifying a piece of paper, by assigning it human attributes (putting a human likeness on it.)

Furthermore, I submit that objectification is a process which only takes place in the human mind--not in the camera. Simply taking a photograph of a person does not objectify them. It is a byproduct of a person's thought process, which considers the person depicted in the photo to be like an object or impersonal, which objectifies that person.

For those people which confuse an image with a person, I suggest reading this page for starters:

http://en.wikipedia.org/wiki/Ren%C3%A9_Magritte

A photograph of a person is not a person. You can take as many photographs of a person as you like, and you haven't changed the person one bit. You haven't turned that person into anything different than what they were before the photos were taken.

It's only when a human mind looks at those photographs and somehow "confuses" the image with the actual person, that objectification can take place inside the mind.



take care,
Glen

Dec 29 05 12:48 pm Link

Photographer

William Kious

Posts: 8842

Delphos, Ohio, US

Glen Berry wrote:
You haven't changed the person whatsoever, but you have definitely altered the paper when you put a person's likeness on it. You are personifying a piece of paper, by assigning it human attributes (putting a human likeness on it.)

I think you are over-thinking things a bit.  You can't give the paper human attributes - you are only capturing a static two-dimensional image.  To personify the paper, you would have to make it do something people do (like talk, walk or reason.)

Glen Berry wrote:
Furthermore, I submit that objectification is a process which only takes place in the human mind--not in the camera. Simply taking a photograph of a person does not objectify them. It is a byproduct of a person's thought process, which considers the person depicted in the photo to be like an object or impersonal, which objectifies that person.

On a very basic level, if you objectify, you are treating a human being as an object.  Capturing a person's image in a picture is the essence of turning the living, breathing human into a static object.  The same can be said on the psychological, internal level.  A photograph is an object that represents a living thing.

Glen Berry wrote:
A photograph of a person is not a person. You can take as many photographs of a person as you like, and you haven't changed the person one bit. You haven't turned that person into anything different than what they were before the photos were taken.

It's representational of the person.  There are cultures who believe that taking a human's picture steals part of his/her soul.  Haven't you had someone say, "Do I really look like that?" after seeing a picture you took?  You are changing their self-perceptions with a photo.  Hell, I could argue that taking pictures of a beautiful model makes her more conceited (just for the sake of argument.) 

Glen Berry wrote:
It's only when a human mind looks at those photographs and somehow "confuses" the image with the actual person, that objectification can take place inside the mind.

Who "confuses" a picture with the actual person?  Furthermore, how can the observer confuse a picture with the actual person if he/she has never seen the person represented in the photograph?

One more thing - you can't count on Wikipedia as a definitive source of information.  I've seen things on there that are wildly inaccurate.

Dec 30 05 01:53 pm Link

Model

Suzi

Posts: 483

Toledo, Ohio, US

I haven't read this thread until now and, boy, was I missing out.  There are so many great points that are being made.

I like what William said:  there is a difference between objectifying and exploiting women.

Dec 30 05 02:17 pm Link

Photographer

commart

Posts: 6078

Hagerstown, Maryland, US

I don't think my original question applies well to those who do fantasy work, commercial photography, or anything where the end image isn't supposed to describe a specific person.

Your question not only applies, it may be the most important question of all in fiction: does the author care about -- breath through, live with, die with -- his characters?  Advertising copywriting may be kind of funny as regards its relationship to fiction, but whether tapping the comic or tragic in our lives, it speaks to both the common in living and the universal.  That's how it works: we buy into representations or express ourselves through associated objects.  Constantly.

Empathy and story-telling imagination and sense make fiction -- writing of all sorts, really -- possible.  Visual arts have design and sense (sensual) components that have the power to divorce the influence of culture and story from the pure enjoyment of arrangement and form--that take in photography, the black-and-white enshadowed torso, strikes me as far more "objectifying" (because there is nothing of person or identity in it) than the general run of beauty, erotic, health, fetish, fitness, and glamour work, which often have running through them the pride of healthy animals, an attribute I find virtuous in humans.

Dec 30 05 10:03 pm Link

Model

Vera Moore

Posts: 2

Santa Barbara, California, US

Merlinpix wrote:
What a great thread...I'll be back as soon as I make more popcorn.

haha Nice.  I think the real issue of objectification on women is that it is everywhere, almost a bit too much.  If men and women were both objectified the same amount it wouldn't be as big of a deal. Objectification of women just stems from the whole women not feeling equal to men.  The amount of nudity and focus I see of women in the media compared to men is not even close.  Honestly...I'd like to see a little more guy rather than a bunch on chics everywhere.  Sex sells and I'm a straight female not a male wink

Apr 18 12 11:14 pm Link

Model

Koryn

Posts: 39496

Boston, Massachusetts, US

Everything we do, and everything we are in this life, objectifies us to some degree.
I have no issue presenting myself as an "object," because I become an object of sorts every time I identify myself in a context.

