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Not using the "High Pass Sucks" solution *sucks*.
Photons 2 Pixels Images wrote: ;? Photons 2 Pixels Images wrote: will take a look Apr 23 10 04:19 pm Link Mask Photo wrote: Photons 2 Pixels Images wrote: ;? I tried it a few times a few different ways and every time it goes through the Sharpen actions, the layers all end up within the Original group. But when I stop it after it makes the HF Scratch layer and move that to the top of the stack, it works fine. Apr 23 10 05:43 pm Link Mask Photo wrote: I have this thread bookmarked as I expect it will grow to be as useful (actually, it's already more useful for me) as the original thread. Apr 24 10 08:13 am Link This thread and the original have been massive wealths of information. The first time I read it, it was a bit confusing, but the more I messed around with it I really wrap my head around how it all works now. Cheers for figuring this stuff out, its real genious at work I must say! Apr 24 10 10:07 am Link Ok, I'm trying to get this to work but am having loads of trouble. here's what I'd *like* to happen: layer stack: +Capture Sharpen (curves adjustment) +Noise (linear light) +Healing (normal) High Frequency (linear light) The HF layer should be in LL in order to put its detail back into the LF layer.. And I can get the healing layer (in normal mode) to clip to the HF layer to inherit its blend mode. I can also get the capture sharpen layer to clip. however, I can't get the noise layer to behave correctly. If I leave it as LL, unclipped, it works fine, but i can't put it below the capture layer. If I clip it in LL, it seems to apply its effects twice or something strange, things get way too sharp with noise clipped in LL. If i leave Noise in "normal" and clip it, things get wrecked. Am i missing something? Have i explained correctly? Apr 25 10 04:45 pm Link Photons 2 Pixels Images wrote: Photons, did you grab v0.7.3? from this post: https://www.modelmayhem.com/po.php?thre … st12736874 Apr 29 10 02:40 am Link DH Studios wrote: No, I didn't get that. I actually use my own action but was only trying to help solve an issue some were having. Apr 29 10 08:34 am Link Lunarimaging wrote: My head is still not wrapping, but I'm definitely trying! Thanks to all of y'all for the help. Apr 29 10 12:43 pm Link New version up, linked (and described) in the OP. Some improvements, but nothing groundbreaking (though I do enjoy not having to set my clone source on the high frequency layer over and over now) Jun 04 12 02:05 am Link Mask Photo wrote: Awesome thanks I have to try it out.... Jun 04 12 05:59 am Link Hotfix uploaded: now any layer that does simple sharpening is desaturated. I noticed that some of the creative sharpening layers were altering the saturation, which is something that should be done for a reason, not as a side-effect of sharpening. (the exception to this is local contrast; it just looked weird being desaturated, since the whole point of the layer is to emphasize differences in large areas) Also added another flavor of creative "sharpening" in the final effects action. Now we have: Sharpen - 4.3px Grit - 13px Edge Enhancement - 40px Local Contrast - 85px if you want to tweak these for your own files, the values I used are 1/1000 the longest side of the image for Sharpen, 3/1000 for grit, ~9/1000 for Edge, and ~18/1000 for Local Contrast. Jun 11 12 01:47 am Link @Mask Photo: YOU are my personal hero! Jul 04 12 11:54 am Link mask, your "final effects" set has a save action right at the top. after playing around with your actions in a file id been working on, i go to run that one and it goes ahead and saves my psd with all your new layers and testing stuff. thankfully i stopped it. this shouldnt be something left in an action, and if it is, it should be a prompt, not automatic. just an fyi. Jul 07 12 07:08 am Link Eikon wrote: you're welcome to put in a prompt, but respectfully, i feel that these are actions you should only use in production once you've toyed with them and know what they do. They're intended to be the last thing you do to a file anyway, since they overlay stamps of the entire image in the top layer group. Jul 08 12 01:52 am Link So just because I am a newb. The final effects action do I run that on a merged layer with all the edits applied? Jan 14 13 04:03 pm Link plabonte wrote: Yep. Get all your retouching done, because the final effects will make 3 grouped effects layers that all use a stamp of what's done so far. Jan 15 13 08:48 pm Link Thank you so much for sharing. Jan 16 13 11:05 am Link I must be doing something wrong. When I run workspace everything is fine. Then when I run the frequency separation 8-bit the final image looks a high pass filter of an image on a 50% grey background? Also during the scrip it ask about a snapshot and if I should pick all layers, current layer or merged layers... not sure what do answer there either... sorry is there a faq for the scripts? Also I have no idea how to post an image in a thread. Jan 16 13 06:28 pm Link I think I figured it out... the base layer group was not shown after the action is finished. Also the image after the action (frequency separated) has been sharpened a great deal... I just want to make sure it should look that way. I thought I read once the action is finished there should not be a difference between the original and the frequency separated image. Thanks, sorry for all the questions. Jan 16 13 06:33 pm Link plabonte wrote: You're not doing anything wrong. the action turns the base group off so i can clone on the healing layer using "current and below". plabonte wrote: You're in the faq. plabonte wrote: It's temporarily sharpened a great deal. a gross amount of sharpening, just to emphasize flaws. plabonte wrote: not at all. It means people are using the actions, which is great. Jan 16 13 10:46 pm Link I am using CS6, and I figured out that error only happens after you rerun the script after your select Revert Image (one I screwed up the first time I reverted back to the original image and reran the script). However the first time you run the script after you open the original image the script runs fine. Thanks for making the script, it's awesome! Jan 17 13 04:45 pm Link One last question about your workflow, do you do any edits for your shots in camera raw? (other then white balance and color adjustment) Healing Brush? Adjustment Brush? Jan 17 13 04:56 pm Link plabonte wrote: I do all the "big moves" in lightroom (effectively ACR for your purposes). Large tonal adjustments, gross color adjustments, etc. Also, if you're extending your dynamic range, you'll want to pull several exposures out of the raw and then sandwich and mask them... That's all done before the split. If you have a composite before you split, you'll end up with that composite preserved in the "original" group. Jan 17 13 06:20 pm Link Ha! Seems like a very nice post, gonna read it properly tomorrow morning Jan 20 13 09:56 pm Link |