How to Shoot Boudoir Photography
Soft & Sensual Photography: Boudoir Style
Soft and sensuality are subjective terms, so the way you approach the composition of your sensual photography will depend on your own artistic aesthetic feeling and how you want to market your work.
“Sensual” also stands as synonym for the “boudoir photography” or vice versa boudoir photography naturally contains the sensual/soft element.
Soft boudoir series are more sensitive and elegant than bold glamour portraiture and nudity is more often implied than explicit. Creating sensual series is to take variations of candid and posed photographs of the subject partly clothed or in lingerie.
In conclusion: soft, seductive, and elegant with a touch of class.
What Makes a Sensual Look?
Photographer: Dan Hostettler; Model: Melisa Mendini
The 5 most important points:
- Beautifying & Styling: Apply natural toned make-up, no signaling colored lipstick. Make hair forms soft (no straight, strong lines). Select very light, plain lingerie without disturbing or intense colors.
Tip: Choose a manageable room/set that provides a monotonous color environment. - Lighting: Soft and appealing lighting created by using a big, even light volume (e.g. wall of light) and integrating ambient light (if existing).
Tip: Increase the ISO value in order to allow for a better impact of the ambient light. - Posing: Direct the subject to perform poses as round and soft as possible without letting the scene appear to be static.
- Composition: Work with a shallow depth of field. You’ll achieve this by taking shots with long focal length and open aperture. Leave out visually distracting elements that interfere with the mood and draw the attention away from the model!
- Post: Use options in post-production to enhance softness and tone down the color saturation.
Soft Light Quality Is Crucial
Without a doubt, the character of light is important – it can also be described as quality. For this look, the light quality has to be very soft (low-contrast shadows).
It does not matter whether the series is created with daylight, flash or mixed. Most important is rather that the lighting is soft, flattering and even.
I captured this series on location and the actual idea was to combine incident daylight with scattered flash light in order to achieve a nice balance and smooth room illumination. Unfortunately it rained that day and the natural daylight was simply too weak to fulfill the requirements I had for this whole scene. So I had to fully rely on my lighting equipment…
Photographer: Dan Hostettler; Model: Melisa Mendini
Strobe & Softbox: Not Always Soft Enough
But strobes (irrelevant which form & size) basically emits hard light (= creating harsh shadows) which does not comply with the character of this look at all.
On this set I could not bounce because the walls with their various colors would have caused quite a strange color temperature mix. On top of that, the ceiling was paneled with dark brown wood. You get the picture, right?
Therefore, my biggest light former I had on set was put to use: an octobox with 120 cm/4’ diameter.
The problem that now presented itself was the short distance between flash head and model. The light beam could simply not spread wide enough to create a huge soft light cloud.
What to do now?
Photographer: Dan Hostettler; Model: Melisa Mendini
Easy But Ingenious Solution: The Shower Curtain
My friend and fellow photographer Michael Zelbel uses shower curtains in a very skillful and formidable way in order to eliminate any kind of hardness created by the light source (= it scatters light). Since I saw him applying this trick, 2 cheap plastic IKEA shower curtains crown my lighting equipment collection at all times so I can build an improvised light wall if needed 🙂
Of course they swallow quite some light power but when working with monolights this really does not matter – the devices are strong enough to even this out…
So this led me to the following lighting setup:
- Octobox (120 cm/4’) is creating the first diffusion.
- Place a shower curtain in front of it to serve as the ultimate light softener and produce a bigger volume at the same time (= extensive light source).
In addition, I decided to go with a higher ISO-value which provided me with the perfect combination that I needed in order to let the weak daylight immerse and merge the artificial light cloud into the desired light volume.
In the following, I would like to further elaborate about posing details, the compositions related to them and the emotions resulting from them. The conscious control of the visual concept (that actually defines the look in the end) in combination with the right framing and corresponding lens (+ open aperture) is key.
Photographer: Dan Hostettler; Model: Melisa Mendini
Posing: Model Concentric-Concept
In posing we fully concentrate on mood and message. It’s a very model concentric-concept.
In general, poses have to be minimalistic. The subject is showing soft lines, nothing extreme. It has something flowing, round, and comfy about it. But direct your subject without letting the scene appear to be static.
Photographer: Dan Hostettler; Model: Melisa Mendini
Lighting Gear & Specs Used
Photographer: Dan Hostettler; Model: Melisa Mendini
- 1x Monolight 400 Ws @400 Ws
- 1x Octobox (120 cm/4’) – w/Grid
- 2x Plastic Shower Curtain 180x200cm/6×6.5’
Camera Gear & Specs Used
- 1x Nikon Fullframe
- 35-200mm focal length range
- f/1.8-3.5
- 1/60
- ISO 640
- 4900°K
SMOOTH. Create Sexy Looks the Easy Way!
Portfolio Blueprint: Completely revealed overview of 7 characterized nude looks. Each of these looks gets meticulously stripped down. Follow an all-embracing step-by-step instruction-path from start to finish.
Based on a variation of setups, this compendium helps you to find the best strategy to purposefully build your imagery and enhancing your portfolio. Featuring Melisa Mendini.
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- Basics: Creating with Shadows – Shadow Quality, Moods & Sculpting with Modifiers
- Basic Look: Your First Nude Shoot with simple 1-Light Setup
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- Pages: 150
- Photos: over 350
- Nudity: Yes
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May 02, 2020 at 9:27 am, Steve said:
Interesting… Basically recreating what Playboy, Penthouse, Oui etc… photographers did in the 70’s 80’s in camera.. but with 64 asa and 36 shots per roll! i learned how to do this type of lighting and photography by reverse engineering shots in magazines, which you can still find here and there. Then had the very fortunate opportunity to assist with Stephen Hicks in the 80’s. Of course the biggest challenge is to get the look and emotion out of the model, lighting and gear is the easier part!
October 01, 2017 at 4:20 am, Carl Gorton Photography said:
I am thinking about trying out some of your techniques on my 1st ever boudoir shoot, lovely softness to the images.
September 27, 2017 at 7:14 pm, Bill Townsend said:
Very nicely written!
September 27, 2017 at 7:04 pm, Ivan Gastaldo said:
Thank you for sharing!
September 27, 2017 at 3:33 pm, twobe1 said:
Thanks for this, excellent instruction. I have found that getting the facial expression desired is one of the most difficult goals to achieve.
May 02, 2020 at 9:31 am, Steve said:
Yep! Getting subject to relax and give the images the right facial expressions etc.. is one of the tough parts!