Hard to explain, but objectification is just a part of being alive and living in a culture that will, inevitably, shape and define us.

At least with modeling, I have some control over what that object/image evolves into. In daily life, without the benefit of still capture - in our jobs, families, social settings - we have little control over how others choose to objectify us in their own minds.

Aside: What is the name of the book you are reading, OP? I did a Women's Studies (now referred to as Gender Studies) minor in college, and identify as a Feminist. Many of the texts I read back then seemed almost holy to me at the time. In hindsight, as I have developed fully into my politics and adulthood, I find much of the conjecture that used to seem so relevant, to be overly-simplistic, stereotyping, and objectifying in its own way.

Apr 19 12 06:41 am Link

Photographer

AJ_In_Atlanta

Posts: 13053

Atlanta, Georgia, US

I think this like some many similar issues is a failure from the start.  Objectifying the subject is the issue, gender isn't an issue.

Apr 19 12 06:48 am Link

Photographer

GER Photography

Posts: 8463

Imperial, California, US

ADG Photography wrote:

Me too!!  LOL

Me three!!:-)))))

Apr 19 12 06:52 am Link

Photographer

Matt Schmidt Photo

Posts: 3709

Charlotte, North Carolina, US

God rarely, if ever, makes beauty . . . not to be noticed.

Apr 19 12 06:52 am Link

Photographer

David Parsons

Posts: 972

Quincy, Massachusetts, US

Look at the dates of the posts.  This thread was dead for 7 years.

Apr 19 12 06:56 am Link

Wardrobe Stylist

H Jules

Posts: 306

Brooklyn, New York, US

Dossett Photography wrote:
I WISH I was a sexual object   sad

funny

Apr 19 12 06:57 am Link

Model

P I X I E

Posts: 35440

Toronto, Ontario, Canada

Old thread is OLD.

Apr 19 12 07:02 am Link

Photographer

Farenell Photography

Posts: 18832

Albany, New York, US

Though I believe in equal pay for equal work & women having a choice what they can & cannot do w/ their own bodies (to name just a couple issues), I think the feminist movement pretty much died when they started using stripper poles in their own homes & calling it "exercise".

Apr 19 12 07:04 am Link

Photographer

Quentin Gaudilliere

Posts: 75

Paris, Île-de-France, France

Scarlett Candee wrote:
Old thread is OLD.

lol. Very nice necro !

Apr 19 12 07:08 am Link

Photographer

Abbitt Photography

Posts: 13562

Washington, Utah, US

Another old thread revived - seems to be the week for that - but still a relevant topic.

Photography is about capturing the visual characteristics of something material.   In that sense it is about objectifying things.   We are visual creatures and form almost immediate impressions about almost anything we view, based on our immediate visual impression of it.  In my mind to say we shouldn't objectify things  (objects), is to deny the reality of human existence.

People also tend to prefer beautiful imagery over imagery that is not beautiful.  That's not just true of women, that's true of kids, of dogs of landscapes, etc.   Most people would rather hang a beautiful photo of a sunset they took on their wall, than a photo of the local landfill.  Again, that's human nature, and I think it's silly to argue it should be otherwise or that there's something wrong with capturing and appreciating beauty.

Apr 19 12 07:09 am Link

Photographer

RBM Photo

Posts: 557

Bellbrook, Ohio, US

How does one even find a thread 2300 days old, much less respond to it like it just happened yesterday? I just don't get it, pet peeve I guess.

Apr 19 12 07:24 am Link

Photographer

K E E L I N G

Posts: 39894

Peoria, Illinois, US

Scarlett Candee wrote:
Old thread is OLD.

Almost 7 years old, which means it's been long enough that reviving it was a good idea considering it's relevance.  This is a good read.

Apr 19 12 07:27 am Link

Photographer

Jerry Nemeth

Posts: 33355

Dearborn, Michigan, US

RBM Photo wrote:
How does one even find a thread 2300 days old, much less respond to it like it just happened yesterday? I just don't get it, pet peeve I guess.

I don't either.    lol

Apr 19 12 07:28 am Link

Photographer

sospix

Posts: 23772

Orlando, Florida, US

Does this mean I havta shoot pix with me eyes closed  .  .  .  wink

SOS

Apr 19 12 07:29 am Link

Photographer

Dean Johnson Photo

Posts: 70925

Minneapolis, Minnesota, US

RBM Photo wrote:
How does one even find a thread 2300 days old, much less respond to it like it just happened yesterday? I just don't get it, pet peeve I guess.

One can find old threads by using the Search feature.

Apr 19 12 07:31 am Link

Photographer

Tog

Posts: 55204

Birmingham, Alabama, US

Comparing and contrasting.  7 years.

Is our collective IQ dropping?

Apr 19 12 07:32 am Link